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|Index||42 reviews in total|
I had never heard of this movie, but I found it on On Demand for
purchase before the actual release date. I wasn't expecting much as I
had never heard of it - but this movie was so good - it was almost hard
to watch. I found myself getting up and having to walk out of the room
because at times it was almost too painful (in a good way). Every actor
was amazing from the accents, to demeanor, and wardrobe. I felt like
the movie was actually happening before my eyes.
Sam Rockwell has always been a great actor - but in this movie - I kept forgetting it was even him. This was a great role for him and I hope to see more of him in future movies.
I recommend this dark, creepy and suspenseful movie. Be prepared to squirm!
I love Sam Rockwell. He picks great projects and this no exception. This is not a fast paced feature but I story I really enjoyed. Maintained a great tension and foreboding throughout which I really enjoy in a film. This is a simple story with some great twists and turns. Starts out slow like a slow burn and then ramps up quickly. This story is believable and has no real holes in it. It's a story you can relate to in that it seems very plausible and believable. You feel the characters fear and tension with the situation he finds himself in. This is a slow paced thriller that is well filmed and the performances are excellent.
This is a serious movie for serious viewers. Sam Rockwell gives a convincing performance as John Moon, a West Virginia cracker who stumbles into bad luck from the opening seen. All of the characters bring to life what it's probably like to live in a rural, poor area in flyover country. The accents of the characters are often thick, which can make it difficult to understand some of the dialog, but the plot nonetheless comes through clearly. Rockwell's character progresses from being a dumb cracker to someone you care about, as the tension builds towards a final resolution of his accidental and potentially deadly predicament. The acting and direction are first rate. The cinematography fits the story; the musical score does likewise. The story is dark, in a Jack London sort of way. You won't be inspired, but you might be brought closer in touch with the human condition.
Went into this movie expecting some sort of cat and mouse game or a
"Vacancy" like thriller about persons being taken down one after
another, but as pleasantly surprised to find its neither, Instead its
feels like an backwoods thriller evoking a particular emotional or
aesthetic quality through a combination of acting, visuals and realism
shots . It feels as if one is there to experience the story as it
happened to u personally of someone who had committed a crime covered
it up and the mental trauma of going through blackmail only to realise
that those around u cant be trusted. i would have to agree for most
part i was engrossed guessing about whats happening on screen for most
of the time. Of course there is ample drama revolving around
relationships and characters caught up in their own world. pretty much
half the show revolves around this and the main central character
keeping his cool around a sticky situation he is caught up in
An atmospheric thriller that grips you in parts from the opening scene together with the bleak finale
The result will please some, others not, keeping their reservations about the movie . Tells a strange story of mystery and horror, which plays-mostly-in the majestic surroundings of a rural countryside during a dark winter or near spring season . Most of the film has dark or muted color tones of the backwoods and rural landscape
With some good visuals aesthetics and successful direction of actors, the movie creates from a tense opening of a woman being killed and into thriller that evolves into a mostly psychological movie. A movie mystery where the silences, inactivity of most part of the show and the images reflect the intuitions, intentions and sensations of persons through scenes depicting from a troubled guilty character huddled in the corner of the house's lone bathroom , the sole light of a single lamp or inviting illumination from the winter sun through the tree tops tells a story to the viewer
The film also seems to accurately depict what happens in mostly backwoods or rural countryside town where a few shady characters co exist with normal everyday people. Most of the movie revolves around this premise and examining the morality of both sets of characters
The show starts off a bleak and sorrowful scene t though halfway it seems to lose track to a family drama and a witch hunt only to regain back at the final minutes
Overall worth a watch, one of the movies u would like to see on a week off day or vacation.
This is an exquisitely dark, rural, all-American series noir. Plot line and moral being: a good man goes bad, because that's the way things can be, the way things are. Nature -- human or otherwise, isn't kind. Mistakes happen. And you often pay for them in the wilderness of this world we live in alone and altogether. Chance has its way of crushing you, burying you alive. Watch out. Plus, aside from a potent story line, the acting is downright first rate. Not a single one of the actors are off key. I don't know who did the casting for "A Single Shot", but they deserve an award for it. Also exquisite in this film is the ending -- one of the most original examples of "open ended" I've ever seen in a film. You've got to be in a dark, worried mood to like this film; its darkness is relentless. "A Single Shot" is not for everyone; in no way is it "G" or "GP". But for thoughtful adults it is very well worth the watching.
Sam Rockwell is John Moon, a poacher living in poverty ridden
backwoods. His father lost their family farm to the bank. His wife
played by Kelly Reilly has left him taking their child with her. He is
struggling to accept this.
Then one day on a hunt, he runs across a dead girl, an overturned truck, and a box full of money. He takes the money, and abandons the body. Except somebody comes looking for the money and knows John took it. It becomes psychological combat as the mysterious person try to force John to divulge where the money is.
