A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Kay and Arnold are a middle-aged couple whose marriage has declined until they are now sleeping in separate rooms and barely interact in any meaningful loving way. Finally, Kay has had enough and finds a book by Dr. Feld which inspires her to sign them up for the Doctor's intense week long marriage counseling session. Although Arnold sees nothing wrong with their 30 year long marriage, he reluctantly agrees to go on the expensive excursion. What follows is an insightful experience as Dr. Feld manages to help the couple understand how they have emotionally drifted apart and what they can do to reignite their passion. Even with the Doctor's advice, Kay and Arnold find that renewing their marriage's fire is a daunting challenge for them both. Written by
Kenneth Chisholm (email@example.com)
According to David Frankel on the Director's Commentary, The MPAA was originally going to give the film an R rating due to the scene in the movie theater. See more »
During a session with Dr. Feld, Arnold is sitting to the left of the sofa with his arm against the arm of the sofa. In the next shot, he is sitting more towards the center of the sofa. See more »
Eileen, Kay's Friend:
You marry who you marry, and you are who you are. Why would that change?
Well, if you wanted it to?
Eileen, Kay's Friend:
No. I think for that to happen, it would have to be so bad, that somebody was willing to risk everything just to shake things up, and then it might not come down your way. No, change is hard. No, marriages don't change.
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There is a scene during the end credits. See more »
Meryl Streep is a wonder, let's start right there. After her towering portrayal of Margaret Thatcher, an ordinary woman in real danger of disappearing all together. Real and enormously moving. Tommy Lee Jones gives us a face we hadn't seen before. Someone so settled in his ways that he doesn't notice what's happening around him. That's why, I though, his realization is so poignant. The film is based on a solid script but the direction is sluggish and uncertain to say the least. It feels as if the director didn't trust his material. The songs and the score, out of a Lifetime TV movie, doesn't allow us to connect with the real truths unfolding in the screen. That, I must confess, was very annoying. I recommend the film on the strength of the two central performances. Intimacy between two grown ups reflected on every look on every move until the score comes to interfere and derail our emotions.
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