| Michael Rogers | ... | Barry Nyle | |
| Eva Allan | ... | Elena | |
| Scott Hylands | ... | Mercurio Arboria | |
| Rondel Reynoldson | ... | Margo | |
| Marilyn Norry | ... | Rosemary Nyle | |
| Gerry South | ... | Skinny Hesher | |
| Chris Gauthier | ... | Fat Hesher | |
| Sara Stockstad | ... | Anna Arboria | |
| Roy Campsall | ... | Sentionaut | |
| Geoffrey Conder | ... | Mutant | |
| Colombe Meighan | ... | Baby Elena | |
| Ryley Zinger | ... | Sentionaut | |
| Vincente Rodriguez Lima | ... | Mexican DJ |
Directed by | |||
| Panos Cosmatos | |||
Writing credits(in alphabetical order) | ||
| Panos Cosmatos | written by | |
Produced by | |||
| Oliver Linsley | .... | producer | |
| Christya Nordstokke | .... | producer | |
Original Music by | |||
| Jeremy Schmidt | |||
Cinematography by | |||
| Norm Li | |||
Film Editing by | |||
| Nicholas T. Shepard | (as Nicholas Shepard) | ||
Casting by | |||
| Melissa Perry | |||
Production Design by | |||
| Bob Bottieri | |||
Set Decoration by | |||
| La Vonne Girard | |||
Costume Design by | |||
| Kathi Moore | |||
Makeup Department | |||
| Lynn Baglole | .... | hair stylist assistant (as Lynn Bagloie) | |
| Willard Cochrane | .... | hair stylist assistant (as Willard Cochran) | |
| Beverly Moncrief | .... | contact lens technician | |
| Amelia Smart | .... | key hair stylist | |
| Kyla Rose Tremblay | .... | key makeup artist | |
| Kyla Rose Tremblay | .... | special makeup effects artist | |
Production Management | |||
| Shawn Cooke | .... | unit manager | |
| Ivan Lyttek | .... | production manager | |
Second Unit Director or Assistant Director | |||
| J. Dean Boroskae | .... | second assistant director (as J Dean Boroskae) | |
| Ryan Reynolds | .... | first assistant director | |
Art Department | |||
| Paul Brooke | .... | scenic carpenter | |
| Willard Cochrane | .... | scenic painter (as Willard Cochran) | |
| Rian Codd | .... | scenic carpenter | |
| Antonio Colin | .... | set designer | |
| Brian Drummond-Hay | .... | scenic carpenter (as Brian M Drummond-Hay) | |
| Elena Dubova | .... | on-set dresser | |
| Michael Duehmig | .... | scenic carpenter | |
| Ken Frost | .... | construction coordinator | |
| La Vonne Girard | .... | props | |
| Chris Guant | .... | scenic carpenter | |
| Jeff Halladay | .... | conceptual designer (as Jeffro Halladay) | |
| Jeff Halladay | .... | illustrator: "Doctrine" (as Jeffro Halladay) | |
| Gideon Hay | .... | head sculptor | |
| Geoff Hilliard | .... | construction foreman | |
| Yamuna Jolicoeur | .... | finisher | |
| Yamuna Jolicoeur | .... | painter | |
| Miguel Kabantsov | .... | set designer | |
| Scott McKay | .... | carpenter assistant | |
| Hank Pine | .... | storyboard artist | |
| Allison Quinn | .... | art assistant | |
| Rafael Santa Ana | .... | set designer | |
| Nigel Stentifold | .... | scenic carpenter | |
| George Sumner | .... | scenic carpenter (as George Paul Sumner) | |
| Adam Tasse | .... | carpenter assistant | |
| Francis Testa | .... | carpenter assistant | |
| Martin Testa | .... | construction buyer | |
Sound Department | |||
| Peter Eliuk | .... | sound mix technician | |
| Brad Hillman | .... | sound re-recording mixer | |
| Matt Kunau | .... | dolby sound consultant | |
| Maureen Murphy | .... | foley artist | |
| Eric J. Paul | .... | sound designer (as Eric Paul) | |
| Brody Ratsoy | .... | adr editor | |
| Brody Ratsoy | .... | foley editor | |
| Gordon Sproule | .... | foley mixer | |
| Elaine Stef | .... | foley assistant | |
| Stefan Udell | .... | sound mixer | |
| Stefan Udell | .... | sound recordist | |
| Eric J. Paul | .... | supervising sound editor (uncredited) | |
| Brody Ratsoy | .... | adr engineer (uncredited) | |
Special Effects by | |||
| Aaron Harrison | .... | practical special effects | |
| Olaf Johnson | .... | practical special effects | |
| Shawn Mcdonald | .... | special effects supervisor: cloud tank | |
| Brant McIlroy | .... | practical special effects | |
| Martin Testa | .... | practical special effects | |
Visual Effects by | |||
| James Cowan | .... | opticals: Technicolor Creative Services Vancouver | |
| Richard Patterson | .... | visual effects | |
| Milton Muller | .... | digital compositor (uncredited) | |
