A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Kay and Arnold are a middle-aged couple whose marriage has declined until they are now sleeping in separate rooms and barely interact in any meaningful loving way. Finally, Kay has had enough and finds a book by Dr. Feld which inspires her to sign them up for the Doctor's intense week long marriage counseling session. Although Arnold sees nothing wrong with their 30 year long marriage, he reluctantly agrees to go on the expensive excursion. What follows is an insightful experience as Dr. Feld manages to help the couple understand how they have emotionally drifted apart and what they can do to reignite their passion. Even with the Doctor's advice, Kay and Arnold find that renewing their marriage's fire is a daunting challenge for them both. Written by
Kenneth Chisholm (firstname.lastname@example.org)
In almost every exterior scene of Kay and Arnold's house we see a Buick sedan and a Subaru station wagon parked in the driveway in front of the garage. However, when the taxi picks up Kay to take her to the airport and drops Arnold and Kay back from the airport the cars are not in the driveway. It was suggested that since they were going out of town they might have moved the cars into the garage, but when Kay leaves it is unknown, even to Arnold himself, if he will accompany her. See more »
Think you can change your marriage?
Eileen, Kay's Friend:
Change your marriage? What do you mean? Like, you mostly eat in on Fridays, and then you eat out?
See more »
There is a scene during the end credits. See more »
It's always interesting to read people's reviews of movies and instead of getting a review, we get a paragraphs full of narcissism, relentless scrutiny, and disappointment. What reviewers have to understand is that yours is not the only perspective on what makes a good movie, in fact, good.
The problem is, genuine realism is lost on those expecting the standard Hollywood-esque, brushed-canvasses, flawless plot lines, and riveting dialogue. Life is rarely like that and when a movie comes along that depicts some real-life humanity, with all our human idiosyncrasies and vulnerabilities, it gets dissected because a few outspoken individuals are expecting reality as its portrayed in Reality TV and not reality as most of us know it, as it really is.
This movie captured the tenuous nature of intimate relationships and all the things we don't say to each other. It is uncomfortable for most of us to be that exposed and vulnerable with another human being, and that is what Hope Springs capitalized on better than many other films of this genre. The communication difficulties Jones and Streep exhibited were masterfully portrayed. The dialogue wasn't always fun and lively, but that's what added to the authenticity of the plot and the main developing theme. If you're looking for mindless entertainment, something easy to digest, there's plenty out there. If you're up for a healthy dose of reality and a powerful, vital message, then give Hope Springs a viewing. I don't think you'll be disappointed. Happy film hunting!
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