A Mumbai teen, who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
José Luis García Pérez,
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
127 Hours is the true story of mountain climber Aron Ralston's remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next five days Ralston examines his life and survives the elements to finally discover he has the courage and the wherewithal to extricate himself by any means necessary, scale a 65 foot wall and hike over eight miles before he can be rescued. Throughout his journey, Ralston recalls friends, lovers, family, and the two hikers he met before his accident. Will they be the last two people he ever had the chance to meet? Written by
Fox Searchlight Pictures
When Aron Ralston was asked how authentic the film was, he said, "the movie is so factually accurate it is as close to a documentary as you can get and still be a drama." See more »
Though the film takes place in 2003, modern-styled (2008) Mountain Dew and Pepsi cans can be seen during Aron's dream sequence when he attends the party. See more »
Hey. Aron here. Leave a message.
Hey Aron. Sonja here, again. I know that you're probably gonna be away this weekend. But listen, just think about we we're gonna play. Please. 'Cause we have to decide, and we really... We need to practice, okay? Anyway, it will be fun. I promise. And oh, please call mom. Please. 'Cause she worries, which you know already. Okay. Later, A., goodbye.
See more »
Captions appear just before the end credits: "Aron's premonition came true. He met his wife Jessica three years later. Their son, Leo, was born in February 2010. Aron continues to be a climber and canyoneer. He always leaves a note to say where he has gone." During these captions, the cinematographer shows us the real Aron and Jessica, who are sitting silently on a couch outdoors, on green grass near a stand of green trees. The couch has colors suggesting the hues of the canyon Aron was trapped in. Aron slowly smiles, and then breaks into a grin. See more »
You may be dying but the world moves on. That is the naked truth about our existence and the main allegory written in the stimulating visual experience provided by Danny Boyle in his latest film. 127 Hours is a wonderful metaphor for solitude and for the importance of what life means at an individual level. It enhances the indescribable experience of having a family, friends and love, but most of all cherishes the meaning of human contact. Solitude is perceived as being bearable and a lot of times needed but seldom is viewed as being fulfilling. Only when the epiphany pops into our minds, we realize what we have been missing. It is a common and frustrating fact. Nonetheless, Danny Bolyle's achievement allows a new and fresh take on this theme. The director shows the audiences that life happens when they least expect. And truth be told, there is a bright place for those who abandon their egotistical "independence" and start sharing the events that life provides.
Telling a story about a man who is stuck in the same place for such an extensive period of time is definitely not easy. Danny Boyle described the picture as "an action movie in which the hero doesn't move" and he certainly took the challenge. With this in mind, two main conclusions can be withdrawn from Boyle's work: 1) He was able to maintain the action dynamic and the viewers engaged through a series of devices that allow them to be interested not only on the hero's present condition but also in his past and, quite possibly, his future. The mind behind Trainspotting entered the psyche of his new hero and gave it a shape and a texture that transformed the general perception. The empathy towards the character grew and from that moment on the audience grabbed the hook. He was able to dissect James Franco's character thoughts and desires in a moment of extreme physical and psychological agony.
2) It was extremely hard to be inventive in such scenario and some techniques proved to be tiresome. In certain moments during the movie, Danny Boyle seemed to be trying to hard when having a simpler approach looked like to be more successful. He stylized the action in a way that doesn't always work even considering that he established his filmmaking style from the very beginning.
With regards to the main performer, it is only fair to praise James Franco's enactment. It is a truly astonishing tour-de-force that will probably be mentioned during the Oscar nominations. He's not only charming and witty but his personality fills the screen with such a great talent. It is very gratifying to observe his evolution according to the character's state of mind.
127 Hours is a quite remarkable achievement. There's the ability to pick up a true straightforward story about survival and courage and enhance it through a sheer composition of good sense without falling on the old American cliché. This story does not try to be epic or monumental. It tries to be honest and true. And we, as viewers, don't feel cheated or slapped across the face, and that is really all we could ask for.
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