Camera and Electrical Department | |||
| Josh Alkoff | .... | electrician | |
| Stefan Berrill | .... | electrician (as Stefan Berril) | |
| Mike Branham | .... | key grip | |
| John Brown | .... | generator operator: UL | |
| Peter Carty | .... | first assistant camera | |
| Scooter Corkle | .... | gaffer | |
| Jay Dryden | .... | grip | |
| Justin Lee | .... | second assistant camera | |
| Micah Llewellyn-Dance | .... | dolly grip (as Micah Dance) | |
| Saied Marcondes | .... | grip | |
| Shawn Muys | .... | camera trainee | |
| Dan Siney | .... | still photographer | |
| Craig Trudeau | .... | second unit cinematographer | |
| Mitchell Warner | .... | best boy | |
| Norm Li | .... | camera operator (uncredited) | |
Casting Department | |||
| Lynette Therrien | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Tamara Clark | .... | costume assistant | |
| Angela McLean | .... | costume concept artist | |
| Ahmad Tabrizi | .... | costume builder (as Ahmed Tabrizi) | |
Editorial Department | |||
| Alex Leigh Barker | .... | assistant editor | |
| James Cowan | .... | digital intermediate conformer | |
| James Cowan | .... | digital intermediate manager | |
| Scott Evans | .... | digital intermediate account executive | |
| Adam Rogers | .... | digital intermediate producer: Laser Pacific | |
| Michael Shapcotte | .... | digital intermediate systems administrator | |
| Karen Teoh | .... | digital intermediate project coordinator | |
| Dave Wilkinson | .... | colorist: dailies (as David Wilkinson) | |
| Kyle Cunningham | .... | executive sales assistant: Technicolor Creative Services Vancouver (uncredited) | |
| Claire Duthie | .... | post-production assistant (uncredited) | |
| Claudio Sepulveda | .... | digital intermediate colorist: Laser Pacific (uncredited) | |
Music Department | |||
| Sinoia Caves | .... | musician | |
| Eric J. Paul | .... | music editor (as Eric Paul) | |
| Chris A. Riffic | .... | musical archivist (as Chris-A-Riffic) | |
| Joshua Stevenson | .... | music mixer | |
Transportation Department | |||
| Paul Deol | .... | transportation coordinator | |
| Taylor Sarai | .... | transportation captain | |
Other crew | |||
| Marlowe Antonucci | .... | production assistant | |
| Alex Craig | .... | script supervisor | |
| Geoffrey Halton | .... | location manager | |
| Emma Higgins | .... | location production assistant | |
| Aaron James | .... | facs | |
| Mtthew Koutzun | .... | office production assistant | |
| Ryan Sprague | .... | location production assistant | |
| Bianca Grimshaw | .... | production counsel (uncredited) | |
| Josh Sandler | .... | production counsel (uncredited) | |
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| The Brood | Do or Die | Everything's Gone Green | The Girl from Monday | Black Rain |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb Canada section |
As you could already tell from all the other positive reviews, the movie is a visual masterpiece showcasing a unique style of cinematography. The combination of expressive visual and sound effects set the mood of the scenes very well.
BUT, the movie failed to effectively tell the story overall. The pacing and way of the storytelling in the movie seem very inconsistent , the first 70% of the movie was very slow(some parts overly slow yet ineffective). The slow/long scenes adding small hints to build the story were ineffective, leaving most of the actual story to the imagination of the audience. (I don't mind this way of story telling with information left out but this movie just left out too much and it felt like you are watching a summary of an actual movie)Then, the 30% leading up to the end was going at the speed of light, which also led up to a very unsatisfying ending in my opinion. ( would be great if the movie was going at 50mph throughout instead of 5mph and then 100mph)
Overall, I did enjoy the movie since I love visual arts and the art of cinematography. The techniques and unique direction of the movie is refreshing, with the downside of the actual storytelling. Also, I would not recommend this movie to anyone since I think the people who would be into this type of movie would probably find it themselves and the ones that won't would be bored to death by this movie.