Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
In order to raise the tuition to send her young son to private school, a mom starts an unusual business -- a biohazard removal/crime scene clean-up service -- with her unreliable sister.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
At a home for retired musicians, the annual concert to celebrate Verdi's birthday is disrupted by the arrival of Jean, an eternal diva and the former wife of one of the residents.
Director:
Dustin Hoffman
Stars:
Maggie Smith,
Tom Courtenay,
Billy Connolly
Satirical comedy follows the machinations of Big Tobacco's chief spokesman, Nick Naylor, who spins on behalf of cigarettes while trying to remain a role model for his twelve-year-old son.
Kay and Arnold are a middle-aged couple whose marriage has declined until they are now sleeping in separate rooms and barely interact in any meaningful loving way. Finally, Kay has had enough and finds a book by Dr. Feld which inspires her to sign them up for the Doctor's intense week long marriage counseling session. Although Arnold sees nothing wrong with their 30 year long marriage, he reluctantly agrees to go on the expensive excursion. What follows is an insightful experience as Dr. Feld manages to help the couple understand how they have emotionally drifted apart and what they can do to reignite their passion. Even with the Doctor's advice, Kay and Arnold find that renewing their marriage's fire is a daunting challenge for them both. Written by
Kenneth Chisholm (kchishol@rogers.com)
Steve Carell's character, Dr. Feld, uses a metaphor of fixing a deviated septum by breaking the nose. Meryl Streep has a deviated septum. See more »
Goofs
In almost every exterior scene of Kay and Arnold's house we see a Buick sedan and a Subaru station wagon parked in the driveway in front of the garage. However, when the taxi picks up Kay to take her to the airport and drops Arnold and Kay back from the airport the cars are not in the driveway. It was suggested that since they were going out of town they might have moved the cars into the garage, but when Kay leaves it is unknown, even to Arnold himself, if he will accompany her. See more »
Quotes
Kay:
You have to stop yelling at me.
Arnold:
[loudly]
Who's yelling?
See more »
Crazy Credits
There is a scene during the end credits. See more »
Meryl Streep is a wonder, let's start right there. After her towering portrayal of Margaret Thatcher, an ordinary woman in real danger of disappearing all together. Real and enormously moving. Tommy Lee Jones gives us a face we hadn't seen before. Someone so settled in his ways that he doesn't notice what's happening around him. That's why, I though, his realization is so poignant. The film is based on a solid script but the direction is sluggish and uncertain to say the least. It feels as if the director didn't trust his material. The songs and the score, out of a Lifetime TV movie, doesn't allow us to connect with the real truths unfolding in the screen. That, I must confess, was very annoying. I recommend the film on the strength of the two central performances. Intimacy between two grown ups reflected on every look on every move until the score comes to interfere and derail our emotions.
40 of 52 people found this review helpful.
Was this review helpful to you?
Meryl Streep is a wonder, let's start right there. After her towering portrayal of Margaret Thatcher, an ordinary woman in real danger of disappearing all together. Real and enormously moving. Tommy Lee Jones gives us a face we hadn't seen before. Someone so settled in his ways that he doesn't notice what's happening around him. That's why, I though, his realization is so poignant. The film is based on a solid script but the direction is sluggish and uncertain to say the least. It feels as if the director didn't trust his material. The songs and the score, out of a Lifetime TV movie, doesn't allow us to connect with the real truths unfolding in the screen. That, I must confess, was very annoying. I recommend the film on the strength of the two central performances. Intimacy between two grown ups reflected on every look on every move until the score comes to interfere and derail our emotions.