From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon ... See full summary »
Nick Broomfield's second documentary on Aileen Carol Wuornos, a highway prostitute who was executed in 2002 for killing six men in the state of Florida. This second installment includes the filmmaker's testimony at Wournous's trial.
Israel Ticas is the only criminologist working in one of Latin America's most dangerous countries. In El Salvador, one child goes missing every three minutes*. Many children are killed by ... See full summary »
It is happening all across America-rural landowners wake up one day to find a lucrative offer from an energy company wanting to lease their property. Reason? The company hopes to tap into a... See full summary »
"Flag Wars" is a cinema verite documentary that follows the conflicts that arise when gay white professionals move into a black working-class neighborhood. Filmed over a four years in ... See full summary »
On March 8th, 1971, eight ordinary citizens broke into an FBI office in Media, PA. Calling themselves the Citizens' Commission to Investigate the FBI, they removed every file in the office.... See full summary »
Lauren A. Kennedy,
From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality? Written by
This film was quite the undertaking--getting all these documentary makers together for all the interviews. And, on top of this, some were very, very important names in the industry. I am impressed by this and strongly recommend the film to anyone who likes documentaries and wants to find out what these filmmakers think of their craft.
Mostly, the film consists of these interviews as well as a few clips of their movies. Many times, certain topics were answered by the filmmakers--and sometimes they disagreed. For example, one said that the only way to make a documentary is to film everything EXACTLY as it is in life--while Errol Morris (one of the top names in the genre) admits to actually creating the set used by the boss of the cemetery--digging the trophies out of the attic and arranging them to give the office a certain look. Another strongly objected to Michael Moore's style of films and calls them '...crimes towards the art form of documentary'. Even seemingly mundane topics as sound and music as well as the importance or unimportance of narration are discussed. It's like having a microscope that can peer into the minds of these directors--and it's interesting to documentary film lovers--though I could imagine it would be VERY tough going for the average person.
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