| Photos (See all 12 | slideshow) | Videos (see all 13) |
| Lauren German | ... | Eva | |
| Michael Biehn | ... | Mickey | |
| Milo Ventimiglia | ... | Josh | |
| Courtney B. Vance | ... | Delvin | |
| Ashton Holmes | ... | Adrien | |
| Rosanna Arquette | ... | Marilyn | |
| Iván González | ... | Sam | |
| Michael Eklund | ... | Bobby | |
| Abbey Thickson | ... | Wendi | |
| Jennifer Blanc | ... | Liz |
Directed by | |||
| Xavier Gens | |||
Writing credits(WGA) | ||
| Karl Mueller | (written by) and | |
| Eron Sheean | (written by) | |
Produced by | |||
| Ross Bryan | .... | executive producer | |
| Jamie Carmichael | .... | executive producer | |
| Ross M. Dinerstein | .... | producer | |
| Rodolphe Guglielmi | .... | co-executive producer | |
| Juliette Hagopian | .... | producer | |
| Michael Horn | .... | executive producer | |
| Kevin Iwashina | .... | executive producer | |
| Kyle Dean Jackson | .... | co-executive producer | |
| Manoj Jain | .... | executive producer | |
| Rick Lashbrook | .... | co-executive producer | |
| Jenny Napier | .... | associate producer | |
| Chris Ouwinga | .... | executive producer | |
| Nathaniel Rollo | .... | producer | |
| Benjamin Schwartz | .... | co-executive producer | |
| Bobby Schwartz | .... | executive producer | |
| Shail Shah | .... | executive producer | |
| Eron Sheean | .... | co-producer | |
| Loreen Siemes | .... | associate producer | |
| Darryn Welch | .... | producer | |
Original Music by | |||
| Jean-Pierre Taieb | |||
Cinematography by | |||
| Laurent Barès | |||
Film Editing by | |||
| Carlo Rizzo | (edited by) | ||
Casting by | |||
| Lindsey Hayes Kroeger | |||
Production Design by | |||
| Tony Noble | |||
Art Direction by | |||
| Gordon Wilding | |||
Costume Design by | |||
| Mary Hyde-Kerr | |||
Makeup Department | |||
| Kevin Carter | .... | special effects contact lenses | |
| Jeny Cassady | .... | special makeup effects coordinator | |
| Tamara Harrod | .... | key hair stylist | |
| Steven Kostanski | .... | special makeup effects artist | |
| Lori Sandnes | .... | special makeup effects artist | |
Production Management | |||
| Nancy Valle | .... | executive in charge of post-production | |
Art Department | |||
| Crystal Biloski | .... | art department assistant | |
| Bruce Cook | .... | head carpenter | |
| Jonathan Delerue | .... | concept artist | |
| Jonathan Delerue | .... | storyboard artist | |
| Jamie Lou Morneau | .... | assistant property master: prep | |
| Adam Thorburn | .... | assistant property master | |
Sound Department | |||
| Brock Capell | .... | production sound mixer | |
| Matthieu Dallaporta | .... | sound re-recording mixer | |
| Rada Danilovic | .... | sound designer | |
| Dave Eccleston | .... | foley mixer | |
| Paul Karpinski | .... | additional foley editor | |
| Didier Lozahic | .... | sound re-recording mixer | |
| Dallas Pomedli | .... | boom operator | |
| Kevin Rittner | .... | adr engineer | |
| Mark Verner | .... | foley artist | |
| Mark Verner | .... | foley editor | |
| Gregorio Vincent | .... | sound mix technician | |
| Ryan Michael Wilson | .... | additional sound designer | |
| Chris Reynolds | .... | additional re-recording mixer (uncredited) | |
Special Effects by | |||
| Tim Freestone | .... | special effects assistant | |
| Simon Martineau | .... | pyrotechnician | |
| Brant McIlroy | .... | special effects coordinator | |
| Martin Testa | .... | special effects coordinator | |
Visual Effects by | |||
| Julien Aullas | .... | digital artist: PLUG | |
| Nicolas Bonnell | .... | visual effects producer: PLUG | |
| Charlotte Collings | .... | DI producer | |
| Jonathan Delerue | .... | matte painter | |
| Laurens Ehrmann | .... | visual effects supervisor: PLUG | |
| Pascal Etangsale | .... | digital artist: PLUG | |
| Rodolphe Guglielmi | .... | visual effects supervisor: BR Films | |
| Jean-Louis Kalifa | .... | digital artist: PLUG | |
| Christophe Moreau | .... | digital artist: PLUG | |
| Tom Russell | .... | senior colourist | |
| Darren Wall | .... | visual effects supervisor | |
| Julien Biard | .... | assistant colourist (uncredited) | |
Stunts | |||
| Dustin Brooks | .... | fire stunts | |
| Tristan Carlucci | .... | stunt double | |
| Colin Decker | .... | fire stunts | |
| Andrew Degryse | .... | stunt performer | |
| Jacqueline Loewen | .... | stunts | |
| Lori MacKay | .... | stunt double | |
