Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
A retired elite Black Ops Commando launches a one man war against a group of South American criminals who have kidnapped his daughter to blackmail him into starting a revolution and getting an exiled dictator back into power.
Mark L. Lester
Rae Dawn Chong,
Sheriff Owens is a man who has resigned himself to a life of fighting what little crime takes place in sleepy border town Sommerton Junction after leaving his LAPD post following a bungled operation that left him wracked with failure and defeat after his partner was crippled. After a spectacular escape from an FBI prisoner convoy, the most notorious, wanted drug kingpin in the hemisphere is hurtling toward the border at 200 mph in a specially outfitted car with a hostage and a fierce army of gang members. He is headed, it turns out, straight for Summerton Junction, where the whole of U.S. law enforcement will have their last opportunity to make a stand and intercept him before he slips across the border forever. At first reluctant to become involved, and then counted out because of the perceived ineptitude of his small town force, Owens ultimately accepts responsibility for the face off. Written by
The Camaro Ray Owens is chasing the ZR1 with in the corn fields is depicted as a ZL1 but a close up of the interior during the chase shows the headrest embroidered with SS instead of ZL1. See more »
[getting on the radio after being passed]
Contact the FAA and tell them some smart ass is flying a jet plane around out here without any lights.
See more »
A bit mangled, but a decent enough return to film for Schwarzenegger
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Sheriff Ray Owens (Arnold Schwarzenegger) oversees the law in the sleepy American town of Summerton, resigning to a quiet life after becoming fazed by the brutality of more hard line policing. But all that looks set to change when notorious drug lord Eduardo Noriega (Gabriel Cortez), who is scheduled for death row, breaks free from custody in Las Vegas and comes hurtling in a fast sports car towards Summerton to rendezvous with right hand man Burrell (Peter Stormare.) In a battle of odds with FBI Agent John Bannister (Forest Whitaker), who is hot on the trail of Noriega, Owens takes a stand with his deputies to stand firm and protect their little town.
After a ten year absence, during which it seemed unlikely he would ever return to acting, it's easy to appreciate the void Arnold Schwarzenegger left in the world of action cinema, and indeed cinema in general, and for sheer nostalgia to overwhelm your opinion of this new film of his. The Last Stand, unwittingly, could make you hark for his films of old and want to re live the sheer, unmistakable magic you could only get from an Arnold film all over again. Hell, the length could even make you forget that his last few films before he became 'the Governator' were of mediocre quality at best, or even make you think they weren't so bad after all. It is surprising, and certainly very nice, to see him back on the big screen again. And, while The Last Stand is certainly not without it's qualities, there are some big flaws that stop it from being a mesmerizing come back.
While he seems to have exhausted himself with his own self publicizing, with certainly a few TV/magazine interviews in the UK prior to the film's release, it's weird how little publicity the film itself seems to have received (I didn't even see a trailer before going to see it.) It's hailed as Arnie's big new come back, with him prominently headlined as the main star, but it's strange how little screen time the big man seems to occupy, especially in the first half. For a short while, it sort of becomes the Forest Whitaker show, as the big prison bus escape unfolds. Not a good thing, when you think he's already drowning in a sea of co stars, including Stormare, Luis Guzman and Johnny Knoxville as the town's resident, er, jackass.
He seems to have a slower, more gentle, considered presence here, his scenes giving the film the same feel one of Clint Eastwood's more modern films would have. Given his age, I think this is for the best, as the thought of him on wires or using stunt doubles wouldn't be very good. The main problem the film has is it seems unsure of it's tone, whether it wants to be a solid, compelling action drama or more like one of Arnold's more wackier, wise cracking earlier films. Rather than turning to more modern, flashy directors like Jee-Woon Kim, it would be interesting to see how Arnold himself might prove, directing one of his own films, in the style his old mate Clint does. ***
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