In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
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After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
When Clark Kent, an alien of a now extinct race disguised as a bystander of our kind is forced to reveal his true identity when Earth is invaded by an army of survivors who threaten to bring Earth to the edge of obliteration.
Logan, a.k.a, The Wolverine, is sent into modern-day Japan by a billionaire for his thanks, But when Logan gets convoluted in a battle where he does not only face a deviant atrocity and lethal samurai steel, but will judge Logan's struggle against his own immortality.
In the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Delacourt, a government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn't stop the people of Earth from trying to get in by any means they can. When unlucky Max is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life but could bring equality to these polarized worlds. Written by
Kruger and his men incorporate numerous Afrikaans slang words into their dialogue. Examples include "Boet", an informal derivative of "brother", "Boykie", meaning "little boy" and "lekker", a slang for approval. See more »
When Kruger is sitting next to Frey on board the Raven, he is wearing his armor. When he walks over to the control console a few seconds later, his armor is gone. See more »
Earth's wealthiest inhabitants fled the planet to preserve their way of life.
[pan from earth to an orbiting wheel world]
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What seems to be a trend in big budget SF films occurred, once again, in Elysium. I'm continually impressed with what is being created (visual effects wise)today, but remain disappointed when it comes to the associated screenplays/plot lines. At the end of this film, I had the same, perpetual feeling that no one out there making SF films gets the message: without a good story, you don't have a really good film. Elysium hearkens me back to Prometheus, directed by Ridley Scott. I would have thought he, at least, would appreciate the need for a good story to match the visuals. Especially after being the brains behind Bladerunner. But, oh no - same thing. I suspect that so much talent and expense is spent on the visuals that insufficient amounts of funding and time are left for the associated story.
I just wish that, when someone comes up with future plans for making a legitimate SF film (sans comic book scenarios), they contract a real science fiction author to write the screenplay. There are any number of SF writers out there that can, I believe, turn out much better scripts than currently making their way to the big screen.
Bottom line: the world building in Elysium was excellent. Probably some of the best since Avatar. I wish there had been some of this when Bladerunner was produced. As an avid, and long time fan of true science fiction, I thoroughly enjoyed that aspect of the film. As for the story, it could have been a lot, lot better.
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