In a blackly satirical near future, a thriving industry sells celebrity illnesses to their obsessed fans. Employee Syd March's attempts to exploit the system backfire when they involve him in a potentially deadly mystery.
Caleb Landry Jones,
Following the disappearance of his wife, a man finds himself on a dark and twisted trail of discovery through the labyrinthine halls of his apartment building. Led on a wild goose chase by ... See full summary »
Three key moments, all of them sensual, define Ana's life. Her carnal search sways between reality and colored fantasies becoming more and more oppressive. A black laced hand prevents her ... See full summary »
Charlotte Eugène Guibeaud,
Amid the Civil War in 17th-century England, a group of deserters flee from battle through an overgrown field. Captured by an alchemist, the men are forced to help him search to find a hidden treasure that he believes is buried in the field.
At the end of the promotional video for "Arboria" at the very beginning of the movie, the roman numerals for the copyright date translate to 1966. See more »
In the Arboria Institute's promo film, dated MCMLXVII (1967), the Arboria logo is set in the Avant Garde font. This font was based on the logo of Avant Garde magazine, created in 1968, and wasn't available as a full typeface until 1970. See more »
Beyond the Black Rainbow is a sensory experience more than anything. Visually, it's full of strong colours and strange images, while aurally it comes at you with overpowering droning and noise. It's hard to find an easy comparison to the kind of stuff this film throws at you, and that can only be a good thing. Director Panos Cosmatos (what a name!) and his team have to be complimented for their imaginations.
The film itself is a tribute to sci-fi B-movies, but more than that it feels like a defense of experimental film itself: the strange is cooped up, institutionalized and dissected while the world of banal blockbusters rages outside. Of course, even without that reading this is a great example of experimental film that attacks on a level even the most conventional viewer has to feel.
This probably won't be everyone's cup of tea, but for me it's a strong contender for film of the year. At the very least it's a reminder that there are still new avenues to explore in film, ones that don't follow the comforting traditions of either Hollywood or the art-house.
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