A girl named Jung-min writes to a young man named Hyun-jun, who is serving in the army. She lies about her age and claims to be a teacher. As Jung-min turns twenty, a 30-year-old man, who ... See full summary »
An accountant is introduced to a mysterious sex club known as The List by his lawyer friend. But in this new world, he soon becomes the prime suspect in a woman's disappearance and a multi-million dollar heist.
Jack Willis is a handsome roadtrain driver with a secret - he has just become a top-selling romance novelist. However, being a 'man's man' in the Australian outlook, to avoid embarrassment,... See full summary »
Jeong-won is a man with no memory of his childhood and his real family. At the beginning of the film he witnesses the deaths of two young girls. He begins seeing the girls dead bodies ... See full summary »
Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
Barky, 25, lost soul, left home two years ago to escape his abusive father leaving behind everything in the world that was important to him; now that his father's dead, he thinks it's safe to come home.
In 19th-century China, seven year old girls Snow Flower and Lily are matched as laotong - or "old sames" - bound together for eternity. Isolated by their families, they furtively communicate by taking turns writing in a secret language, nu shu, between the folds of a white silk fan. In a parallel story in present day Shanghai, the laotong's descendants, Nina and Sophia, struggle to maintain the intimacy of their own childhood friendship in the face of demanding careers, complicated love lives, and a relentlessly evolving Shanghai. Drawing on the lessons of the past, the two modern women must understand the story of their ancestral connection, hidden from them in the folds of the antique white silk fan, or risk losing one another forever. Written by
Fox Searchlight Pictures
Zhang Ziyi was originally cast as Nina before dropping out of the film. Li Bingbing signed on to replace her. See more »
The last paragraphs of the unsent letter that Nina found in Sophias apartment, which can be seen when she closes the notebook, don't match Nina's voice-over. See more »
People say I'm sending Sebastian and Nina to New york so neither will take my job. Hey, perhaps that's partly true. You know, like these butterflies that surround us this evening, it's a time of transformation, new beginnings.
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Sunflower and the Secret Fan is the poignant tale of two 21st century Asian girls and their matches in the 19th century: Both couples are bound by the dictates of a patriarchal culture that challenges the natural love and devotion they feel for each other. These lady laotongs or "old sames" take an oath to make them faithful sisters forever, the outward show of an enduring, lifelong commitment to their sisterhood.
Director Wayne Wang's challenge is to intercut the centuries and women without confusing the audience, a virtue not always achieved in two hours of traversing between times. His limited success can be attributed to the striking skyline of modern Shanghai, an apt metaphor for the change in the ladies' lives, indeed for change itself.
Just as arresting as the visual images is the stringed music of Rachel Portman, which dictates emotions as strongly as any other score I have heard this year. Some might complain of manipulation; I enjoy the excess as if it were an ancient Chinese fan of innumerable design. BTW, the titular fan was used by the 19th century ladies to make messages to each other in their special language. Wang's considerable success showing devoted friends in Joy Luck Club is evidenced in the ladies here.
The bonding of protagonists is strong on the surface, but because there is so much to do in only 2 hours, we never have sustained conversation among them to verify what we intuit without much dialogue. It would be sweet to linger more with them while they show through dialogue the bond that makes them sacrifice for each other throughout their lives.
Snow Flower and the Secret Fan in the end turns on love, its many forms and demands and on change, which frequently derails the best intentions of love itself. The ladies here evidence in delicate ways the tumult and reward accompanying a lifelong commitment to another human being. And that's no secret.
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