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127 Hours (2010)

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An adventurous mountain climber becomes trapped under a boulder while canyoneering alone near Moab, Utah and resorts to desperate measures in order to survive.

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Nominated for 6 Oscars. Another 23 wins & 138 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sean Bott ...
Aron's Friend (as Sean A. Bott)
Koleman Stinger ...
Aron Age 5
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John Lawrence ...
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Parker Hadley ...
Aron Age 15
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Blue John (as Fenton G. Quinn)
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Peter Joshua Hull ...
Boy on Sofa (as P.J. Hull)
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Storyline

127 Hours is the true story of mountain climber Aron Ralston's remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next five days Ralston examines his life and survives the elements to finally discover he has the courage and the wherewithal to extricate himself by any means necessary, scale a 65 foot wall and hike over eight miles before he can be rescued. Throughout his journey, Ralston recalls friends, lovers, family, and the two hikers he met before his accident. Will they be the last two people he ever had the chance to meet? Written by Fox Searchlight Pictures

Plot Summary | Add Synopsis

Taglines:

There is no force more powerful than the will to live. See more »


Motion Picture Rating (MPAA)

Rated R for language and some disturbing violent content/bloody images | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

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Language:

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Release Date:

28 January 2011 (USA)  »

Also Known As:

127 horas  »

Filming Locations:

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

$264,851 (USA) (5 November 2010)

Gross:

$18,329,466 (USA) (8 April 2011)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Aron Ralston broke into tears during a Q&A session at the Toronto International Film Festival, after an audience member asked his opinion on his portrayal on screen. Ralston said it was challenging after he was comforted by the actors beside him. See more »

Goofs

After crashing with his bike in the beginning of the movie, Aron clearly lies a couple of feet away from it. When he takes a photo of himself a few seconds later, however, he suddenly lies with his head on top of the bike. See more »

Quotes

[first lines]
Aron Ralston: Hey. Aron here. Leave a message.
Sonja Ralston: Hey Aron. Sonja here, again. I know that you're probably gonna be away this weekend. But listen, just think about we we're gonna play. Please. 'Cause we have to decide, and we really... We need to practice, okay? Anyway, it will be fun. I promise. And oh, please call mom. Please. 'Cause she worries, which you know already. Okay. Later, A., goodbye.
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Crazy Credits

The title "127 Hours" appears about 16 minutes into the film. See more »


Soundtracks

Scooby Doo, Where Are You
(Ben Raleigh / David Mook)
Published by Mook Bros. West
administered by Warner-Tamerlane Publishing Corp./Wise Brothers Music LLC (ASCAP)
Produced by Matt Fletcher
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Frequently Asked Questions

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User Reviews

 
A Nutshell Review: 127 Hours
19 February 2011 | by (Singapore) – See all my reviews

I think the reports and those who claim to have fainted when watching this is probably highly exaggerated. Sure it's graphic, but nothing not already seen in a typical torture porn film. Danny Boyle doesn't exploit this inevitable moment through lingering shots or in your face techniques, but does enough to bring forth the sheer horror and pain of the entire 127 hours ordeal that culminates with a none too pretty or neat self amputation of a limb, taking care of addressing and cutting through skin, meat, bone and tendon.

Based on the memoirs of Aron Ralston's true life experience of literally being stuck between a rock and a hard place (which of course makes for a catchy book title), while I haven't read that book, Danny Boyle has weaved an incredibly fast paced picture from the get go, introducing us to Aron the weekend adventurer, who takes to the canyons for biking, climbing and exploration, played to pitch perfection by James Franco in the leading role. Quite the ladies man as well with his boyish charms and manly antics, if only to find himself never lingering at one spot, always on the go, not to allow anything to stand in his way of what could be the best weekend of his life. That is until disaster struck.

When we begin from Zero hour, you can't help but feel that it's probably going to be the same with another solo, constricted space situation captured on film like Buried, which had Ryan Reynolds in a one man show buried in a box underground, and fighting for his life against his terrorist captors whom you don't see. With the camera constantly pulling to the surface of the earth just to quantify the significance of being alone and the worrying point of having nobody to contact, the narrative here doesn't get all claustrophobic on us, because Boyle made it a point for the film to be a little expansive, with various reminiscence on Aron's part, and out of body fantasy and imaginary sequences of being somewhere else other than where Aron currently is.

And while that feeling of being confined is nothing new, it does make you appreciate and realize that such moments aren't far fetched, because with so many idle hours parked in between figuring out and planning how to get out, we do that idle daydream even when we're busy, so what more when we have time on our hands, with literally nowhere else to go? There's a fine balance reached where we see how Aron splits time between keeping and planning to extend his lifespan when he realizes the really deep problem he's rooted in, and that of taking time off to think about the larger picture.

Which James Franco doesn't disappoint, especially when he's chronicling what could be his final hours on earth in his camcorder. He flits from being the really energetic young adult that we get introduced to, and the growingly desperate man, before basking in exuberance at the new lease of life given to him. If anyone thinks Franco is but a pretty face without substance, perhaps 127 Hours will change your mind about the actor, probably best known in his support role in Sam Raimi's Spiderman trilogy. It's almost like a one man show for about an hour of the film, so much of the weight of the film lies on Franco being able to convince us of the mixed emotions Aron goes through in different periods of the day and those hours, which he does.

Danny Boyle continues to assert why he's one of the most versatile directors of today tackling a variety of genres, never running out of ideas to translate his vision in various films, always straddling between telling emotional stories that resonate even if the premise and set up screams commercial. A.R. Rahman, the Mozart of Madras continues in his second in as many collaboration with Boyle, providing original music that rocks from the start and defines the film, just like how his Chaiyya Chaiyya (though it was already used for Dil Se) did for Spike Lee's Inside Man.

If there are messages to gain from the film, it is to always prepare for the unexpected, pack right and gather enough resources for the what ifs in life, and not to be a bastard in relationships, keeping an arm's length away from loved ones and/or taking them for granted. There could be a time where we find ourselves regretting for not doing some things while we can, so I guess it's up to us if we want to live life a day at a time while it's the last, or to idle it all away thinking we're invincible and infallible. Highly recommended film befitting of a nomination, but whether it could win with such illustrious company this year, will be a bit of a stretch.


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