| Photos (See all 45 | slideshow) | Videos (see all 12) |
| Ronan Collins | ... | Young Man in Car | |
| Paraic Nialand | ... | Young Man in Car | |
| John Patrick Beirne | ... | Young Man in Car | |
| Liam O'Conghaile | ... | Young Man in Car | |
| Christopher Kilmartin | ... | Young Man in Car | |
| Brendan Gleeson | ... | Sergeant Gerry Boyle | |
| Rory Keenan | ... | Garda Aidan McBride | |
| Declan Mannlen | ... | James McCormick | |
| Laurence Kinlan | ... | Photographer | |
| Michael Og Lane | ... | Eugene Moloney (as Mícheál Óg Lane) | |
| Liam Cunningham | ... | Francis Sheehy-Skeffington | |
| Owen Sharpe | ... | Billy Devaney | |
| Fionnula Flanagan | ... | Eileen Boyle | |
| Wale Ojo | ... | Doctor Oleyuwo | |
| Don Cheadle | ... | FBI agent Wendell Everett | |
| Mark O'Halloran | ... | Garda No. 1 | |
| Gary Lydon | ... | Garda Inspector Gerry Stanton | |
| Darren Healy | ... | Jimmy Moody | |
| Conor Moloney | ... | Detective | |
| Laura Hitchings | ... | Female Garda | |
| David Wilmot | ... | Liam O'Leary | |
| Mark Strong | ... | Clive Cornell | |
| Katarina Cas | ... | Gabriela McBride | |
| Sarah Greene | ... | Sinead Mulligan | |
| Dominique McElligott | ... | Aoife O'Carroll | |
| Sharon Kearney | ... | Woman at Bartley's House | |
| David Pearse | ... | Bartley | |
| Dermot Healy | ... | Old Farmer | |
| Eamonn Olwill | ... | Priest | |
| Yuyang Sheilds | ... | Diner Waitress | |
| Pat Shortt | ... | Colum Hennessey | |
| Gay McKeon | ... | Musician | |
| Mary Corcoran | ... | Musician | |
| Colm Gannon | ... | Musician | |
| Johnny McDonagh | ... | Musician | |
| Dominick Hewitt | ... | Henchman | |
| Giedrius Nagys | ... | Henchman | |
| Gary Robinson | ... | Henchman | |
| rest of cast listed alphabetically: | |||
| Alan Bates | ... | Crossley in The Shout (archive footage) (uncredited) | |
Directed by | |||
| John Michael McDonagh | |||
Writing credits | ||
| John Michael McDonagh | (written by) | |
Produced by | |||
| Paul Brett | .... | executive producer | |
| Don Cheadle | .... | executive producer | |
| Chris Clark | .... | producer | |
| Elizabeth Eves | .... | associate producer | |
| Flora Fernandez-Marengo | .... | producer | |
| Ed Guiney | .... | producer | |
| Ralph Kamp | .... | executive producer | |
| Andrew Lowe | .... | producer | |
| Lee Magiday | .... | associate producer | |
| Martin McDonagh | .... | executive producer | |
| Paul Myler | .... | line producer | |
| David Nash | .... | executive producer | |
| Tim Smith | .... | executive producer | |
| Lenore Zerman | .... | executive producer | |
Original Music by | |||
| Calexico | |||
Cinematography by | |||
| Larry Smith | |||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Jina Jay | |||
Production Design by | |||
| John Paul Kelly | |||
Art Direction by | |||
| Lucy van Lonkhuyzen | |||
Costume Design by | |||
| Eimer Ni Mhaoldomhnaigh | |||
Makeup Department | |||
| Lorraine Brennan | .... | assistant hair stylist | |
| Orla Carrol | .... | chief hair stylist | |
| Morna Ferguson | .... | makeup department head | |
| Niamh O'Loan | .... | makeup artist | |
Production Management | |||
| Michelle Brassil | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Mike Hayes | .... | trainee assistant director | |
| Andrew Hegarty | .... | first assistant director | |
| Alex Jones | .... | second assistant director | |
| Nicola Long | .... | trainee assistant director | |
| Jonathan Shaw | .... | third assistant director | |
Art Department | |||
| Eddie Arkins | .... | stand-by stagehand | |
| John Arkins | .... | stagehand | |
| Thomas Arkins | .... | stagehand | |
| Alex Bassett | .... | daily construction | |
| Simon Boyd | .... | chargehand stand-by props | |
| Gay Byrn | .... | props runaround | |
| Temple Clark | .... | storyboard artist | |
