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The Howling: Reborn
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Release Date:
18 October 2011 (USA) See more »
Full Moon. New Blood.
On the eve of his high school graduation, unremarkable Will Kidman finally bonds with the girl he has long yearned for... See more » | Add synopsis »
(50 articles)
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User Reviews:
Not much horror but smart social commentary See more (34 total) »


  (in credits order)

Landon Liboiron ... Will Kidman

Lindsey Shaw ... Eliana Wynter (as Lindsey Marie Shaw)

Ivana Milicevic ... Kathryn / Kay

Jesse Rath ... Sachin
Niels Schneider ... Roland
Frank Schorpion ... Jack Kidman

Kristian Hodko ... Tribe
Sean Mercado ... Pierce (as Sean David Mercado)
Sacha Charles ... Roddick

Erin Agostino ... Regina

Mark Camacho ... Principal Larouche
Cecile Cristobal ... Nurse
Adrian Burhop ... Picardo

Erica Deutschman ... Pill Popping Party Girl

Danny Blanco Hall ... History Teacher

Sean Tucker ... Security Guard
Michael Stewart Grant ... Stalker (as Michael Grant)
Mary Beth McDade ... Anchor Woman
Joe Nimziki ... Reporter

Jason Abell ... Additional Voices (voice)
Conicia Barrios ... Additional Voices (voice)
Chris Davenport ... Additional Voices (voice)
Andrew M. Howe ... Additional Voices (voice)

Tracilyn Jones ... Additional Voices (voice)
Chan Staples ... Additional Voices (voice)
Arron Weisel ... Additional Voices (voice)
Robyn Whitney ... Additional Voices (voice)
rest of cast listed alphabetically:

Erin Simms ... Woman Driver (uncredited)

Directed by
Joe Nimziki 
Writing credits
Joe Nimziki (screenplay)

James Robert Johnston 

Produced by
Alain Gagnon .... line producer
James Robert Johnston .... co-producer
Kevin Kasha .... producer
Joel Kastelberg .... producer
Steven A. Lane .... executive producer
Cynthia H. Margulis .... line producer: Los Angeles
Robert Pringle .... executive producer
Ernst Etchie Stroh .... producer
Original Music by
Christopher Carmichael 
Mark Yaeger  (as Mark Anthony Yaeger)
Cinematography by
Benoit Beaulieu 
Film Editing by
James Coblentz 
Casting by
Rosina Bucci 
Vera Miller 
Production Design by
Yuda Acco 
Art Direction by
David Blanchard 
Makeup Department
Kevin Carter .... special effects contact lenses
Larysa Chernienko .... key makeup artist
Sandra Solanchick .... hair stylist: second unit
Sandra Solanchick .... key makeup artist: second unit
Production Management
Karl Archambault .... unit manager
Michael Stewart Grant .... production manager
Nancy Valle .... executive in charge of post production
Second Unit Director or Assistant Director
Alan Best .... second unit director
Sean Dwyer .... first assistant director
Thomas Parkinson .... second assistant director
Art Department
Paul DeBlois .... art department coordinator & decorator
Paul DeBlois .... art department coordinator
Alain Gonzalez .... assistant property master
Sound Department
Natalie Fleurant .... adr supervisor
Hans Laitres .... sound re-recording mixer
Juan Nunez .... sound mixer
Olivier Rivard .... voice designer
Jean-François Sauvé .... supervising sound editor
Jean-Philippe St-Laurent .... dialogue editor assistant
Special Effects by
Marc Auclair .... special effects assistant
Louis Craig .... special effects supervisor
Karim El Fassi .... special effects coordinator
Bernard Guay .... special effects technician
Sebastien Roussel .... special effects foreman
Sandra Solanchick .... prosthetic application: second unit
Luc Therrien .... special effects technician
Visual Effects by
Alan Best .... visual effects supervisor
Eddy Chan .... digital compositor: Boogie Studio
Philippe Desiront .... digital compositor: Boogie Studio
Sebastien Dostie .... visual effects supervisor: Boogie Studio
Patrice Fortin .... colourist
Eric Gervais-Despres .... digital effects artist: Boogie Studio
Alex B. Martin .... stunt performer
Tyler Hall .... stunt coordinator
Stéphane Julien .... stunt double: werewolf
Patrick Kerton .... stunt double
Patrick Kerton .... stunt rigger
Genevieve Maclean .... stunts administrator
Alexandre Prefontaine .... stunt double: werewolf
Alicia Turner .... stunt double: Lindsey Shaw/ivana milicevic
Evalina Turpin .... stunt double
Martin Williams .... head stunt rigger
Camera and Electrical Department
Ivan Acero .... assistant camera: Los Angeles unit
Patrick Bernier .... first assistant camera
Mathieu Charest .... a-camera/steadicam operator
Daniel Dallaire .... gaffer
Scott Dropkin .... Steadicam Operator: Los Angeles Unit
Sean Sweeney .... data wrangler
Editorial Department
Emily Chiu .... assistant editor
Mathieu Demers .... associate editor
Russell Harnden III .... additional editor
Arthur Montreuil .... film timer
Guillaume Poulin .... assistant editor
Music Department
Maureen Crowe .... music supervisor
Simone de Leuw .... score production manager
Olivier Rivard .... music editor
Daniel Rojas .... musician: guitar
Daniel Rojas .... score technical advisor
Transportation Department
Karl Archambault .... transportation coordinator
Other crew
Bill Balas .... key set production assistant: Los Angeles Unit
Joe Iacono .... financial consultant and auditor
Francine Lebrun .... production coordinator
Camille Louvet .... script supervisor
Sandra Solanchick .... stand-in: Eliana's hand

