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Killing Bono (2011)

 -  Comedy | Music  -  1 April 2011 (UK)
6.4
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Ratings: 6.4/10 from 4,465 users   Metascore: 46/100
Reviews: 21 user | 66 critic | 12 from Metacritic.com

Two brothers attempt to become global rock stars but can only look on as old school friends U2 become the biggest band in the world.

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Cast

Cast overview, first billed only:
...
Neil McCormick
...
Leo
Jason Byrne ...
Hotel Receptionist
Sam Corry ...
Paul McGuinness
Seán Doyle ...
Sean Duggan ...
Liam
...
Frankie
Mark Griffin ...
The Edge
Aoife Holton ...
Stella McCormick
...
Joss
Thomas Kelly ...
Hopeless Eric
Packy Lee ...
U2 Security Guard
James Lonergan ...
Keith
...
Erika
...
Bill McCormick
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Storyline

Two brothers attempt to become global rock stars but can only look on as old school friends U2 become the biggest band in the world.

Plot Summary | Add Synopsis

Taglines:

Sex, Drugs, and Rock 'n Roll Rivalry

Genres:

Comedy | Music

Motion Picture Rating (MPAA)

Rated R for pervasive language, some sexuality/nudity and drug use | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

1 April 2011 (UK)  »

Also Known As:

I Was Bono's Doppelgänger  »

Box Office

Opening Weekend:

£112,206 (UK) (1 April 2011)

Gross:

£112,206 (UK) (1 April 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Final film of Pete Postlethwaite. It was originally planned that Postlethwaite would have a larger role, but when director Nick Hamm saw how ill he was, he wrote him "a new role that allowed them to film around [his] physical needs and abilities... a very funny, ridiculous part". Three months later Postlethwaite came in to do voice work on the film. Hamm later commented: "It was very apparent when I saw him at that moment that there was no way that this guy was ever going to go on screen or stage again." See more »

Goofs

When Neil & Ivan first arrive in London it is the early 1980's yet a taxi can be seen being driven on the other side of the road with the registration plate "L" which was not issued until 1993. See more »

Quotes

Karl: A word to the wise from an old man before you go. Remember only this: the measure of a man is what's left when fame falls away... oh, and another thing: get as much sex as you can!
See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #2.16 (2011) See more »

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User Reviews

 
Much Artistic Licence In A Film That Feels It's Produced For TV
1 April 2011 | by (Isle Of Bute , Scotland) – See all my reviews

Ask anyone under 25 what U2 means to them and most likely they'll roll their eyes and state that they're a parody of a rock band , effectively an Irish Staus Quo who receive undeserved acclaim from music critics who should be put out to pasture . . This is disingenuous and misinformed . For people of a certain age U2 were as much the 1980s as The Beatles were to the 1960s and some of us were there right from the start . Whilst Duran Duran and Human League were selling millions of synth pop albums which became dated overnight Bono and the boys were strumming guitars making music that will never date . If you think U2 are a band built upon hype rather than talent then go to youtube and type in " U2 I Will Follow The Tube " and you'll see a performance that is almost messianic in its life affirming streamlined beauty . Music is the greatest , most moving type of art whilst the music of The The has possibly changed my life through outside factors U2 remain my all time favourite musical icons

KILLING BONO is based on the memoirs of Neil McCormack and tells the story of McCormack and his brother Ivan . Neil and Ivan want to start a band and when Paul Hewson front-man of a band called The Hype asks Neil if his younger brother wants to join The Hype Neil refuses because they're brothers and their band is going to be the biggest band in the world . Paul Hewson changed his name to Bono and The Hype to U2 and Neil spends the next eleven years becoming more and more bitter at the band's success as his own plans for fame and fortune hit dead ends

There's a few good points to the movie . The incidental music does mirror that of U2 and there's a few performances worthy of mention such Peter Serafinowicz as coke head manager Hammond , . Pete Postlewaite in an under used role as the camp homosexual landlord Karl and Stanley Townsend as violent gangster Danny Machin though to be honest Townsend is often let down by the screenplay

In fact the whole film is let down by the screenplay . It's very difficult to believe there's a lot of truth in it because Neil McCormack must be a real life inversion of Jamal Malik from SLUMDOG MILLIONIARE . Every plan he comes up with seems so cursed by bad luck that karma must have it in for him . Either that or he must be the most stupid person to have ever lived . Considering he has the intellect to write a memoir one can't help thinking there's a massive amount of artistic license involved . Take for example the scene in the Dublin toilet with Neil and Ivan where someone drops a gun only to have another character put two and two together verbally which is overheard by a third character leading ... well let's just say it's too contrived to be taken at face value if someone says it's true

There's also the problem as to who the film will appeal to . My cinema visit had a small handful of people not much younger than me .who probably grew up with the band and therefore could get the in jokes . If they were die hard fans like me then they'd be able to spot massive anachronisms such as Boy being released at the same time as the Pope's visit . Boy was in fact released a year after the Pope's visit to Ireland . Likewise Dead And Alive's You Spin Me Round wouldn't be playing in a Bohemian nightclub at the time of release of War in March 1983 and who would have booked a concert for their band on the day of Live Aid in July 1985 ? A stupid person ? One suffering from bad karma ? Or most likely a person being economical with the truth . The truth is anyone who saw the concert live knew well in advance it was going to the legendary event it's remembered for

KILLING BONO is a fair film . It isn't going to be a massive success and one wonders if it might have worked better if THE COMMITMENTS where quixotic plans of making it big in the music world still in the public consciousness . It also suffers from the feel that it's made for TV a major problem with many Brit movies and will probably be remembered for being the final movie of Pete Postlewaite


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