| Christine Fitzgerald | .... | trainee art department | |
| Mick Flood | .... | property master (as Michael Flood) | |
| Cathy Hegarty | .... | daily buyer assistant | |
| Paul Keogh | .... | carpenter | |
| Sarah Kingston | .... | prop buyer | |
| Anna Kirwan | .... | stand-by art director | |
| Tom Lundy | .... | master painter | |
| Tom Lundy | .... | stand-by painter | |
| Ed Norton | .... | construction manager | |
| Liam O'Riain | .... | supervising carpenter | |
| David Oldham | .... | carpenter | |
| Irina Pawassar | .... | stand-by props | |
| John Porter | .... | dressing props | |
| Frank Rizzo | .... | poster artist: Hungary | |
| Brendan Stephens | .... | painter | |
| Julie Tierney | .... | trainee props | |
| Graham Waters | .... | standby carpenter | |
Sound Department | |||
| Niall Brady | .... | sound designer | |
| Michelle Cunniffe | .... | adr mixer | |
| Michelle Cunniffe | .... | sound re-recording mixer | |
| Tom Deane | .... | adr recordist | |
| Andrew Douglas | .... | assistant sound | |
| Caoimhe Doyle | .... | foley artist | |
| Steve Fanagan | .... | sound effects editor | |
| Mark Fitzpatrick | .... | adr recordist | |
| Robert Flanagan | .... | production sound mixer | |
| Ken Galvin | .... | sound re-recording mixer | |
| Tom Johnson | .... | sound re-recording mixer | |
| Brian Magrum | .... | adr recordist | |
| Jean McGrath | .... | foley mixer | |
| Paul Naughton | .... | boom operator | |
Special Effects by | |||
| Aidan Byrne | .... | special effects crew | |
| Brendan Byrne | .... | special effects coordinator | |
| Paul Byrne | .... | pyrotechnician | |
| Michael Kearns | .... | special effects crew | |
| Jimmy Lumsden | .... | special effects crew | |
| Pat Redmond | .... | special effects crew | |
Visual Effects by | |||
| Aled Rhys Jones | .... | visual effects artist | |
Stunts | |||
| Dominick Hewitt | .... | stunts | |
| Phil Lonergan | .... | stunts | |
| Giedrius Nagys | .... | stunts | |
| Donal O'Farrell | .... | stunt coordinator | |
| Gary Robinson | .... | stunt performer | |
| Donal O'Farrell | .... | driving double (uncredited) | |
Camera and Electrical Department | |||
| Robert Binnall | .... | camera operator | |
| Pete Cavaciuti | .... | steadicam operator | |
| Stephen Doyle | .... | daily rigging gaffer | |
| Owen Farrell | .... | clapper loader | |
| John Gamble | .... | director of photography: second unit | |
| John Gamble | .... | first assistant | |
| John Gamble | .... | focus puller | |
| Damien Heffernan | .... | practical electrician | |
| Jonathan Hession | .... | stills photographer | |
| Colm Hogan | .... | stills photographer | |
| David Keith | .... | daily grip | |
| Frankie Leonard | .... | trainee clapper loader | |
| John Marzano | .... | aerial dp | |
| James McGuire | .... | gaffer | |
| Kelly McLaughlin | .... | daily electrician | |
| Darrell Murphy | .... | b camera grip | |
| John Murphy | .... | daily grip | |
| Ronan Murphy | .... | grip | |
| Stephen Murphy | .... | steadicam operator | |
| Sean Murray | .... | video assist | |
| David O'Connor | .... | camera crane operator | |
| John Martin O'Flatharta | .... | electrician | |
| Micheal O'Mogáin | .... | best boy | |
| Andrew O'Reilly | .... | clapper loader: second unit | |
| Robert Palmer | .... | daily focus puller | |
| Ingrid Whelan | .... | daily electrician | |
Casting Department | |||
| Alex Duxbury | .... | casting assistant | |
| Nick McGinley | .... | child casting | |
Costume and Wardrobe Department | |||
| Ciara McArdle | .... | costume supervisor | |
| Aoife Mcbride | .... | costume trainee | |
| Debbie Millington | .... | costume assistant | |
Editorial Department | |||
| Gary Curran | .... | digital intermediate colorist | |
| Warren Dowling | .... | digital intermediate finishing editor | |