The gritty grim of overwhelming poverty is well done. Everybody looks like they just did meth. However there are too many scenes of nothing happening as John Moon walks around hunting. It adds nothing that isn't already there. They are better off trimming those scenes to lessen the 2 hours running time and pick up the pace.
*** This review may contain spoilers ***
John Moon, played by Sam Rockwell, accidentally shoots and kills a
beautiful young girl while hunting for deer. In a state of shock, John
drags the body down to an old abandoned gravel pit where he finds the
girl has been living like a runaway. Inside her makeshift shelter, he
goes through her belongings and finds a large sum of money. He hides
the body, takes the money and leaves. It doesn't take long before it is
made clear that the hunter is being hunted as somebody wants their
Though the story sounds unoriginal, like something the Coen Brother's already perfected with No Country For Old Men, A Single Shot takes a different approach. This is a psychological thriller through John's eyes. His guilt plays a factor and instead of running off with the money, John sticks around his small rural town and begins to investigate. The screenplay is adapted by the writer of the novel, Matthew F. Jones, and for an unoriginal premise, the story takes it's own unique path.
David M. Rosenthal is very hit and miss in his direction. While the exterior scenes are both beautiful and haunting, the interior scenes are irritatingly tight, causing an unnecessary claustrophobic effect. While it could be said the interior scenes are shot in a way to add to the chaos surrounding the protagonist, they really just come off cheap and vague. We're missing a need for details of these interior locations. It's not a matter of the low-budget, it is just that the scenes are terribly framed.
The only other aspect of the film that will turn people away are the heavy accents. This isn't a flaw but it will annoy the average viewer because it is almost impossible to understand some of the dialogue in certain scenes. Turning up the volume doesn't help either, these scenes may need to be subtitled. It leaves a curious question: Were the actors directed to deliver their dialogue in a way so the average audience member wouldn't be able to understand what they are saying or were the actors having fun going to the extreme with their backwoods redneck characters?
Though aspects of the direction come off as amateurish, A Single Shot delivers a tense story and a perfect cathartic ending.
*** This review may contain spoilers ***
Consequences. This movie is truly the results of, or the consequences of not being ready when the fan get's the crap scared out of it. One shot is the one to many, and one is the only one he would ever need again. Such a deep thinking quiet, but smart movie. Sam Rockwell, is no monkey in this movie. This is a man who like most of us have let too much go because he let the depression in, and then when it's all just a bit too late, he suddenly finds he needs people, but at the same time finds that he has no idea who he can trust. This poor guy just needed one break. I really felt for him, and Enjoyed the movie mostly because this is Rockwell's best performance since Moon. I recommend this one to the outdoorsy types first, but then anyone who likes to watch a rabbit fall down a hole, and never really think before each next step, then you will love this. Violent, and Sexually scary for some. This is a really good pick for an early evening with only 1:45 ish running time it'll just fit.
*** This review may contain spoilers ***
I saw this in the middle of covering the Tribeca FIlm Festival and a
crushing slate of 75 films. My reaction to the film was to like it but
not love it. However when I had a chance to sit down and see it on VOD
I found that many of my earlier reservations fell away.
The plot of the film has a down on his luck guy living off in the woods by himself. One of the things he does is to poach the local wild stock. When he accidentally shoots a young woman his efforts to hide what happened brings him violently into contact with some very bad people.
A modern noir film the film works largely thanks to the performance of Rocwell who manages to make you feel sympathy for his character even though he's done some bone head stuff. It also doesn't hurt to have the supporting cast he does backing him up.
WHile not a perfect film it is much better than it's reputation or it's IMDb number suggests it is.
Although A Single Shot has a familiar moody premise, its mature
execution makes it worth watching. Matthew F. Jones adapted the
screenplay from his own novel and it does quite show that there's
something novelistic about its structure. Our protagonist spends most
of his time weaving between encounters with characters he knows well
about business we see the half of. Jones has himself a rich world and
we're only seeing a peek at it. It does mean that he gets wrapped up in
a little too much and it feels like the first two thirds of the film
feel slow and unfocused. But it's all worth it for the third act. Now,
that part is new to me. Absolutely nail- biting climax, heart-breaking
buildup and a great ambiguous ending. Shame they saved all the punches
for the that last half an hour rather than the first ninety.
Unfortunately, as characters mumble and grumble so much, I could only
catch about a quarter of what people were saying until I needed
subtitles and that severely affected my emotional investment and my
knowledge of what was going on. I could figure out the broad strokes
though. The performances all round were good, Jeffrey Wright is a
tragic standout. Sam Rockwell dissolves into his role which is a good
thing and a bad thing since I love it when he turns his charm on. Good
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