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127 Hours (2010)

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An adventurous mountain climber becomes trapped under a boulder while canyoneering alone near Moab, Utah and resorts to desperate measures in order to survive.

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(screenplay), (screenplay) | 1 more credit »
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1,645 ( 13)
Nominated for 6 Oscars. Another 23 wins & 142 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sean Bott ...
Aron's Friend (as Sean A. Bott)
Koleman Stinger ...
Aron Age 5
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John Lawrence ...
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Parker Hadley ...
Aron Age 15
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Blue John (as Fenton G. Quinn)
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Peter Joshua Hull ...
Boy on Sofa (as P.J. Hull)
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Storyline

127 Hours is the true story of mountain climber Aron Ralston's remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next five days Ralston examines his life and survives the elements to finally discover he has the courage and the wherewithal to extricate himself by any means necessary, scale a 65 foot wall and hike over eight miles before he can be rescued. Throughout his journey, Ralston recalls friends, lovers, family, and the two hikers he met before his accident. Will they be the last two people he ever had the chance to meet? Written by Fox Searchlight Pictures

Plot Summary | Add Synopsis

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Every Second Counts See more »


Motion Picture Rating (MPAA)

Rated R for language and some disturbing violent content/bloody images | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

28 January 2011 (USA)  »

Also Known As:

127 horas  »

Filming Locations:

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

$264,851 (USA) (5 November 2010)

Gross:

$18,329,466 (USA) (8 April 2011)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Lake Bell was considered to play a role. See more »

Goofs

When Aron's comes out of the mountain, there is blood on his chin and then he takes lot of water, which removes that blood stains but when he starts to walk the blood appears again. See more »

Quotes

[first lines]
Aron Ralston: Hey. Aron here. Leave a message.
Sonja Ralston: Hey Aron. Sonja here, again. I know that you're probably gonna be away this weekend. But listen, just think about we we're gonna play. Please. 'Cause we have to decide, and we really... We need to practice, okay? Anyway, it will be fun. I promise. And oh, please call mom. Please. 'Cause she worries, which you know already. Okay. Later, A., goodbye.
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Crazy Credits

At the very end of the credits is the following paragraph: "Cycling is prohibited in Horseshoe Canyon, and in certain other specific areas of Canyonlands National Park. The filmmakers wish to make clear that neither Aron Ralson, a dedicated wilderness advocate, nor James Franco who portrays Aron in the film, cycled or condone cycling outside of the authorized trails within National Parks. For more information about protecting the Utah Canyons, the filmmakers recommend www.suwa.org". See more »

Connections

Referenced in Last Man Standing: Hard-Ass Teacher (2014) See more »

Soundtracks

Hymne à l'Amour
Music by Marguerite Monnot
French lyrics by Édith Piaf
English lyrics by Geoffrey Parsons
Published by © Editions Raoul Breton (SACEM)
Performed by Little Esther Phillips
Courtesy of Rhino US/Warner Music UK
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Frequently Asked Questions

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User Reviews

 
You may be dying but the world moves on
26 December 2010 | by (United States) – See all my reviews

You may be dying but the world moves on. That is the naked truth about our existence and the main allegory written in the stimulating visual experience provided by Danny Boyle in his latest film. 127 Hours is a wonderful metaphor for solitude and for the importance of what life means at an individual level. It enhances the indescribable experience of having a family, friends and love, but most of all cherishes the meaning of human contact. Solitude is perceived as being bearable and a lot of times needed but seldom is viewed as being fulfilling. Only when the epiphany pops into our minds, we realize what we have been missing. It is a common and frustrating fact. Nonetheless, Danny Bolyle's achievement allows a new and fresh take on this theme. The director shows the audiences that life happens when they least expect. And truth be told, there is a bright place for those who abandon their egotistical "independence" and start sharing the events that life provides.

Telling a story about a man who is stuck in the same place for such an extensive period of time is definitely not easy. Danny Boyle described the picture as "an action movie in which the hero doesn't move" and he certainly took the challenge. With this in mind, two main conclusions can be withdrawn from Boyle's work: 1) He was able to maintain the action dynamic and the viewers engaged through a series of devices that allow them to be interested not only on the hero's present condition but also in his past and, quite possibly, his future. The mind behind Trainspotting entered the psyche of his new hero and gave it a shape and a texture that transformed the general perception. The empathy towards the character grew and from that moment on the audience grabbed the hook. He was able to dissect James Franco's character thoughts and desires in a moment of extreme physical and psychological agony.

2) It was extremely hard to be inventive in such scenario and some techniques proved to be tiresome. In certain moments during the movie, Danny Boyle seemed to be trying to hard when having a simpler approach looked like to be more successful. He stylized the action in a way that doesn't always work even considering that he established his filmmaking style from the very beginning.

With regards to the main performer, it is only fair to praise James Franco's enactment. It is a truly astonishing tour-de-force that will probably be mentioned during the Oscar nominations. He's not only charming and witty but his personality fills the screen with such a great talent. It is very gratifying to observe his evolution according to the character's state of mind.

127 Hours is a quite remarkable achievement. There's the ability to pick up a true straightforward story about survival and courage and enhance it through a sheer composition of good sense without falling on the old American cliché. This story does not try to be epic or monumental. It tries to be honest and true. And we, as viewers, don't feel cheated or slapped across the face, and that is really all we could ask for.


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