6.1/10
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86 user 98 critic

Beyond the Black Rainbow (2010)

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Despite being under heavy sedation, a young woman tries to make her way out of the Arboria Institute, a secluded, quasifuturistic commune.

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Cast

Cast overview:
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Elena (as Eva Allan)
Scott Hylands ...
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Sara Stockstad ...
Roy Campsall ...
Geoffrey Conder ...
Colombe Meighan ...
Baby Elena
Ryley Zinger ...
Unmasked Sentionaut (as Riley Zinger)
Vincente Rodriguez Lima ...
Mexican DJ
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Storyline

Despite being under heavy sedation, a young woman tries to make her way out of the Arboria Institute, a secluded, quasifuturistic commune.

Plot Summary | Add Synopsis

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Sci-Fi | Thriller

Motion Picture Rating (MPAA)

Rated R for some bloody violence, disturbing images, a graphic sexual illustration, language and drug content | See all certifications »

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Details

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Release Date:

22 April 2011 (USA)  »

Also Known As:

Além do Arco-Íris Negro  »

Box Office

Budget:

CAD 1,100,000 (estimated)

Opening Weekend:

$4,957 (USA) (18 May 2012)

Gross:

$56,129 (USA) (27 July 2012)
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2.35 : 1
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Did You Know?

Trivia

Barry Nyle's pills are from Benway's Pharmacy. Dr. Benway is a recurring character in the works of William S. Burroughs. See more »

Goofs

In the Arboria Institute's promo film, dated MCMLXVII (1967), the Arboria logo is set in the Avant Garde font. This font was based on the logo of Avant Garde magazine, created in 1968, and wasn't available as a full typeface until 1970. See more »

Quotes

Mercurio Arboria: [Before Barry is given acid and submerges himself in the black goo] You are about to embark on a great journey. Are you ready, my friend?
Barry Nyle: I am ready.
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Crazy Credits

Final end credit: "'No matter where you go, there you are.' - B. Banzai" See more »

Connections

References Begotten (1990) See more »

Soundtracks

Anonymous
performed by SSQ
written by Jon St. James & John Van Tongeren
published by Jon St. James/FT Music/John Van Tongeren
Courtesy of FT Music & Jon St. James
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User Reviews

 
A deliberately paced trip into the dark recesses of the cold, cold '80s
14 April 2012 | by (United States) – See all my reviews

It's the cold, shiny time of 1983. In what looks like a sci-fi future vision via the Kubrickian '60s a utopia is created to try to grant happiness to the masses via a complex regime of meditation, nature, and pharmacology--and absolute isolation in the sterile confines of building that somewhat resembles a fluorescent spaceship crash-landed within the sparse flora of a desolate earth. This utopia has been tainted by evil, and our savior is a near mute, beguiling beauty that must break through harm's way in order to regain some normalcy to her life, a life born to such a world and never matured entirely, and if this task is not achieved could possibly alter the future for us all. This is the topsy-turvy, slowly moving, marvelously rendered, and absolutely bewildering world of Beyond the Black Rainbow. This film, written and directed by Panos Cosmatos (whose daddy made several he-man action films in the actual '80s), turns lo-fi film grain, stark sets, odd camera angles, and eternal pauses in dialogue and action into a strange mosaic that is more of a compilation of what came to define hard science fiction films from the late 1960s to mid 1980s. The film begins like a post-script to "2001", or an early David Cronenberg film mutates into what resembles the "Rising" shorts of Kenneth Anger, and finally settles into the paranoia of Lucas' "THX 1138" mixed again with the mutations of the body that so intrigued Cronenberg's early efforts. This film for a small subset of film buffs, and in conception and tone most resembles the genre shot comp that was 2009's "Amer". Where that film aped sequences from Italian giallos, this seems to be doing the same for American and Russian science movies. This film feels like an experiment, or more to the point an exercise, but it is a worthwhile, rewarding viewing for their trouble in taking the trippy voyage laid out before them. I recommend it to viewers with patience and acceptance of story lines that are mostly devoid of linear narratives (you know who you are). -CP 8/10


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