Chris is a once promising high school athlete whose life is turned upside down following a tragic accident. As he tries to maintain a normal life, he takes a job as a janitor at a bank, where he ultimately finds himself caught up in a planned heist.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
It's 1949 Los Angeles, the city is run by gangsters and a malicious mobster, Mickey Cohen. Determined to end the corruption, John O'Mara assembles a team of cops, ready to take down the ruthless leader and restore peace to the city.
Wilee is one of 1,500 bike couriers in Manhattan who rides on the edge by having a bike with no brakes. On this day, Wilee has a delivery that is so valuable that a corrupt NYC Detective, who needs the money, begins to chase Wilee throughout the city to get it before the envelope is delivered. Written by
Douglas Young (the-movie-guy)
The final scene between Bobby Monday and Wilee in the alleyway of Chinatown is also the backdrop for Jonah Hills character in The Sitter where he delivers the money owed to the drug dealer, Karl. See more »
When he is chased on Broadway after picking up the package he is crossing southbound by 139th street going to 125th when he is supposed to be biking south of 116th street. See more »
I can't work in an office. I don't like wearing suits. I like to ride. Fixed gear, steel frame, no brakes. The bike cannot coast. The pedals never stop turning. Can't stop. Don't want to either. There are 1,500 bike messengers on the streets of New York City. You can e-mail it, FedEx it, fax it, scan it, but when none of that shit works and this thing has to be at that place by this time, you need us.
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In the credits, footage of the aftermath of an actual bike accident Joseph Gordon-Levitt had on the streets of New York City during filming is shown, including Gordon-Levitt showing off his injury. See more »
Scenery is on the menu, and Michael Shannon has a voracious appetite!
I'll be honest when I first saw the trailer for Premium Rush I was a bit skeptical. I scoffed at the idea of a thriller built around the premise of a bike messenger delivering an important envelope on time. But you know what? This is one of those rare late summer releases that comes out of nowhere and entertains you way more than you could have expected.
There's no pretense here. No delusions of grandeur. No misguided Academy aspirations. Premium Rush is a film that recognizes the boundaries of its skin and is completely comfortable in it. It's simply a fun, fast, and intense 90-minute ride that's equal parts tension and comic relief.
Rather than potentially spoil any of the details, I'll let you watch the finer points of the plot unravel on screen. Multiple back-stories are told via time flashbacks, so some of the events might get lost in the translation if you're not paying close attention. What you need to know is that the essence of the film rests in following Joseph Gordon-Levitt's bike journey through the streets of Manhattan as he attempts to deliver his envelope with a scene-stealing Michael Shannon and an I-take-my-job-way-too-seriously bike cop hot on his tail.
You'll recoil and cringe as JGL weaves in and out of traffic, avoiding vehicles and pedestrians alike. You'll laugh as the aforementioned bike cop continually regroups and continues his quest. And you'll love to hate Mr. Shannon as he deftly demonstrates his character's impulse control issues.
I've always heard people say how good of an actor Michael Shannon is, but I've never really seen him in anything. I will definitely seek out more of his work after enjoying his performance in Premium Rush. His hypocritical diatribe on how disgusted he is by the lowering of today's standards had me laughing several minutes after he delivered it. I loved this guy!
I also enjoyed what I am branding the "alternate scenario cam" whenever JGL finds himself in a tight situation, the camera shows him quickly calculating his possible routes and their potential outcomes, many of which end in hilarity and disaster for either Mr. Gordon-Levitt or an unsuspecting pedestrian.
Premium Rush keeps the pace tight and the audience engaged. The camera work forces us right in the middle of the traffic and the blaring car horns, allowing us to experience the tension both visibly and audibly.
The film's main drawback is its abundance of profanity and crass talk. The worst offenders are one f-bomb and more than 10 uses of G-d**n.
Premium Rush never takes itself too seriously, and neither should you. As long as you check your expectations at the theater door then I'm confident the majority of you will find that this film much like its bike messenger protagonist- delivers.
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