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The Guard (2011)

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An unorthodox Irish policeman with a confrontational personality is partnered with an up-tight F.B.I. agent to investigate an international drug-smuggling ring.
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Nominated for 1 Golden Globe. Another 14 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ronan Collins ...
Young Man in Car
Paraic Nialand ...
Young Man in Car
John Patrick Beirne ...
Young Man in Car
Liam O'Conghaile ...
Young Man in Car
Christopher Kilmartin ...
Young Man in Car
...
...
Aidan McBride
Declan Mannlen ...
James McCormick (as Declan Mannion)
...
Photographer
Michael Og Lane ...
Eugene Moloney (as Mícheál Óg Lane)
...
...
Billy Devaney
...
Eileen Boyle
...
Doctor Oleyuwo
...
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Storyline

Sergeant Gerry Boyle is a small-town Irish cop with a confrontational personality, a subversive sense of humor, a dying mother, a fondness for prostitutes, and absolutely no interest whatsoever in the international cocaine-smuggling ring that has brought straight-laced FBI agent Wendell Everett to his door. Written by Element Pictures

Plot Summary | Add Synopsis

Taglines:

The FBI are about to discover that things work a little different around here.

Genres:

Comedy | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for pervasive language, some violence, drug material and sexual content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

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Release Date:

7 July 2011 (Ireland)  »

Also Known As:

El irlandés  »

Filming Locations:

 »

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$76,834 (USA) (29 July 2011)

Gross:

$5,359,774 (USA) (3 February 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to the audio commentary, the uniform that Sergeant Boyle puts on for the movie's end is not a ceremonial dress uniform, but an older Garda uniform that was retired in the 1980s. This is however incorrect, the tunic and old style hat and trousers were removed from front-line operational use in the early 1990s and replaced with just a shirt and jacket. It is still issued and used for certain ceremonial occasions such as graduation ceremonies. See more »

Goofs

Sgt Boyle wears sergeant's chevrons on his uniform sleeve but wears the shoulder boards of a regular Garda (officer). See more »

Quotes

[first lines]
Sergeant Gerry Boyle: [red car speeds past his speed trap, tires screech, car crashes]
Sergeant Gerry Boyle: [finds drugs in the pocket of dead teen] I don't think your mammy would be too pleased about that now.
Sergeant Gerry Boyle: [walks aside and swallows one of the pills] What a beautiful fuckin' day.
See more »

Connections

References The Maltese Falcon (1941) See more »

Soundtracks

The Parting Glass
Traditional arrangements by Liam Clancy, Pat Clancy and Tommy Makem
Performed by Liam Clancy
Courtesy of the Liam Clancy Estate
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Gleeson commands the screen from start to finish. Hilarious.
18 June 2011 | by (United Kingdom) – See all my reviews

Michael McDonagh is the brother of one of the funniest writers in the world just now. Like him, he is a foul mouthed upstart with a unique ability to investigate Irishness with tremendous energy and vividness.

I was lucky enough to attend the premiere in Edinburgh this week and enjoyed what is another great addition to the McDonagh canon of work.

Inevitably it has to be compared to the superior In Bruges but this is no lightweight cast off. Particularly when it one again focuses on a heavyweight performance by Irish heavyweight, Brendan Gleeson. In "In Bruges" Gleeson had to battle for compliments against Colin Farrell who has never performed better and had most of the best lines. Not here. This is all Gleeson, ably abetted by Don Cheadle as the Black FBI agent drafted in on the back of a glittering career to track down a bunch of slightly bungling drug runners in sleepy old Conemarra - Gleeson's patch.

Gleeson and Cheadle spar well and develop a likable relationship, despite this it's not the heart of the movie; that belongs, again, to Gleeson in a tour de force performance.

Cheadle's good and is a great foil. The baddies are less well developed characters and, for my taste, were slightly too caricaturised.

It's not a life changing film but it has to be seen for Gleeson's complete mastery of McDonagh's marvellous script.


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