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Carancho (2010)

6.9
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Ratings: 6.9/10 from 4,529 users   Metascore: 66/100
Reviews: 16 user | 75 critic | 15 from Metacritic.com

In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a ... See full summary »

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(screenplay), (screenplay), 2 more credits »
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Title: Carancho (2010)

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Cast

Credited cast:
...
Sosa
...
Luján
Carlos Weber ...
El Perro
José Luis Arias ...
Casal
Fabio Ronzano ...
Pico
Loren Acuña ...
Mariana
Gabriel Almirón ...
Munoz
José Manuel Espeche ...
Garrido
Rest of cast listed alphabetically:
Francisco Acosta ...
Pacheco
Carlos Cardozo
Cristian De Asis
Federico Esquerro ...
Administrativo
Alejandro Fadel
Pablo Galarza
Gabriel Patricio Jimenez
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Storyline

In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a lawyer who tours the A&E Departments of the public hospitals and the police stations in search of potential clients. Luján is a young doctor recently arrived from the provinces. Their love story kicks off one night when Luján and Sosa meet in the street. She's trying to save a man's life; he wants him on his client portfolio. Written by Anonymous

Plot Summary | Add Synopsis


Certificate:

Unrated | See all certifications »
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Details

Language:

Release Date:

11 February 2011 (USA)  »

Also Known As:

Abutre  »

Box Office

Opening Weekend:

$15,810 (USA) (11 February 2011)

Gross:

$85,363 (USA) (3 June 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Argentina's official submission for the 83rd Academy Awards for Best Foreign Language Film category. See more »

Soundtracks

Es el amor & Lastima
Written by Alexis Morales & Leo Rey
Performed by La Noche
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User Reviews

 
A Dark Story About A Dark Subject
13 June 2011 | by (United States) – See all my reviews

CARANCHO ('Vulture' or 'a bird of prey; an animal that attack and feed on wounded animals') is a disturbing film from the opening sequences until the end. Before any story begins we are given the information (superimposed over black and white photographs for broken glass and bodies on a street) about the number of automobile accidents and deaths (in excess of 8,000) each year, the leading cause of deaths in Argentina. This grim fact has produced an even more grim industry - ambulance chasing lawyers who follow and even at times stage accidents in order to collect from insurance and scam the real victims and the insurances companies too. This industry requires the participation of doctors, paramedical personnel and police on the take. Every aspect of this horrendous situation is played out in this tersely written (Alejandro Fadel, Martín Mauregui, Santiago Mitre, and Pablo Trapero who also directs). It is a tough film to watch but does serve to alert the audience to a major crime industry that though set in Buenos Aires, Argentina is prevalent probably throughout the world.

Sosa (Ricardo Darín) is a lawyer who has lost his license form some unstated reason who is now working for a 'foundation' that falls into the category discussed above. He not only chases ambulances but also pays men to stage them so that he can collect money based on the fact that he works with the distraught families to win power of attorney for the injured or deceased, giving him access to the insurance money. His bosses are competitive and Sosa is repeatedly attacked physically a la mob style for his failure to perform. Sosa meets Luján (Martina Gusman), a beautiful young doctor who is at the beginning of her career and must work emergency rooms and ride in ambulances to administer to the injured or ill in order to gain experience to become a respected physician. They meet over an accident - Luján is giving aid to a victim and Sosa is planning to use the victim in his crime racket. Both Sosa and Luján seem to have occult senses of responsibility and ethics but life has brought them to a place where they must submerge their standards in order to survive: Luján happens to be a drug addicted 'to sustain the brutality of her work' and Sosa endangers the lives of innocent people to satisfy the bosses to whom he must bow in order to survive. It is this contrast between their passion for each other and their participation in the dark crime of 'caranchos' that provides the push/pull of their relationship, resulting in an ending few will predict.

Both Darín and Gusman are outstanding in very difficult roles, but the supporting cast - Carlos Weber, José Luis Arias, Fabio Ronzano, Loren Acuña, Gabriel Almirón, and José Manuel Espeche - is equally strong in smaller roles. This is a very dark film - in story, in locale (the San Justo region of Buenos Aires), and in the fact that it all takes place at night - but it carries information we all need to note and molds that information into a suspenseful thriller that is so well paced by director Pablo Tapero that every moment is filled with meaning.

Grady Harp


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