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The affair between King Edward VIII and American divorcée Wallis Simpson, and a contemporary romance between a married woman and a Russian security guard.

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Nominated for 1 Oscar. Another 4 wins & 4 nominations. See more awards »

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Cast

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Storyline

In 1998, an auction of the estate of the Duke and Duchess of Windsor causes great excitement. For one woman, Wally Winthrop, it has much more meaning. Wally becomes obsessed by their historic love story. As she learns more about the sacrifices involved, Wally gains her own courage to find happiness. Written by Anonymous

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Genres:

Drama | History | Romance

Motion Picture Rating (MPAA)

Rated R for some domestic violence, nudity and language | See all certifications »

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Details

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Release Date:

20 January 2012 (UK)  »

Also Known As:

El romance del siglo  »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$47,074 (USA) (3 February 2012)

Gross:

$582,075 (USA) (4 May 2012)
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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Wallis Simpson was a patron of the Paris couture house of Madeleine Vionnet in the 1930's. Her original orders are still held in the company's archives, and recreations of four of those gowns were made by the fashion house for this film. See more »

Goofs

At the start of the film (2'40), Wally Winthrop is shown taking a bath. When she turns on the bath taps (faucets), the plug is clearly hanging down but in the next shot it is plugged in. See more »

Quotes

Wally Winthrop: People seem to only focus on what he gave up for her. But what about what she gave up?
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Connections

Featured in At the Movies: Venice Film Festival 2011 (2011) See more »

Soundtracks

Subway Scene
Written by Stuart Price
Performed by Stuart Price
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User Reviews

A fascinating film--half brilliant, half awful.
3 November 2011 | by (Canada) – See all my reviews

Far from the best or worst picture of the year, W.E. is certainly the most intriguing. It tells the story of Wallis Simpson (Andrea Riseborough) and the New York housewife who is obsessed with her in 1998 (played by Abbie Cornish). This is not a straightforward historical film, nor is it trying to be. Instead, the film is a mediation on celebrity, history and the way people search in those realms for meaning in their own lives. For example, Wally in 1998 is trapped in a loveless marriage where she is virtually ignored by everyone, so she imagines Wallis as utterly fabulous, and adored by the man who abdicated for her. "What are you thinking about?" she is asked at one point. She responds, "What it must feel like to be loved that much". Madonna hits that nail right on its head, and this premise is the reason she can't tell the story from a straight historical perspective--celebrities really only exist in our heads. Madonna likely knows this better than anyone. For this reason, Wally waves away her idols alleged Nazi sympathies and the possibility that she and Edward's marriage was not all that it seemed, because in New York in 1998, she needs to believe that love can be eternal. In this context, the much maligned scenes in which Wallis appears to Wally to give advice make perfect sense. All celebrities and historical figures really are figments of our imaginations anyway.

In the end, the theme is that people should not obsess over celebrities, but should "get a life" of their own. This brings us to the films one serious downfall. The audience is forced to spend more than half the movie with Wally, who is beyond boring and unsympathetic. This can be blamed on the script and the performance by Abbie Cornish, who never seems to do any more than pose and read lines. The character was never believable or engaging, and the script must resort to over the top melodrama to move her story along. In short, the 1998 storyline is a mess, and you'd think that a film whose premise is that celebrity-obsessed people need to get a life would have known better than to focus on an obsessed fan with no life.

That said, everything with Wallis is spot on, better even than anything found in "The King's Speech" (2010). Andrea Riseborough, who plays Wallis accomplishes in a single scene what Abbie Cornish couldn't in all of the movie. She makes us admire and care for the woman she's playing. She has a charisma (much like the director herself) that guarantees the indulgence of the audience. She is going to be naughty, and we're going to love her for it.

And thus you have the most interesting movie of the year: half masterpiece, half slog. If the 1931 storyline had been stretched out to 90 minutes, and the 1998 one reduced to 10 or 15, this would have been one of the best films of the year. As it is, it a tremendous curiosity.

I must mention, however, the best scene in the movie, featuring an elderly Wallis and a dying Edward. I shan't give it away except to say that it captures perfectly both the sweetness of enduring love and the sadness, and inevitability of age and death. Where I was laughing derisively at the previous scene, this one had me in tears before it was through. Like I said, a very interesting experience.

I have refrained from mentioning its superstar director, because most critics can't seem to see past their feelings about her as a person. Still, I can't help but note that Madonna is vastly better suited to depict the lifestyles of the rich and fabulous, than the dreary doldrums of us common-folk.


99 of 128 people found this review helpful.  Was this review helpful to you?

Message Boards

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Why did W.E. get such appalling reviews? tovangar2-321-223220
Loved the movie but story has big flaw lorrainejhawkins
Oscar buzz for Madonna and Andrea Riseborough for W.E mister-movie22
Why the modern day part of the story? jdeaver886
why only 5.1 ?????? cheungloksze
Is this directed by THE Madonna??? beautifulperson1
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