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The Last Stand (2013)

6.4
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Ratings: 6.4/10 from 98,952 users   Metascore: 54/100
Reviews: 238 user | 361 critic | 33 from Metacritic.com

The leader of a drug cartel busts out of a courthouse and speeds to the Mexican border, where the only thing in his path is a sheriff and his inexperienced staff.

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Cast

Cast overview, first billed only:
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Titos Menchaca ...
Richard Dillard ...
Irv
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Mathew Greer ...
Sam
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Christiana Leucas ...
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Storyline

Sheriff Owens is a man who has resigned himself to a life of fighting what little crime takes place in sleepy border town Sommerton Junction after leaving his LAPD post following a bungled operation that left him wracked with failure and defeat after his partner was crippled. After a spectacular escape from an FBI prisoner convoy, the most notorious, wanted drug kingpin in the hemisphere is hurtling toward the border at 200 mph in a specially outfitted car with a hostage and a fierce army of gang members. He is headed, it turns out, straight for Summerton Junction, where the whole of U.S. law enforcement will have their last opportunity to make a stand and intercept him before he slips across the border forever. At first reluctant to become involved, and then counted out because of the perceived ineptitude of his small town force, Owens ultimately accepts responsibility for the face off. Written by Production

Plot Summary | Plot Synopsis

Taglines:

Not in his town. Not on his watch. See more »

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for strong bloody violence throughout, and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

18 January 2013 (USA)  »

Also Known As:

El último desafío  »

Filming Locations:

 »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

$6,281,433 (USA) (18 January 2013)

Gross:

$12,026,670 (USA) (22 February 2013)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Melissa Molinaro appeared as an EMT alongside Luis Guzmán but the scene was deleted and not included in the special features of any home releases of the movie. See more »

Goofs

Ray asks to see a gun permit. In Arizona, a person over age 21 may legally carry a concealed firearm or deadly weapon without a permit within the state, but must disclose the fact to law enforcement if questioned. See more »

Quotes

[first lines]
Jerry Bailey: [getting on the radio after being passed] Dispatch...
Dispatcher: Go ahead...
Jerry Bailey: Contact the FAA and tell them some smart ass is flying a plane around out here without any lights.
See more »

Connections

Referenced in The Tonight Show with Jay Leno: Episode #21.88 (2013) See more »

Soundtracks

I'll Pretend
Written and Performed by Glen Morris
Courtesy of Fervor Records Vintage Masters
See more »

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User Reviews

 
"I'm the Sheriff" damn right!
18 January 2013 | by (United States) – See all my reviews

This is pure guilty-pleasure cinema. You know you can't defend seeing lots of nameless guys in black suits and machine guns mowing down people and that there's only a bullet here or there that might get one of our good guys (and I mean, y'know, Luis Guzman, who is always fun to watch in that very familiar character-actor way by the way, same for Harry Dean Stanton's walk-on), and it hearkens back to that time in the 1980's and 90's when Arnold Schwarzenegger dominated cineplexes with this kind of action trash. But over time, as super glossy and hyper-kinetic and chaotically-shot cinema floods theaters, this almost comes as something of a refreshment. How do I simply say "I got thrilled by the action, laughed at the craziness in the set-pieces, and loved seeing Arnold tear it up and have one-line retorts: "How do you feel?" asks a towns-person - "OLD!")

But aside from the story, which seems to be fairly cookie-cutter with the Mexican cartel kingpin who is getting across from Nevada down to the border to get back to his safe land, and with various tropes that can be read from not too far away (given some heft by the fact that Eduardo Noriega cuts a very sharp figure as a madman with a zest for stunt- driving - like a character one might find almost in Rodriguez/Tarantino's Grindhouse, or a hybrid of such characters they write), what is there? How about that the director, Kim Jee-Woon, has a track record from back in South Korea as being a hardcore, awe-inspiring action and genre director, who can make them very, very intense and harrowing (I Saw the Devil), or truly spooky and harrowing in a quieter, more sinister way (Tale of Two Sisters). But what got him the job, I suspect, was The Good, the Bad and the Weird, his wild homage to everything Western - Spaghetti, yes, but good ol' American variety. He must have read the script and said 'I can do this, this is a Western to the bone just in 21st century garb... matter of fact, it's Rio Bravo on steroids!'

Well, that's my suspicion anyway. Think about it - a Sheriff in a ponam town with not many residents at all (and those that do stick around all day won't leave cause of some gunfire - there's a cheese omelette cooking after all at the diner), and has some good deputies, and some others he has to recruit not by his better judgment but by lack of other good officers, and has a Big Bad Motherflipper coming right his way. "I've seen a lot of blood and death. I know what's coming," says the not-quite quipping Arnold. And the first half does build, somewhat decently if predictably, the pieces of the characters, the basic set-ups of who may die (or will) and what betrayals are happening and who knows what (and what, really, Forest Whitaker can do as the Man in Charge in the suit - powerful, but he's not a Schwarzenegger).

It's the second half of the film, as the preparations intensify and then the big attack comes to Sommerton Junction (even the name is out of a Sam Fuller western or something) that the film REALLY picks up steam. And by steam, I mean lots and lots of bullets, sometimes from huge guns that fire way too many bullets. What helps in Jee-Woon's favor in The Last Stand is how he takes the fantasy of all of this to such a degree that you (or I really) can't help but admire how high it ends up going. It will please hardcore action fans, but unlike the only other recent Schwarzenegger films (so to speak) of the Expendables franchise, it doesn't really insult your intelligence either. The villains on display in this flick are not pushovers, and it leads to some impressive action from the performers, from the cameramen, from the bullets themselves which become their own actors. And the final chase through a cornfield, just when you think the film has nothing else to give you, comes back for a surprise set-piece that feels fresh and inventive; we haven't seen something quite like this where it's a cat and mouse chase through such a big space of land, but we know it is just a matter of seconds.

If you've grown up on Schwarzenegger flicks, it's like visiting the old(er) man at the condo, and jogging his memory full-throttle. I don't know if this is just a brief pop-up appearance for the (how do I write this without laughing but he is) veteran action icon, or a third and final career trajectory after years as a bodybuilder/up-and-comer, and superstar. But for now, it'll do, Johnny Knoxville's rambunctious comic-timing not withstanding.


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