2 items from 2016
Amy HeckerlingThe films of Amy Heckerling reveal a heart guarded and tender, a penchant for the past without a whiff of the maudlin. Who could forget her debut, Fast Times at Ridgemont High? Directed from Cameron Crowe's script, the 1982 film gave us frank portrayals of sexuality and the detailed minutiae of growing up, suspended in the hazy tedium of high school, all without condescension or patronizing. Totally righteous. Heckerling proved attuned to the particulars of comedy with her next feature Johnny Dangerously (1984), a waggish send-up of the 1930s gangster comedy. In its cheeky beginning, a 1935 title card reveals itself to be a real material object that crumbles when car crash obliterates its façade. With a darkened lash line, a young Michael Keaton puts forth his best James Cagney as the titular mobster whose identity and status are known to all but his ailing ma and brother, a rising assistant Da. »
During the American Film Festival in Wroclaw Poland in November, I met someone at a party. The Polish parties, at least at the American Film Festival, are always very friendly. The American Film Festival and U.S. in Progress late night party is held in the same venue every night with free drinks. Later in the night all those still standing go to a Soviet-style diner and eat the best pierogis I have ever had in my life.
After attending this festival every year since 2008, you would think I knew everyone, but in fact, I often stay by those I know or don’t go to such late high energy parties. However, one night I did go and at the bar, I met a woman named Anna Różalska who looked so familiar that I was sure she was an American I knew from home.
And as we talked, as if we had known each other for all our lives, I realized that even though she was not American, she would fit perfectly among my colleagues in “Hollywood” should she ever decide to give it a try.
Anna was heading the production and development department at Alvernia Studios where she coproduced the Golden Globe nominated “Arbitrage” directed by Nick Jarecki (USA, 2012) starring Richard Gere and Susan Sarandon, the film that Roadside Attractions did so well with on VoD as well as theatrically. She coproduced “Vamps” by Amy Heckerling (USA, 2012) starring Sigourney Weaver. Later Anna exec produced “Sweet Home” (Spain, 2014) produced by Filmax and a short movie “ Ambition” directed by Oscar Nominee Tomek Baginski and starring Aidan Gillen from the “Game of Thrones” for Platige Image and I Exec.
Over the years Anna has built strong relationshops with major Polish producers, TV stations and filmmakers both in Poland and internationally. In 2015 she co-founded Match&Spark Management, a talent management company representing and promoting directors, DOPs and music composers in Poland and outside of the country. The idea is to match filmmakers who have been working in commercials, television and film to broader relationships in the areas they want to develop.
M&S aims to help find Polish talent representation in other markets such as U.S., U.K., France, etc. and to manage them by building long term relationships with other international agents and managers.
M&S also represents Polish talents based outside of Poland in the local markets. Lucas Zal (Oscar-nominee for cinematography on “Ida” by director Pawel Pawlikowski) is one of the most notable clients of M&S.
M&S aims to package the projects in Poland and in the European market using the models of the largest agencies and management companies in Hollywood.
Currently M&S is in post-production on its first U.S. coproduction, a documentary with RatPac, “In The Name Of Honor”, directed by Pawel Gula. More local and international projects, both films and television series are in the pipeline.
Anna graduated from Warsaw Business School, went on to the Polish National Film, Theatre and TV School in Lodz and received her Cems Masters Degree in International Management (Esade / Barcelona). She also had a scholarship to attend Haute Ecole de Commerce in Montreal.
She speaks English, Spanish, French and Polish.
Poland is very U.S.-friendly and has liberal film laws favoring coproductions. We have recently seen two of their films at Sundance, Anne Fontaine's "Agnus Dei" in the Premieres section, a French-Polish coproduction being sold internationally by Films Distribution and the 100% original Polish mermaid vampire lesbian musical, "The Lure" directed by Agnieszka Smoczynska in the World Cinema Section.
Annashe is fluent in English, Spanish, French and Polish and is in a perfect position to bridge future developments between the two countries and other countries as well. »
- Sydney Levine
2 items from 2016