The BAU team follows a trail of murders that seems to align with the tour schedule of a rock star.

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Dante / Paul Davies
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Ray Campion
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Gina King
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Netta Most ...
Erin Hickman
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Jeff Mundy
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Marcia Masters
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Storyline

Tara Ferris is the third and latest female victim killed in two weeks in the Los Angeles, California area where the victims are beaten by blunt force trauma to head, not sexually assaulted, but drained of their blood. By the puncture wounds on the neck and the saliva found near the puncture wounds, the killer is mimicking a vampire. The BAU discover that a connection between all the victims is their worship of a goth/vampire singer named Paul Davies, whose stage name is Dante. A message scrawled on Tara's arm also points to a connection to Dante. Although a suspect since a victim's car is found at his home, Dante asserts that his public persona is solely an act and that he has disdain for people who worship his music. After interviewing him, the BAU learn that he doesn't quite fit the profile of the killer. The BAU also discover that part of their profile of the unsub is incorrect when they receive lab results of the saliva. Written by Huggo

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11 November 2009 (USA)  »

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1.78 : 1
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Did You Know?

Trivia

Rossi teases Hotch about his favorite album being The Beatles' "White Album", because of the notorious association of "Helter Skelter" with Charles Manson. An amusing irony is that in at least one other episode, it is mentioned that Rossi is friends with Ringo Starr, and he has a framed picture of them together in his office at the BAU. See more »

Goofs

The camera and crew are reflected in the glass wall of the meeting room as they move to the left. See more »

Quotes

Emily Prentiss: [searching Tara's apartment] This is almost exactly like my first apartment in Georgetown. My mom wanted me to stay on campus, but I was determined to make it, so... I waitressed on the weekends to swing it.
David Rossi: You must have been a hell of a waitress to swing an apartment in Georgetown.
Emily Prentiss: No, I sucked. I only got by 'cause my mom put money in my account every week and we both pretended I didn't know.
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Connections

References Twilight (2008) See more »

Soundtracks

Love Will Tear Us Apart
Written by Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
Performed by Gavin Rossdale (as Dante), Marc Fantini and Steffan Fantini
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User Reviews

 
Well, it is different, but it isn't one of the season's better episodes
28 September 2016 | by (United Kingdom) – See all my reviews

For me, "The Performer" is one of Season 5's weaker episodes along with the very bland and just scraping average "Parasite". Not awful but not great, a brave attempt to do something different but it doesn't quite come off.

Starting with good things about "The Performer", as always with 'Criminal Minds' it looks great, psychedelic in colour and darkly atmospheric. There are a few moments of haunting music, and of the writing the standout was that terrific scene at the end between the team, that was very funny and very sweet and shows very well how strong a bond they have. Some of the in-jokes were a lot of fun and didn't feel too out of place.

Gavin Rossdale is excellent as the prime suspect, and the episode in the early stages does well in making the viewer believe it was him responsible. His relationship with his manager is touchingly depicted too. The acting is very good across the board.

However, the case does lack atmosphere, is quite slight and over-stretched-feeling and while one always welcomes a big revelation twist this one was not that surprising, in fact it's pretty easy to figure out too soon. Profiling is also always welcome, and is a large part as what makes 'Criminal Minds' so great, but there isn't quite enough here and didn't serve as much point or interest as it should have done.

Also did not buy the whole thing with JJ going to the house alone, which was not plausible in a situation that desperately required back-up straight-away and practically was a suicide move. It also takes her a long time to get there, whereas it took the rest of the team nowhere near as much time, that was contrived and the lack of explanation didn't help matters either.

'Criminal Minds' has had many times where it tries to do things differently with varying success. "The Performer" is an example of one that doesn't quite work, with the atmosphere feeling over-the-top and the methodology of the killings very strange even for the concept. The music has its moments but has a tendency to be too intrusive.

In conclusion, not one of Season 5's better episodes. For great episodes of the seasons, stick with "100", "...A Thousand Words", "The Uncanny Valley" and "Mosley Lane". 5/10 Bethany Cox


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