In 1995, drug suppliers and career criminals Tony Tucker, Patrick Tate and Craig Rolfe were blasted to death by a shot gun whilst waiting in a Range Rover in Rettendon, Essex. The film ... See full summary »

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Christopher Ellison ...
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Storyline

In 1995, drug suppliers and career criminals Tony Tucker, Patrick Tate and Craig Rolfe were blasted to death by a shot gun whilst waiting in a Range Rover in Rettendon, Essex. The film charts their rise to become the most prolific dealers and feared criminals in the south of England, maintaining the hold on their empire with fear and violence until their untimely death. Written by Nicole Gregory

Plot Summary | Add Synopsis

Taglines:

The Truth, The Whole Truth and Nothing but the F**king Truth!

Genres:

Crime | Drama | Thriller

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Release Date:

3 September 2010 (UK)  »

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Связанные кровью  »

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$4,000,000 (estimated)
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2.35 : 1
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Did You Know?

Trivia

Kierston Wareing only was on set only for three days for her scenes, one of which was a nude one. See more »

Goofs

When Craig Rolfe is arguing with his wife at their home he open and slams shut the fridge, several of the fridge magnets are clearly visible and relate to films and events that took place well after 1994, in the top left hand corner you can clearly see a fridge magnet of Doug the talking dog from the movie Up. See more »

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Referenced in The Hit See more »

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User Reviews

 
Weak start, poor ending but quite intense mid movie
10 September 2010 | by (Ireland) – See all my reviews

I'm not too sure what to make of this movie to be honest. Let me just start by saying, I have a bias for low budget and Independent movie making. I want to see them do well as I enjoy a fresh perspective from the usual Hollywood viewpoint. Unlike some other reviewers of this title, i'm not all too concerned about how accurately the picture may or may not have represented true events. In fact, I really couldn't care less if a script takes massive liberties so long as it delivers a movie that is enjoyable to watch. So what I review here is purely a movie based on its aesthetic qualities and craft.

For all its weaknesses, this movie did deliver one or two good points which would make me say it is worth looking up if you enjoy your Brit gangster. Firstly, some of the villains were very well depicted, particularly the brutish characters played by Tamer Hassan and Terry Stone.

Secondly, although the movie has a weak start and a poor ending, it really managed to draw me in mid-movie. The build up between the two factions as they prep to go at each other was very engaging and really manages to heighten tension. I enjoyed the fact that the movie centred around just one killing incident. Rather then trivialising gangster life with multiple murders, it highlights what one 'hit' can equate to.

Where the movie fails for me, is with the character Darren Nicholls (Adam Deacon). I don't get why they found it necessary to have such a weak character narrate events. I actually felt I could empathise stronger with some of the more brutal characters who were at least honest about who they were, rather then this shaky character who really seems to do nothing but complain for the entire movie. Nor did I get the point of using flash back to drive the movie. I didn't think it added anything to plot or structure other then it seems to me the director was trying to emanate a 'Goodfellas' vibe.

A weak script in parts really lets the movie down also, which is a shame because the movie did hold promise. There seemed to be a feeling that characters needed to be portrayed in extremely soft regard when the audience was expected to hold sway with them. Again, this is why I ended up resenting the Nicholls character rather then feeling the intended empathy. It's also seen with the character Mickey Steele (Vincent Regan) where he is played as a compassionate man who takes in the lover and not really a drug dealer as he is just the 'delivery man'. In the first half he is overtly portrayed as the 'honest decent criminal'. Then, his character suddenly flips from being 'Mr. Nice Guy' into 'Mr. Hard Ass'. I can perhaps understand the intent -the deepening into criminal life forces itself upon his personality- but the execution of which was by no means subtle. A more honest portrayal from the beginning -showing aspects of the good and the bad throughout- of each character's traits, would have engaged the audience better and created whole rounded characters. There were also some really hammy lines thrown into the love scene on the pier and else where throughout the movie.

But taking the good with the bad, this movie does still throw up some great scenes. It fails by patronising the audience by forcing empathy instead of allowing the audience make up their own minds, but really engages them with some terrific build up. It manages to capture beautifully the exhilaration of criminal life, because as high and as quick as the criminal may rise, their moment at the top may well just be as brief.


10 of 19 people found this review helpful.  Was this review helpful to you?

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