| Jim Duggan | .... | post-production supervisor | |
| Alan Freir | .... | assistant editor | |
| Nathan Nugent | .... | additional editor | |
| Jodie Davidson | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Liz Gallacher | .... | music supervisor | |
| Kathleen Hasay | .... | music supervision assistant | |
| Fen Ikner | .... | music recordist | |
| Craig Schumacher | .... | music mixer | |
Transportation Department | |||
| Reggie Blain Jr. | .... | facilities captain | |
| Willie Cooley | .... | facility driver | |
| Padraic Faherty | .... | generator driver | |
| Junior Farrell | .... | facility driver | |
| Matthew Hennessy | .... | action vehicles | |
| John Kavanagh | .... | transportation captain | |
| Pat Larkin | .... | unit driver | |
| Graham McWilliams | .... | driver | |
| Mick Murphy | .... | driver | |
| Joe O'Toole | .... | driver | |
| Paul Taylor | .... | facility driver | |
Other crew | |||
| Sarah Arnott | .... | svp production & acquisitions: Metropolis | |
| Lawrence Atkinson | .... | unit publicist | |
| Elizabeth Blackledge | .... | commercial manager: Aegis Film Fund | |
| Andrew Boucher | .... | managing director: Santx | |
| Elaine Burke | .... | assistant production coordinator | |
| Yvonne Burke | .... | production coordinator | |
| Mark Byrne | .... | business & legal executive: Bórd Scannán na hÉireann/Irish Film Board | |
| Clarissa Caleo-Green | .... | creative coordinator: BFI | |
| Erin Cancino | .... | assistant to Chris Clark | |
| Sally Caplan | .... | head of premiere fund: BFI | |
| Isabel Chick | .... | production accountant: Prescience | |
| Miriam Coleman | .... | assistant location manager | |
| Louise Cornally | .... | production finance executive: element pictures | |
| Anders Erden | .... | business & legal affairs: Metropolis International Sales Limited | |
| Will Evans | .... | head of business affairs: BFI | |
| Ross Flannery | .... | production assistant | |
| Lucia Foster Found | .... | aerial operations coordinator | |
| Clare Hardwick | .... | business affairs manager: Prescience | |
| Clare Hardwick | .... | business affairs | |
| Paula Heffernan | .... | post production coordinator | |
| Paula Heffernan | .... | production coordinator: element pictures | |
| Vince Holden | .... | head of production finance: BFI | |
| Frank Hunter | .... | marine crew | |
| Gordon Hunter | .... | marine crew | |
| Therese Kelly | .... | extras coordinator | |
| Clare Kennedy | .... | head of administration: Prescience | |
| John Paul LeBon | .... | assistant location manager | |
| Fiona McConnell | .... | busienss affairs executive: element pictures | |
| John McKenna | .... | armourer | |
| Jamie Molloy | .... | locations trainee | |
| Fiona Morham | .... | head of production: BFI | |
| Des Mulreany | .... | marine crew | |
| Darragh Noonan | .... | accountant: element pictures | |
| Emma Norton | .... | development executive: element pictures | |
| Eugene O'Connor | .... | production assistant: element pictures | |
| Ciara O'Donnell | .... | extras coordinator | |
| Rossa O'Neill | .... | locations trainee | |
| Donal O'Sullivan | .... | marine crew | |
| Victoria Owens | .... | office manager: element pictures | |
| Simon Perry | .... | chief executive: Bórd Scannán na hÉireann/Irish Film Board | |
| Noirin Holland Roy | .... | assistant accountant | |
| Alistair Rumball | .... | marine coordinator | |
| Arthur Rumball | .... | marine crew | |
| Jemma Sands | .... | film marketing manager: Prescience | |
| Jemma Sands | .... | head of marketing: Metropolis | |
| Emma Scott | .... | production executive: Bórd Scannán na hÉireann/Irish Film Board | |
| Jim Shortall | .... | production accountant | |
| Graham Smith | .... | unit publicist | |
| Andy Stephens | .... | aerial operations manager | |