| Garth Merkeley | .... | stunt double | |
| Derek Poplawski | .... | stunt performer | |
| Chuck Robinson | .... | stunt coordinator | |
| Kristen Sawatzky | .... | stunt double: Eva | |
| Dan Skene | .... | stunt performer | |
| Rick Skene | .... | stunt coordinator | |
| Sean Skene | .... | stunt performer | |
Camera and Electrical Department | |||
| Christopher Harvey | .... | rigging | |
| Brad Hruboska | .... | Steadicam operator | |
| Gilbert Jamault | .... | best boy electric | |
| Steven K. Johnson | .... | camera trainee | |
| Jonathan Kennedy | .... | lamp operator | |
| Burton 'Joe' Kuchera | .... | gaffer | |
| Robin Lindala | .... | first assistant camera | |
| William Mills | .... | dolly grip | |
| Chris Moone | .... | camera operator: "b" camera | |
| Chris Moone | .... | first assistant camera | |
| Cory Quinn | .... | lamp operator | |
| Rebecca Sandulak | .... | gallery photographer | |
| Ben Stouffer | .... | lighting technician | |
Casting Department | |||
| Michael Laguens | .... | casting: France | |
| Julie Swistak | .... | casting associate | |
| Shelly Anthis | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Jody Chalmers | .... | costume assistant | |
| Amanda Isaak | .... | assistant costume designer | |
Editorial Department | |||
| Garry Maddison | .... | colorist | |
| Alan Pao | .... | digital intermediate producer | |
Music Department | |||
| Laura Katz | .... | music clearance and licensing | |
| Yasmine Meddour | .... | composer: end credit song | |
| Andy Ross | .... | music supervisor | |
Transportation Department | |||
| Jamie McLeod | .... | unit driver | |
| Dave Perich | .... | transportation coordinator | |
| Wayne Statkewich | .... | driver: cast | |
| Corey Walker | .... | transportation captain | |
| David Wharry | .... | driver: cast | |
Other crew | |||
| Kenny Boyce | .... | film commissioner: City of Winnipeg | |
| Sophie Boyer | .... | script supervisor | |
| Tammy Byers | .... | craft service | |
| Yannick Dahan | .... | script consultant | |
| Kook Ewo | .... | opening title sequence by | |
| Helena Fleger | .... | production assistant | |
| Tim Freestone | .... | armorer | |
| Aaron Graham | .... | assistant production coordinator | |
| Jody Lewis | .... | key location production assistant | |
| Celene Miles | .... | first assistant accountant | |
| Alana Pona | .... | set production assistant | |
| Devan Towers | .... | production lawyer | |
| Rebecca Traub | .... | production coordinator | |
| Kevin Uddenberg | .... | film liaison: City of Winnipeg | |
Thanks | |||
| Yannick Dahan | .... | the director wishes to thank | |
| Melissa George | .... | very special thanks | |
| Trace Sheehan | .... | special thanks | |
| Adam Smoluk | .... | the producers wish to thank | |
| Mennan Yapo | .... | thanks (as Mennan Yappo) | |
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| No Blade of Grass | Southland Tales | Splice | The Usual Suspects | Cloverfield |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Germany section |
I found this film by chance, without having heard anything about it, so I went in with no expectations. But I love me a good apocalyptic flick, even though most are very predictable. This one is not predictable. And even though the setting is after the apocalypse, the story is really about human nature, a la Lord of the Flies.
The peoples reactions to the events, and to each other, are extreme, yet believable. The acting is very good, among the best i've seen lately in a sci-fi picture. Yet it was the writing that truly took me in. The story is paced very evenly, and proceeds towards it's inevitable conclusion without pause or remorse.
I have to say that this movie is not for children or even most adults. There are strong elements of violence and sexuality that are far beyond what most people can stomach. With this in mind, however, I found the psychological elements to be far more disturbing than the graphic scenes. We don't like to think that people are capable of certain things, but in extreme conditions people can be pushed to do the unimaginable.
This is the the important point of the film, rather than the storyline, or "how the world ends". It's about how we can self destruct, as individuals.
While I will be disturbed by the imagery for a few days, I really still loved this movie, and recommend it to anyone with a strong stomach.