With his rumpled raincoat, ever-present cigar, bumbling demeanour and Sherlock Holmesian powers of deduction, disarmingly polite homicide detective Lieutenant Columbo took on some of the most cunning murderers in Los Angeles, most of whom made one fatal, irrevocable mistake: underestimating his investigative genius.
An infamous 'psychic' abandons his public persona, outing himself as a fake, to focus on his work as a consultant for the California Bureau of Investigation in order to find "Red John," the madman who killed his wife and daughter.
The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.
S. Epatha Merkerson,
Jesse L. Martin
Dr. Cal Lightman teaches a course in body language and makes an honest fortune exploiting it. He's employed by various public authorities in various investigations, doing more when the ... See full summary »
Railway director and fellow Belgian Monsieur Bouc secures Poirot a last minute berth on the Orient Express, returning to England from Istanbul. Ratchett, an abrasive American businessman, traveling with his valet and male secretary, tries to secure Poirot's services as he fears that his life is in danger. Poirot turns him down, but the next morning, whilst the train is stuck in a snowdrift in Serbia, Ratchett is found stabbed to death. There is vague talk of a man seen fleeing the train, but many of the passengers in Poirot's compartment do not appear to know either Ratchett or each other, so what could the motive be? Poirot, assisted by Bouc and Dr. Constantine, attempts to find out. Written by
don @ minifie-1
The original 1934 title was "Murder on the Calais Coach" because it was feared that readers would confuse it with "Stamboul Train" by Graham Greene, published in 1932. See more »
Mr. Bouc compares one of the characters to the "Bismark" battleship. The Bismark was laid down in 1936 only, launched in 1939 and commissioned in 1940. See more »
No! Lieutenant, you lie to Poirot. You say that you were in the barracks by midnight, but Poirot has proved this to be false. At a quarter to one in the morning you were seen over two miles away in the company of the woman who died. General, this is not a murder, as is suggested by the Palestinian police, but I do believe the lieutenant lied about his whereabouts, first out of panic and then, by sticking to this *lie*, but reinforcing it with *lie* after *lie* for weeks and weeks ...
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Great cast, Brilliant story, Horrible direction = mediocre movie
As an avid Agatha Christie reader, and a long time fan of David Suchet I was awaiting the release of this episode of Poirot for over a year.
I was amazed at how perfectly the actors were casted, so they perfectly fitted Christie's description of them in the book. However, we're talking about a long book that requires time for digestion of details, development, and also to avoid monotonousness in the rhythm of the movie.
Aside from the fact that numerous details of the case were omitted presumably because of time limitations, Poirot's character was perverted with the added religious characteristics (catholic, praying type, etc.) which is not part of the book and the description of character in any of the Christie books. I believe her original ending is much more fitting and in accordance with Poirot's character description.
To this day, I always thought what would have happened if David Suchet had starred in the original 1974 Murder on the Orient Express, instead of Albert Finney, and I can now say for certain that I will never find out! The original enjoyed a great director, an amazing all star cast and enough time for the development of the plot, none of which was present in the 2010 version. I only wish that the great David Suchet was there present in the original.
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