| Photos (See all 12 | slideshow) |
| Eliza Dushku | ... | Echo | |
| Harry Lennix | ... | Boyd Langton (credit only) | |
| Fran Kranz | ... | Topher Brink | |
| Tahmoh Penikett | ... | Paul Ballard | |
| Enver Gjokaj | ... | Anthony Ceccoli | |
| Dichen Lachman | ... | Priya Tsetsang | |
| Olivia Williams | ... | Adelle DeWitt | |
| Felicia Day | ... | Mag | |
| Summer Glau | ... | Bennett Halverson | |
| Adair Tishler | ... | Caroline Farrell | |
| Alan Tudyk | ... | Alpha | |
| Zack Ward | ... | Zone | |
| Nate Dushku | ... | Clive Ambrose | |
| Noah Harpster | ... | Matthew Harding | |
| Christian Monzon | ... | Romeo | |
| Brandon Dieter | ... | T | |
| Jim Lindsey | ... | Active | |
| Maurissa Tancharoen | ... | Kilo | |
| rest of cast listed alphabetically: | |||
| Jeff Corbin | ... | SWAT Officer | |
| Mark Kubr | ... | Butcher #3 (uncredited) | |
| Brandon Molale | ... | X-Ray (uncredited) | |
| Damion Poitier | ... | Yankee (uncredited) | |
| Jed Whedon | ... | Man at Table (uncredited) | |
| Episode Crew |
Directed by | |||
| David Solomon | |||
Writing credits | ||
| Joss Whedon | (creator) | |
| Maurissa Tancharoen | (written by) & | |
| Jed Whedon | (written by) & | |
| Andrew Chambliss | (written by) | |
Produced by | |||
| Tim Minear | .... | executive producer | |
| Joss Whedon | .... | executive producer | |
Cinematography by | |||
| Lisa Wiegand | |||
Film Editing by | |||
| Peter Basinski | |||
Makeup Department | |||
| André Dubois | .... | department head hairstylist | |
Art Department | |||
| James L. Eddy | .... | assistant property master | |
| Donald S. Foster | .... | set dresser | |
| Michael Voelker | .... | on-set dresser | |
| Amy Smith | .... | art department coordinator (uncredited) | |
Sound Department | |||
| William Dotson | .... | supervising sound editor | |
| Shawn Kennelly | .... | foley mixer supervisor | |
| Scott C. Kolden | .... | sound effects editor | |
| Laura Macias | .... | foley artist | |
| Cathie Speakman | .... | supervising adr editor | |
Visual Effects by | |||
| O.T. Hight | .... | visual effects artist | |
| Michael D. Leone | .... | visual effects supervisor | |
| Joseph Silva | .... | visual effects artist: Lion VFX | |
| Zachariah Zaubi | .... | digital compositor | |
Stunts | |||
| Robert Alonzo | .... | stunt performer | |
| Clay Cullen | .... | stunts | |
| John Dixon | .... | stunt double | |
| Mark Kubr | .... | stunts | |
| Zach Hudson | .... | stunt double: Alan Tudyk "Alpha" (uncredited) | |
| Jade Quon | .... | stunt double: Maurissa Tancharoen 'Kilo' (uncredited) | |
| Lee Whittaker | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Brian Cantrell | .... | light board operator | |
| Kathryn Comkowycz | .... | assistant camera | |
| John Farr | .... | rigging gaffer | |
| Micky Froehlich | .... | camera operator: second unit | |
| Jay Hunter | .... | camera operator: "a" camera | |
| Jay Hunter | .... | director of photography: second unit | |
| Austin Keller | .... | rigging electrician | |
| Ben Krout | .... | key rigging grip | |
| Michael Mull | .... | grip | |
| Dylan Pomerleau | .... | rigging electrician | |
| Sean Prichard | .... | dolly grip | |
| Andi Ruane | .... | additional dolly grip | |
| L. Andrew Sigler | .... | best boy grip | |
| Reza Tabrizi | .... | first assistant camera: "a" camera | |
| Ty Trullinger | .... | video playback coordinator | |
| Matt Valentine | .... | camera operator | |
Costume and Wardrobe Department | |||
| Antonina Lerch | .... | costume cutter/fitter (as Antonina Grib) | |
| Cleo Mannell | .... | key costumer | |
Editorial Department | |||
| Richard Flores Jr. | .... | telecine colorist | |
| Ione Soyangco | .... | assistant editor | |
| Jim Darby | .... | on-line editor (uncredited) | |
Music Department | |||
| Jonatha Brooke | .... | composer: theme song | |
| Jonatha Brooke | .... | performer: theme song | |
| Jessica Garey | .... | music coordinator | |
| Russ Howard III | .... | composer: additional music | |
| Andrea von Foerster | .... | music supervisor | |
Other crew | |||
| Brian Avery | .... | production assistant | |
| Daniel Beals | .... | set production assistant | |
| Tracy Bellomo | .... | story editor | |
| Josh Botana | .... | office production assistant | |
| Christopher Campbell | .... | location manager (as Chris Campbell) | |
| Andrew Chambliss | .... | story editor | |
| Travis Coles | .... | office production assistant | |
| Dave Landaker | .... | video and computer playback operator | |
| Nicki Maron | .... | assistant to executive producer: Joss Whedon / assistant to producers | |
| Brian Peralez | .... | production assistant | |
| Tammy Thomas | .... | production assistant | |
| Joy Wingard | .... | production assistant | |
| Amy D'Alessandro | .... | titles by (uncredited) | |
| Tammy Dugen | .... | photo double: Eliza Dushku (uncredited) | |
| Tony Rudenko | .... | video computer graphics operator (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Elizabeth Craft | 2008 | |
| Sarah Fain | 2008 | |
| Joss Whedon | creator | |
Costume and Wardrobe Department | |||
| Tina Ficaro | .... | wardrobe supervisor (2008) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Drama section | IMDb USA section |
It's rather unfortunate that "Dollhouse" was sent to the attic. However, I was very impressed with the direction of the final episode. The post-apocalyptic look was very well integrated. You can tell Joss is an enthusiast of classics like Mad Max and other post-apoc. movies because he did this episode so well.
I was glad to see his attention to detail in this final vision of "Dollhouse". My Favourite element was the various clans of people, for example, the Tech Freaks. These were soldiers who are addicted to uploading themselves with the best skill sets and the goal is to be like "Echo". Even the dialogue felt futuristic and appropriate. When Victor was talking to one of soldiers and he was getting aggravated with him, he told him to "Log off". I got a big smile on my face when I heard this because I thought it was such a clever representation of how conversation has changed and what "lingo" is used in their time.
While watching this episode, I kept thinking to myself that Joss should turn this into a feature film. Maybe not "Dollhouse" per se (Although, I'd still watch it if he managed to do that) but more so use the fundamentals of this final episode to create a feature length story out of it. The final episode has so MUCH potential to grow and expand into a powerful story and I have faith that Joss could do it.
He created a movie out of Firefly, I think he could pull it off for "Dollhouse" or more specifically out of this final episode, Epitaph Two: Return.