Eva, a judge with a great future, has for years given exclusively to his profession. Believes strongly in justice and not willing to make concessions, wherever they come from. One day it's ... See full summary »
Miguel Ángel Silvestre,
In Brétema, on the Atlantic coast, there was a time when networks of smuggling, drug trafficking converted, achieved so much influence that they were close to control everything: social ... See full summary »
José Luis Cuerda
Miguel Ángel Silvestre
What if everything in life was down to chance? What if we couldn't escape fate? What do Galois, Bauhaus and The Unbearable Lightness of Being have in common? What if the sweat in our brow ... See full summary »
Alexandra De La Mora,
In an unforgiving society, five characters fall into a deep existential crisis that leads them to take desperate measures. Manu Ochoa reflects on his second film on uncertainty and ... See full summary »
María Teresa De Pitarque
I saw 25 movies at this years edition of Sitges International Film Festival and none so tedious, boring and utterly pretentious as "Verbo". As the movie takes its first hesitating steps, director Eduardo Chapero-Jackson manages to keep some level of interest alive and the story about Sara - the archetype of the misunderstood teenager, who feels unfairly treated by just about everyone - starts off as somewhat highschoolesque, but still with a touch of that characterizing European realism, that usually puts French and German productions at the top of my list.
What is remotely interesting for 10 minutes has however faded completely after 20, and when 45 minutes has passed you just wish the horrid composition to be over. The hole thing is oh so predictable (even for the newly awakened cineast or random film watcher), filled with ridiculous moral preachings and bad acting. Add some animated segments accompanied by horrendous hip-hop music (a huge incongruence compared to the rest of the movie) and you have a recipe for disaster.
If I learned anything from this movie, it was not that suicide is bad, but rather that subjectiveness have conquered definitively: otherwise no one would clap this drivel!
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