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The Slut (2011)

Not Rated | | Drama | 17 May 2012 (Israel)
1:37 | Trailer
Tamar, 35, a beautiful young woman, lives alone with her two daughters. She can't restrain her sexual appetite and gives herself to several men of the village. Shai, a young veterinary, ... See full summary »



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Cast overview:
Yoav Levi
Stav Yanai
Daria Forman


Tamar, 35, a beautiful young woman, lives alone with her two daughters. She can't restrain her sexual appetite and gives herself to several men of the village. Shai, a young veterinary, just moved in the region and soon falls under the spell of Tamar. They quickly become lovers but will Tamar be satisfied with only one partner? Written by Anonymous

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Not Rated | See all certifications »





Release Date:

17 May 2012 (Israel)  »

Also Known As:

Ha-Notenet  »

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Technical Specs



Aspect Ratio:

2.35 : 1
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User Reviews

Daring at times, but mostly pointless and/or incongruous
6 September 2016 | by See all my reviews

I "get" that indie films can sometimes be unconventional in ways that leave viewers bewildered, uncomfortable, unimpressed or otherwise dissatisfied, but usually there is a point to such films that even a dissatisfied viewer can appreciate. I do not think that "The Slut" has such a point.

The pacing is mostly plodding. Sure, rural life plods along most of the time, but the screenwriter's/director's choice of how to reflect this seemed contrived, and made the 86-minute film seem much longer. For example, at one point a character loses a few items from the back of a vehicle. The character retrieves those items, slowly. Then, the scene cuts to a wide-angle shot, lingering on the stationary vehicle and the surrounding landscape. To me, this felt like directorial laziness -- "Viewers, ruminate over the ostensibly humdrum scenery, and eventually realise its bleak grandeur!" -- rather than inspiration. But perhaps I've seen too many films employing this kind of padding, and others will feel an awe that I did not.

There are also two key incongruities that detract meaningfully from this film. For a film that mostly skims over plot and relegates dialogue to a few mumbles, the sex can be quite graphic, with male genitalia often presented in full view (and turgidity). Although I imagine that the sex is not intended to titillate, I wonder why it seems to be the most real thing in an otherwise mostly unreal project.

Secondly, the film's climax, though probably intended as a twist, comes across as completely unbelievable.

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