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Leap Year (2010)
"Año bisiesto" (original title)

 -  Drama  -  24 June 2011 (USA)
6.1
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Ratings: 6.1/10 from 1,357 users   Metascore: 71/100
Reviews: 15 user | 47 critic | 12 from Metacritic.com

Laura's personal life consists of one affair after another. She meets Arturo, and the pair enter into an intense, violent sexual relationship. As days go by, Laura crosses out the days on a calendar, revealing her secret past to her lover.

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Title: Leap Year (2010)

Leap Year (2010) on IMDb 6.1/10

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3 wins & 1 nomination. See more awards »

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Cast

Credited cast:
...
Laura
...
Arturo
...
Hombre 3
Rest of cast listed alphabetically:
Diego Chas ...
Hombre 1
Dagoberto Gama ...
Papá
Ernesto González ...
Viejito
Bertha Mendiola ...
Viejita
José Juan Meraz ...
Novio Vecina
Nur Rubio ...
Cajera
Jaime Sierra ...
Hombre 2
Ireri Solís ...
Vecina
Marco Zapata ...
Raúl
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Storyline

Laura's personal life consists of one affair after another. She meets Arturo, and the pair enter into an intense, violent sexual relationship. As days go by, Laura crosses out the days on a calendar, revealing her secret past to her lover.

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Genres:

Drama

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 »
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Details

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Release Date:

24 June 2011 (USA)  »

Also Known As:

Année bissextile  »

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Aspect Ratio:

2.35 : 1
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Did You Know?

Connections

Featured in At the Movies: Cannes Film Festival 2010 (2010) See more »

Soundtracks

Una Rata Vieja
(uncredited)
Performed by Monica del Carmen
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User Reviews

 
not fancy
7 July 2011 | by (United States) – See all my reviews

"Leap Year" is simple, albeit brilliant filmmaking. There is very little, if any, "coverage" for each and every shot. No close-ups, no pans, no dolly shots, no cranes, no over-the-shoulder, and no reaction shots. The camera remains still and static throughout - time and time again simply letting the drama unfold before our eyes. We are nothing more than a voyeur. It's a bold choice - perhaps born out of budget necessity - but it nonetheless works. What's makes every shot absolutely fascinating is called "life." Human behavior. The success of this film is a tribute to the director, his belief in the story, and most of all, the trust he was able to get from his actors. Although the camera rarely moves, it tells the story better than most Hollywood directors with a much bigger budget ever could.


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