| Eoin Macken | ... | Ken | |
| Anna Skellern | ... | Rachel | |
| Tereza Srbova | ... | Silka | |
| Anthony Jabre | ... | Marco | |
| Abdelkader Saïd | ... | Dead Sailor (as Abdelkader Ben Said) | |
| Mohamed Dhrif | ... | Boat Merchant |
Directed by | |||
| Andrew Hull | |||
Writing credits(in alphabetical order) | ||
| Geoffrey Gunn | written by | |
| Andrew Hull | written by | |
Produced by | |||
| Amina Dasmal | .... | producer | |
| Robin C. Fox | .... | executive producer (as Robin Fox) | |
| Christopher Granier-Deferre | .... | producer | |
| Martin Poultney | .... | executive producer | |
| Bernadette Thomas | .... | executive producer | |
Original Music by | |||
| Michael Price | |||
Cinematography by | |||
| Will Humphris | |||
Film Editing by | |||
| Gavin Buckley | |||
| Alan Levy | |||
Casting by | |||
| Kate Plantin | |||
Production Design by | |||
| Tom Cochrane | |||
Costume Design by | |||
| Alison Forbes-Meyler | |||
Makeup Department | |||
| My Alehammar | .... | makeup designer | |
Production Management | |||
| Philippa Day | .... | production supervisor: Sindbad Productions | |
| Amina Gharbi | .... | production manager | |
| Moez Kamoun | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Henry Forsyth | .... | first assistant director | |
| Ali Hsouna | .... | co-second assistant director | |
| Nick Laurence | .... | second assistant director | |
Sound Department | |||
| Jack Gillies | .... | supervising sound editor | |
| Karim Guemira | .... | boom operator | |
| Vincent Hazard | .... | sound effects editor | |
| Mathew Knights | .... | sound re-recording mixer | |
| Richard Kondal | .... | dialogue editor | |
| Henry Milliner | .... | sound recordist | |
| Mark Verner | .... | foley artist | |
| Mark Verner | .... | foley editor | |
Visual Effects by | |||
| Barry Corcoran | .... | visual effects artist | |
| Warwick Hewett | .... | visual effects line producer: Rushes | |
| Brad Le-Riche | .... | compositor | |
| Paula Olszowska | .... | compositor | |
Camera and Electrical Department | |||
| Lotfi Kammoun | .... | gaffer | |
| Mark Nutkins | .... | dit red camera | |
Editorial Department | |||
| Trevor Brown | .... | digital intermediate colorist | |
| Niamh Mulcahy | .... | di assistant | |
Music Department | |||
| Haley Glennie-Smith | .... | vocals | |
| Rael Jones | .... | music producer | |
| Rael Jones | .... | musician: guitars and textures | |
| Michael Price | .... | score producer | |
| Tereza Srbova | .... | vocals | |
Other crew | |||
| Absi Anis | .... | production staff | |
| Hatem Ben Zineb | .... | location manager | |
| David Pollison | .... | acquisition consultant for Grindstone Entertainment Group | |
Thanks | |||
| Andrew Hull | .... | in memory of | |
| Susan Kulukundis | .... | the producers would especially like to thank | |
| Richard Swallow | .... | the producers would like to thank | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
An excellent setup, nice idea but completely wasted in bad acting, bad directing and scripting.
You know, if you are going to make a sexy horror movie you have to go all the way. I mean, why selling sex with the cover, why select the players so obviously by their looks, if you are not going to show a thing.
On the other hand maybe you could have pull it off as a more serious horror movie with better actors. But not showing the sex scenes between the characters, specially the lesbian scene, is not having any sense of business at all.
In the end, be clear of what kind of movie you want to make and try to make the better movie you can of the genre...
Such a waste...