| Joe Mantegna | ... | David Rossi | |
| Paget Brewster | ... | Emily Prentiss | |
| Shemar Moore | ... | Derek Morgan | |
| Matthew Gray Gubler | ... | Dr. Spencer Reid | |
| A.J. Cook | ... | Jennifer Jareau | |
| Kirsten Vangsness | ... | Penelope Garcia | |
| Thomas Gibson | ... | Aaron Hotchner | |
| Meredith Monroe | ... | Haley Hotchner | |
| C. Thomas Howell | ... | The Reaper / George Foyet | |
| D.B. Sweeney | ... | U.S. Marshal Kassmeyer | |
| Nicholas Brendon | ... | Kevin Lynch | |
| Josh Stewart | ... | Detective William LaMontagne Jr. | |
| Jayne Atkinson | ... | Erin Strauss | |
| Brian Appel | ... | Agent Anderson | |
| Gina Garcia | ... | Evidence Tech Gina (as Gina Garcia Sharp) | |
| Ariana Thomas | ... | Pharmacist | |
| Zokai Holmes | ... | Super | |
| Ty Vincent | ... | Medic #2 | |
| Kim Swennen | ... | Medic #1 | |
| Cade Owens | ... | Jack Hotchner | |
| Max Goudsmit | ... | Young EMT | |
| rest of cast listed alphabetically: | |||
| Mekhai Andersen | ... | Henry LaMontagne (uncredited) | |
| Glenn Clark | ... | Panel Member #1 (uncredited) | |
| Episode Crew |
Directed by | |||
| Edward Allen Bernero | |||
Writing credits | ||
| Jeff Davis | (creator) | |
| Bo Crese | (written by) | |
Produced by | |||
| Edward Allen Bernero | .... | executive producer | |
| Charles S. Carroll | .... | producer | |
| Gigi Coello-Bannon | .... | producer | |
| Breen Frazier | .... | supervising producer | |
| Mark Gordon | .... | executive producer | |
| Howard Griffith | .... | co-producer | |
| Glenn Kershaw | .... | supervising producer | |
| Erica Messer | .... | supervising producer | |
| Simon Mirren | .... | executive producer | |
| Chris Mundy | .... | executive producer | |
| Deborah Spera | .... | executive producer | |
| Jennifer Yates | .... | associate producer (as Jennifer Ketelsen) | |
Original Music by | |||
| Marc Fantini | |||
| Steffan Fantini | |||
| Scott Gordon | |||
Cinematography by | |||
| Greg St. Johns | (director of photography) | ||
Film Editing by | |||
| Adam Wolfe | |||
Casting by | |||
| Scott David | |||
| April Webster | |||
Production Design by | |||
| Vincent Jefferds | |||
Art Direction by | |||
| Victoria Ruskin | (as G. Victoria Ruskin) | ||
Set Decoration by | |||
| Kathy Curtis-Cahill | |||
Costume Design by | |||
| B.J. Rogers | |||
Makeup Department | |||
| Linda De Andrea | .... | department head hair stylist | |
| Dayne Johnson | .... | department head makeup artist | |
Production Management | |||
| Kiegan Downs | .... | post-production supervisor | |
| Howard Griffith | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Michelene Mundo | .... | second assistant director | |
| Ian Woolf | .... | first assistant director (as Ian Foster Woolf) | |
| Mark Ballou | .... | dga trainee (uncredited) | |
| Brian 'Coach' Rosett | .... | second second assistant director (uncredited) | |
Art Department | |||
| Al Eisenmann | .... | property master | |
| Steve Morey | .... | construction coordinator | |
| Peter Beck | .... | art department assistant (uncredited) | |
| Michael Duncan | .... | propmaker (uncredited) | |
| Dylan J. Hay Chapman | .... | graphic designer (uncredited) | |
| Craig Pittman | .... | lead man (uncredited) | |
Sound Department | |||
| David Beadle | .... | supervising sound editor | |
| Kenneth R. Burton | .... | re-recording mixer (as Ken Burton) | |
| Joseph Geisinger | .... | sound mixer | |
| Andre Perreault | .... | re-recording mixer | |
| Jeremy Balko | .... | adr mixer (uncredited) | |
| Stacey Michaels | .... | adr mixer (uncredited) | |
| John Snider | .... | sound effects editor (uncredited) | |
Visual Effects by | |||
| Michael D. Leone | .... | visual effects supervisor (uncredited) | |
Stunts | |||
| Richard Bucher | .... | stunt double: C Tomas Howell (uncredited) | |
| Tom Elliott | .... | stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| John Hatchitt | .... | key grip | |
| Ross Judd | .... | camera operator | |
| David Maddux | .... | chief lighting technician (as Dave Maddux) | |
| Darcy Spires | .... | camera operator | |
| Cory Beaird | .... | grip (uncredited) | |
Casting Department | |||
| Erica L. Silverman | .... | casting associate (as Erica Silverman) | |
Costume and Wardrobe Department | |||
| Brooke C. Thatawat | .... | costume supervisor (as Brooke Thatawat) | |
Editorial Department | |||
| Damione Macedon | .... | post-production coordinator | |
| Dana B. Wilson | .... | assistant editor | |
| Tony D'Amore | .... | colorist (uncredited) | |
Music Department | |||
| Kevin J. Edelman | .... | music supervisor (as Kevin Edelman) | |
| Mark Mancina | .... | composer: additional music | |
| Ben Zales | .... | music editor (uncredited) | |
Transportation Department | |||
| Greg Van Dyke | .... | transportation coordinator | |
Other crew | |||
| James Fitzgerald | .... | technical advisor | |
| Liz Graham | .... | script supervisor | |
| Erika Harrison | .... | assistant to executive producer | |
| Jennifer Kern | .... | production coordinator | |
| Oanh Ly | .... | executive story editor | |
| Kevin McEveety | .... | production accountant | |
| Dauv McNeely | .... | supervising video playback engineer | |
| Jace Sparks | .... | production assistant (uncredited) | |
| Jeffrey T. Spellman | .... | location manager | |
| Rick Dunkle | .... | staff writer (uncredited) | |
| Phill Kane | .... | key assistant location manager (uncredited) | |
| Gregg Pittman | .... | animal coordinator (uncredited) | |
| Matt Sigloch | .... | police technical advisor (uncredited) | |
| Erik Stiller | .... | writers production assistant (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Crime section |
| IMDb USA section |
*** This review may contain spoilers ***
100 is the 100th episode of Criminal Minds. In this episode, Suprevising Agent Aaron "Hotch" Hotchner (Thomas Gibson)'s nemesis, The Reaper, a.k.a. George Foyet now knows where Hotch's wife and son are hiding. Hotch and his team now have to stop him before it's too late.
This definitely has to be one of my favorite episodes on the show. This episode made me like Hotch a lot more than I used to. It was very sad but it was an excellent episode. After I first saw the episode, I knew something bad would happen but I was looking forward to it. This is one of the best episodes, and being the 100th episode, it has the right suspense and action.