| Photos (See all 14 | slideshow) | Videos (see all 5) |
| Michael Joiner | ... | Bill 'Mac' McDonald | |
| Michael Higgenbottom | ... | Sam Wright | |
| Joy Parmer Moore | ... | Sara McDonald | |
| Louis Gossett Jr. | ... | George Wright | |
| Dawntoya Thomason | ... | Debra Wright | |
| Rob Erickson | ... | Blake McDonald | |
| Kiana McDaniel | ... | Grace Wright | |
| Taylor Ollins | ... | Emily Wright | |
| Cindy Hodge | ... | Dr. Vines (as Cindy Holmes Hodge) | |
| Chris Thomas | ... | Bob Childers | |
| Brayden Negelein | ... | Tyler McDonald | |
| Amisho Baraka | ... | Rand | |
| Jessica Maharrey | ... | Jenny | |
| rest of cast listed alphabetically: | |||
| George Bradshaw | ... | Ken Newman | |
| Alicia Burton | ... | Young Mother | |
| Benjamin Cheng | ... | Ambulance Crowd | |
| Megan Cheng | ... | School Girl | |
| Olivia Cheng | ... | Ambulance Crowd | |
| Wilkes Coleman | ... | Dr. Curry | |
| Stephen Dervan | ... | Mitch Sanders | |
| Chris Johnson | ... | Officer Bob Hunt | |
| Chad Knorr | ... | Undercover Cop | |
| Paul Moore | ... | Lt. Briggs | |
Directed by | |||
| David G. Evans | |||
Writing credits(in alphabetical order) | ||
| Howard Klausner | written by | |
Produced by | |||
| Timothy D. Brown | .... | associate producer | |
| Lynn Holmes | .... | executive producer | |
| Howard Klausner | .... | producer | |
| John Nasraway | .... | producer | |
| John R. Saunders | .... | producer | |
Cinematography by | |||
| John Paul Clark | |||
Casting by | |||
| Lisa Lax | |||
Production Design by | |||
| Darian Corley | |||
Costume Design by | |||
| Lisa Byrd Thomas | |||
Makeup Department | |||
| Curry Bushnell | .... | makeup department head | |
| Leslie Milne | .... | hair supervisor | |
Production Management | |||
| Justin Tolley | .... | unit production manager | |
| Bill Wohlken | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Justin Tolley | .... | assistant director | |
Art Department | |||
| C. Michael Andrews | .... | graphic designer | |
| Terry Byrd | .... | props | |
| Ashley Danelz | .... | set dresser | |
| Will E. Drummond | .... | property master | |
| Kyle Prohaska | .... | graphic designer | |
Sound Department | |||
| Andy Black | .... | sound mixer | |
| Nathan Black | .... | sound mixer | |
| Anita Cannella | .... | foley artist | |
| David A. Cohen | .... | dialogue editor | |
| Jesse Dodd | .... | adr mixer (as Jesse K-D. Dodd) | |
| Ronald Eng | .... | sound re-recording mixer | |
| Ronald Eng | .... | supervising sound editor | |
| Robin Harlan | .... | foley artist | |
| Shannon Pickett | .... | boom operator | |
| Randy Singer | .... | foley mixer | |
Stunts | |||
| Chad Knorr | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Bryan Adams | .... | vtr operator | |
| Cody Brown | .... | grip | |
| Jordan Danelz | .... | gaffer | |
| Sean Davis | .... | second assistant camera | |
| Joel Diament | .... | best boy grip | |
| Patrick Durkin | .... | key grip | |
| Mark Legaspi | .... | first assistant camera | |
| Lee Sumners | .... | best boy electric | |
Casting Department | |||
| David G. Evans | .... | executive in charge of casting | |
| Lisa Lax | .... | casting | |
Editorial Department | |||
| Andrew Drapkin | .... | digital intermediate colorist | |
Other crew | |||
| Russ Anderson | .... | script supervisor | |
| Shelly Gillette | .... | location manager | |
| Elizabeth Nouri | .... | production coordinator | |
| Mary Tolley | .... | talent coach | |
Thanks | |||
| Perry Gibson | .... | special thanks | |
| Nathan Lux | .... | special thanks | |
| Gisela Moore | .... | special thanks | |
| Kyle Prohaska | .... | special thanks | |
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| Courageous | Junebug | Letters to God | The Departed | Gone with the Wind |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
We finally got to watch this movie, after missing it for the box office opening night. Excellent movie! I cannot believe it was done in 28 days on a $200,000 budget....just goes to show you can produce quality film without spending millions! Schools show lots of fluff, idiotic and useless movies all the time. This movie should be required viewing at every middle school and high school...not for the subdued religious tones, but for the race relations for all of us. The shot in the end was an amazing message alone. I highly recommend it for all ages. My own sons, 11 and 14 watched it with us tonight and I intend to let them watch it as many times as they want to. This one is a good one to let all the messages of the movie sink into their hearts!