| Mary Martin Sullivan | .... | assistant accountant | |
| Michael Swan | .... | location manager | |
| Anne Warter | .... | extras coordinator | |
| Kathleen Weir | .... | script supervisor | |
| Sonja Otto | .... | daily locations trainee (uncredited) | |
| Stalkr | .... | archive research (uncredited) | |
Thanks | |||
| Noëlette Buckley | .... | thanks | |
| Anne V. Coates | .... | thanks | |
| Kay Liberman | .... | thanks | |
| Jonathan Loughran | .... | very special thanks | |
| Neil Richards | .... | the director would like to thank | |
| Colin Vaines | .... | special thanks | |
| Natascha Wharton | .... | thanks | |
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| The Departed | Pickup on South Street | Intermission | The Adventuress | Maximum Risk |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Ireland section |
Screenplay writer John Michael McDonagh's directorial debut, "The Guard" (2011) is really a fine movie, relying the least on the originality of its story, describing criminal proceedings of the group of cocaine drug-smugglers and their interaction with local police, set against the backdrop of small-town western Ireland, however, filled with crackling good dialogue, sparkling with wisecracks, accompanied with nice scenery and pleasant, unobtrusive music. But, what makes it the best is its protagonists' performances.
Brendan Gleeson is usually natural, making the character he plays fit like a glovewhether the robust and humorous loyal buddy and the warrior, as in "Braveheart" (1995), or a quiet and subdued aspiring politician, as in "Gangs of New York" (2002), or a non-supportive father, civil war volunteer-turned-deserter, as in "Cold Mountain" (2003), whether the gentle, mentoring, culture-exploring hit man in hiding, as in "In Bruges" (2008), or on the other side of the law, the grouchy police sergeant with defiant, often dissident sense of humour (provocative in one-liners like "being FBI, don't you prefer to fight unarmed women and children "), as in this movie--and Don Cheadle, in the role of FBI agent Wendell Everett, a bit in the shade of Gleeson's Gerry Boyle, but nevertheless, sufficiently competitive ("Langley is CIA, I'm FBI "), neat and convincing in his performance as always. (I admit to have a soft spot for this actor since his impressive role of the manager of Kigali Mille Collines hotel in the movie "Hotel Rwanda" (2004), the very same hotel I have been frequenting for two months in 1995, just a year later to tragic events described in the movie.)
To a pretty frequent movie goer like myself, who hasn't seen a single en par (or better?) leading actor in this year that is rapidly advancing towards its end, it is hard to believe that very many better acting performances could be demonstrated in the remaining two months or so. Therefore, if Brendan Gleeson does not find himself at least among top nominees for any yearly awarded film prize, I'll have a problem finding such decisions just.
As a marginal note, I was lucky to watch this movie back home in my motherland, because having it subtitled was very helpful in order not to miss any of sergeant Boyle's wisecracks, delivered often in heavy Irish accent, and to understand at all occasional lines, uttered by marginal characters, spoken completely in Gaelic. Of course, point was not to be understood by English native speakers, but it was still interesting to know what usual "advices" (if not insults) were given to English speakers, though eventually not English (as FBI agent!) at all. As Irish colleague of mine once said "We don't sing songs in Gaelic so English people cannot understand how badly we talk about them, they know it already! We sing in Gaelic simply because that's our traditional language (N.B. official whatsoever), and songs sound much better and sweeter in it."