Survivors of a nuclear attack are grouped together for days in the basement of their apartment building, where fear and dwindling supplies wear away at their dynamic.
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A gritty mind-bending thriller about three twenty-somethings who find themselves in an impossible time labyrinth, where each day they awaken to the same terrifying day as the preceding one.
Director:
Carl Bessai
Stars:
Dustin Milligan,
Amanda Crew,
Richard de Klerk
Six years after Earth has suffered an alien invasion a cynical journalist agrees to escort a shaken American tourist through an infected zone in Mexico to the safety of the US border.
Director:
Gareth Edwards
Stars:
Scoot McNairy,
Whitney Able,
Mario Zuniga Benavides
Four friends/fledgling entrepreneurs, knowing that there's something bigger and more innovative than the different error-checking devices they've built, wrestle over their new invention.
Director:
Shane Carruth
Stars:
Shane Carruth,
David Sullivan,
Casey Gooden
Years after a plague kills most of humanity and transforms the rest into monsters, the sole survivor in New York City struggles valiantly to find a cure.
Genetic engineers Clive Nicoli and Elsa Kast hope to achieve fame by successfully splicing together the DNA of different animals to create new hybrid animals for medical use.
Director:
Vincenzo Natali
Stars:
Adrien Brody,
Sarah Polley,
Delphine Chanéac
After a nuclear attack, seven dwellers of an apartment building seek refugee in a bunker in the basement of the building where the super Mickey lives. He rationalize water and supplies among the group formed by Eva and her boyfriend Sam; the gays Bobby and Josh and his brother Adrien; Marilyn and her daughter Wendi; and Delvin. When three invaders break in their shelter wearing protective clothing and breathing apparatuses, they abduct Wendi but the survivors succeed in killing the three men. Josh wears the only clothing that has not damaged and discovers a strange research center where he finds Wendi dead. He shoots on three men and returns to the shelter. Soon the group learns that the invaders have welded their access door from outside and they are trapped inside the bunker. Marilyn and Sam get crazy and the tense situation and the lack of water and food bring frictions among Mickey, Delvin, Bobby and Josh. When Delvin finds a panic room hidden in Mickey's room, they fight and ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I attended the almost sold out screening of "The Divide" at Montreal FantAsia Film Festival with special guest Xavier Gens (director), Michael Biehn (actor) and Michael Eklund (actor).
The crowd, as always at FantAsia, was very engaged and energetic. However, as the horror story unfolded (not exactly horror genre film, save for a few scenes, but horrific in the psychological debacle of its characters), the crowd got quiet and silently absorbed the very well-crafted human drama. The performances felt real. The mood was perfectly dark and doomish. This post-apocalyptic take on humanity is not the most positive, but it is positively one of the best! The cinematography and few special effects are good, especially for the budget. We learned in the Q&A that the film was going to be canned, but that an intern in Winnipeg (Canada), said that his parents could finance the film and fork the few millions needed to finish the project. Great thing they did! This detachment from market-driving founding also allowed for greater artistic freedom and the three guests really explained how Xavier Gens challenged his actors (and some times cameramen) to improvise, be creative, immerse themselves in their characters, and serve the story and the film. The two Michaels were thrilled to worked this way and brought many contributions, while they also mentioned how Lauren German was a more by-the-book actress and they all had to event ploys to get her to be surprised and spontaneous. They all genuinely felt it was the best filmed to work on in their lives, although staying in character after shooting made for some tense sets and after-set (hotel) interactions. Gens choose to film the movie in chronological order, encouraged his actors to starve themselves (which Eklund did to the maximum) and let their mind go as the film reel rolled. Having written a novel in chronological order, I understand exactly what latitude that gives in character development. The story takes unexpected turns, but feels right, cognitive and consistent.
The story with its sci-fi elements briefly introduces a world of wonder, before shutting the door closed on hope and humanity. It is saved by sparkles of effective comedy, but transgresses into a struggle to survive at any price. What is there left? Humanity? Dignity? Love? Compassion? Not really.
As dark is it it, this vision hopefully encourages us to do better in our own lives. No need to wait for a nuclear explosion to figure out what is our desired behaviour for betterment.
112 of 193 people found this review helpful.
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I attended the almost sold out screening of "The Divide" at Montreal FantAsia Film Festival with special guest Xavier Gens (director), Michael Biehn (actor) and Michael Eklund (actor).
The crowd, as always at FantAsia, was very engaged and energetic. However, as the horror story unfolded (not exactly horror genre film, save for a few scenes, but horrific in the psychological debacle of its characters), the crowd got quiet and silently absorbed the very well-crafted human drama. The performances felt real. The mood was perfectly dark and doomish. This post-apocalyptic take on humanity is not the most positive, but it is positively one of the best! The cinematography and few special effects are good, especially for the budget. We learned in the Q&A that the film was going to be canned, but that an intern in Winnipeg (Canada), said that his parents could finance the film and fork the few millions needed to finish the project. Great thing they did! This detachment from market-driving founding also allowed for greater artistic freedom and the three guests really explained how Xavier Gens challenged his actors (and some times cameramen) to improvise, be creative, immerse themselves in their characters, and serve the story and the film. The two Michaels were thrilled to worked this way and brought many contributions, while they also mentioned how Lauren German was a more by-the-book actress and they all had to event ploys to get her to be surprised and spontaneous. They all genuinely felt it was the best filmed to work on in their lives, although staying in character after shooting made for some tense sets and after-set (hotel) interactions. Gens choose to film the movie in chronological order, encouraged his actors to starve themselves (which Eklund did to the maximum) and let their mind go as the film reel rolled. Having written a novel in chronological order, I understand exactly what latitude that gives in character development. The story takes unexpected turns, but feels right, cognitive and consistent.
The story with its sci-fi elements briefly introduces a world of wonder, before shutting the door closed on hope and humanity. It is saved by sparkles of effective comedy, but transgresses into a struggle to survive at any price. What is there left? Humanity? Dignity? Love? Compassion? Not really.
As dark is it it, this vision hopefully encourages us to do better in our own lives. No need to wait for a nuclear explosion to figure out what is our desired behaviour for betterment.