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Rated R for horror violence, some sexuality and drug use
88 min | USA:93 min (Showtime version)
Aspect Ratio:
1.85 : 1 See more »
Filming Locations:

Did You Know?

Miscellaneous: (At around 1 hr 24 mins) A computer displays "TRANSMITION COMPLETE" with an obvious spelling error.See more »
Movie Connections:


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5 out of 6 people found the following review useful.
Not much horror but smart social commentary, 9 December 2012
Author: TdSmth5 from US

In the intro we meet a pregnant woman who is attacked by a werewolf. 18 years later the kid, Will, is about to graduate from high school. He's a loner, loser, smart, nerdy, goofy- the usual. His only friend is a horror movie buff. He's got a crush on a pretty and popular girl- as expected, who doesn't know he exists. Until one day that Eliana catches him staring and discovers that he's drawn her countless times. She invites him to a party were he's given ecstasy by some gang of wanna-be-thugs/tough guys. He starts seeing things and thinks he's being chased by werewolves. Over time he also starts thinking he might be a werewolf.

Meanwhile his dad meets a hot lady, K, who's a werewolf. Will discovers with the help of his friend that he's indeed a werewolf and ends up killing Eliana's violent boyfriend. Will and Eliana become closer when suddenly K shows up and wants to convince Will to let his werewolf nature out. He ends up confronting her.

There are two types of werewolves here- some ugly rubbery latex ones that look more like mutants and more impressive hairy ones. That said, they aren't really put to good use. They don't attack a lot of people, although at some point we discover a school basement full of victims.

The romance or rather the sexual tension is well handled. Eliana represents temptation- and she's very tempting, although not much happens between the two. She falls for him too suddenly. At times the conversations between these two are bizarre. He'll talk about lycanthropy and she'll answer in sexual/romance terms.

Ordinarily I despise movies that abuse of the horror genre for some other purpose- vampire comedies, zombie romance, etc. This is more of a werewolf romance we are told. It's definitely not a werewolf horror movie, but it's not a romance movie entirely either. This movie has some horror, some romance, but it also has a social message-and a good one at that. So I can forgive that it isn't horror. The script is smart and, well, there is a lot of script here. There are a lot of voice-overs by Will where he's philosophizing about life in high school and after, about human nature, about free will, etc. In fact there are too many voice overs. Much is made of the animal nature in man versus the civilizing/socializing of that nature. There are plenty of symbols in that regard. Will is very bored and his life is dull apparently because he has lived by the rules and hasn't let his animal nature run wild. I'm not sure we need the message that folks should stop acting civilized and just follow their instincts. But the deeper social criticism and message of this movie is a good one- to value relationship more instead of avoiding them. No doubt scientific and technological development haven't exactly led us to be better people. On the contrary, people are looking for no drama, no strings attached relationships. In order to avoid complications we are avoiding each other altogether rather than developing and maturing precisely through relationship and commitments.

We are told in the making-off feature that the writer/director is some experienced veteran although IMDb shows this as being is first major work. In a way then it's understandable that this movie tries to do more than it can, that the writer wants to overwhelm us with his ideas, that this movie is unfocused. What I can't forgive though is the annoying, awful overuse of music. As if there weren't enough talk and voice overs, repeatedly we get loud music with lyrics that are allegedly relevant to the moment. It reminds you of the 90s when movie makers were more interested in selling you the soundtrack CD instead of making a decent movie.

Most of the time I hate a movie like this- it makes use of an established and respected name (and The Howling I is in my opinion the best werewolf movie ever made), it doesn't give us a lot of horror, it has a somewhat moralizing message, etc. But at least this one is smart and doesn't treat the audience like morons. It has a likable and attractive cast- in particular Ivana Milicevic who is gorgeous and devastatingly hot. This writer/director has some potential if he learns to moderate himself and finds better vehicles for his message.

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Message Boards

Discuss this movie with other users on IMDb message board for The Howling: Reborn (2011)
Recent Posts (updated daily)User
There is no excuse for the music in this movie. xmjivex
A line that insults fans of the Original Howling and take a Jab at Chris Stiler
Worst, lame + corny werewolf movie of 2010s homelesperan
explain this for me please ... enicolson89
The fight scene in The Freaks was better Golden_Brown
Not a bad movie at all. My quick review: greatnail
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