|Index||5 reviews in total|
The move is a 3d master piece which will raise the bar for anyone wishing to meld the different art forms of animation together. The movie takes the life of Chopin and makes it a mystical adventure that is as much a adventure for adults as it is for the children. In some regards it maybe more for adults because of the history and the complexity of the effects which will no doubt make it a contender for an Oscar in the animation and special effects categories. I do highly recommend the movie for the entire family. It might how ever be a little much for those who don't do well on amusement rides but it is an adventure not to be missed.
Hi, in my opinion that kind of movie does not exist yet in film world.
It's really interesting for some reasons:
- Stereo 3D looks amazing (I do not know, how it works, but it is like I'm the part of the film world)
- Stop Motion - the best, that I have ever saw
- Heather - and her role - you can see the woman, that is working too much , see her problems - you can compare it to many many families
- Chopin's music - there is no other artist like Chopin.
My kid also very liked it - specially balloons and the flying machine.
What can I say, go and try. :)
Superb animation set to Chopin music played by Lang Lang. Anyone, adult or child, who likes the original Fantasia will love this. The variety of animation is delightful and the three dimensional presentation heightens the excitement of the story which takes one from a nostalgically pre-modern Poland to high-tech London. My only reservation is some of the casting on the non-animated characters but this does not detract from the central story which is wonderfully moving and highly relevant to the situation in the world today, featuring an economic migrant father and a daughter left behind in Poland. The short films that are incorporated are varied and charming.
Watching The Flying Machine was a truly unique experience and it will probably be the same for viewers in any age group. The first part of the film, which is a stop-motion animation with no dialogues, just the music of Chopin, is a small masterpiece. I can just imagine the incredible amount of work it must have taken to create a world so complex and full of beauty using puppets and I'm very impressed. The second, live action part, is less dreamy and more energetic, as we view the adventures of over-worked mom Georgie and her two kids: Fred and Jane, who travel on the flying machine through Europe, following the footsteps of Fredric Chopin. Chopin, who is the key to the film and whose music (performed by Lang Lang) was surprisingly touching and beautiful for me (I never thought I would be into classical music) is not only a musical genius, but an interesting character as well, as we get to know more about him during the film. I think one of the best things about the film is the fact that it can reach so many different viewers: animation fans, musical fans, families, those who want to learn about Chopin and classical music as well as those who dream about adventures. Go and see yourself!
This feels like a movie created by AI rather than humans. It is AWFUL.
The animated short "The Magic Piano" should be pulled out and
re-packaged as a short; the stop-motion animation there is charming and
the dialogue-free story told through Chopin's music would work for many
people of various ages. Instead, "The Magic Piano" is jammed into this
bizarre low-budget framing starring Heather Graham--huh? Did she lose a
bet to someone?) that is at best a redundant rehashing of the plot
points in "The Magic Piano." This framing story drags and drags
painfully along (with tidbits of Chopin trivia artlessly and bizarrely
squeezed in along the way). The children who watched this with me
started commenting "This movie is way too long" at 30 minutes in, and I
felt awful that their parents did not shut the thing off to spare them.
I cannot believe anyone has given this positive reviews unless paid to do so, which is why I am taking the time to explain my 1-star rating. It appears from the credits that a number of international entities collaborated to get this made (one of them has to be a Chinese Tourism Board of some kind), and this is my plea to the world that we abandon further attempts to make any films in this artless and painful way.
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