| Photos (See all 7 | slideshow) | Videos (see all 11) |
| Logan South | ... | Young Sammy | |
| Maria Bello | ... | Kate | |
| Michael Sheen | ... | Bill | |
| Kyle Gallner | ... | Sammy | |
| Bruce French | ... | Harry | |
| Austin Nichols | ... | Cooper | |
| Gregory Alpert | ... | Baby Shower Carl / Web Reporter Voice (as Gregory H. Alpert) | |
| Deidrie Henry | ... | Bonnie | |
| Kelli Kirkland | ... | TV News Reporter (as Kelli Kirkland Powers) | |
| David Lipper | ... | Radio Reporter Voice / Television Ranter | |
| Nigel Gibbs | ... | Police Detective | |
| Brooke Lyons | ... | TV Reporter Voice | |
| Michael Call | ... | TV Reporter Voice | |
| Alan Tudyk | ... | Eric | |
| Moon Bloodgood | ... | Trish | |
| Cody Wai-Ho Lee | ... | Dylan | |
| Jessie Usher | ... | Basketball Teen | |
| Davidson Park | ... | Other Basketball Player | |
| Caleb Pearson | ... | Other Basketball Player | |
| Joshua Shannon | ... | Other Basketball Player | |
| Darren O'Hare | ... | Church Pastor | |
| Myra Turley | ... | Grieving Mother Patty | |
| Bella King | ... | Motel Clerk's Daughter | |
| Meat Loaf | ... | Motel Clerk (as Meat Loaf Aday) | |
| Drake Kemper | ... | Teenage Burglar | |
| Kylie Anderson | ... | Bill's Coworker | |
| Mary Jane Gibson | ... | Bill's Coworker | |
| Tor Campbell | ... | Bill's Coworker | |
| Stephen Murano | ... | Bill's Coworker | |
| Judith Marie DiGiacomo | ... | Bill's Coworker (as Judith DiGiacomo) | |
| Josephine Ullrich | ... | Bill's Coworker | |
| Joe Dioletto | ... | Bill's Coworker | |
| Philip Zurfluh | ... | Bill's Coworker |
Directed by | |||
| Shawn Ku | |||
Writing credits(WGA) | ||
| Michael Armbruster | (written by) & | |
| Shawn Ku | (written by) | |
Original Music by | |||
| Trevor Morris | |||
Cinematography by | |||
| Michael Fimognari | (director of photography) | ||
Film Editing by | |||
| Chad Galster | |||
Casting by | |||
| Ania Kamieniecki-O'Hare | |||
| Tannis Vallely | |||
Production Design by | |||
| Gabor Norman | |||
Art Direction by | |||
| Abigail Potter | |||
Set Decoration by | |||
| Gladys Rodriguez | |||
Costume Design by | |||
| Cynthia Ann Summers | (as Cynthia Summers) | ||
Makeup Department | |||
| Brian Steven Banks | .... | key hair stylist | |
| Felicia Leatherwood | .... | assistant hair stylist | |
| Denise Paulson | .... | key makeup artist | |
| Rebecca Wachtel | .... | key makeup artist | |
Production Management | |||
| Mark Moran | .... | unit production manager | |
| Nancy Valle | .... | executive in charge of post-production: Anchor Bay | |
Second Unit Director or Assistant Director | |||
| Karen Miller Ehrlich | .... | second second assistant director (as Karen Miller) | |
| Timothy Grant Engle | .... | second assistant director (as Tim Eagle) | |
| Mark Hansson | .... | first assistant director | |
Art Department | |||
| Quinten A. Avila | .... | sketch artist | |
| Anthony Cafaro | .... | leadman | |
| Angela Carroll | .... | set dressing assistant (as Angela Carroll) | |
| Michelle Daniels | .... | set dressing assistant | |
| Ellen Dorros | .... | set dressing assistant | |
| Joseph East | .... | property assistant | |
| Jeffrey Givens | .... | property master | |
| Rachel Howard | .... | set dressing assistant | |
| Naoko Inada | .... | on-set dresser | |
| Shawna Stone | .... | art department intern | |
| Joann Gross | .... | painter (uncredited) | |
| Doc McFadzen | .... | construction coordinator (uncredited) | |
| Doc McFadzen | .... | set designer (uncredited) | |
Sound Department | |||
| Joe Dzuban | .... | sound re-recording mixer | |
| Joe Dzuban | .... | supervising sound editor | |
| Justin Dzuban | .... | dialogue editor | |
| Craig Mann | .... | sound re-recording mixer | |
| George Pereyra | .... | sound effects editor | |
| Amy Reynolds | .... | sound effects editor | |
| Tania Rudecino | .... | foley artist | |
| David Stark | .... | boom operator | |
| David Waelder | .... | production sound mixer | |
| James Wright | .... | dolby sound consultant (as Jim Wright) | |
Visual Effects by | |||
| Matt Stone | .... | motion graphics | |
Camera and Electrical Department | |||
| Larry Brecht Jr. | .... | additional electrician (as Larry Brecht) | |
| Yvonne Chu | .... | first assistant camera | |
| Marc Cohen | .... | company grip | |
| Alissa Davis | .... | camera intern | |
| Chris Ferguson | .... | additional electrician | |
| Mike Foodman | .... | assistant chief lighting technician | |
| Jordan Garretson | .... | chief lighting technician | |
| Sean Griffith | .... | additional grip (as R. Sean Griffith) | |
| Rick Griggs | .... | best boy grip | |
| Thad Hall | .... | additional electrician (as Thaddeus Hall) | |
| Tim Herman | .... | additional grip | |
| Joshua Lee Huber | .... | additional electrician (as Joshua Huber) | |
| Joel Jaspan | .... | additional grip | |
| Paul Lambiase | .... | additional grip | |
| Craig Lerner | .... | additional grip | |
| Timothy McCrary | .... | additional electrician | |
| Justina Mintz | .... | still photographer | |
| Kevin Mucha | .... | additional electrician | |
| Chris Nabers | .... | company electrician | |
| Tony Oberstar | .... | camera intern | |
| Michael Silva | .... | additional electrician | |
| Jim Stirtiz | .... | key grip | |
| Deron Tse | .... | additional grip | |
| Zoe Van Brunt | .... | second assistant camera | |
| John Van Valkenburgh | .... | additional electrician | |
| Neil Chartier | .... | assistant camera (uncredited) | |
| Ryan Roberts | .... | assistant camera (uncredited) | |
Animation Department | |||
| David Bokser | .... | animator: clip | |
Casting Department | |||
| Kristan Berona | .... | extras casting: Sande Alessi Casting | |
| Liz Ludwitzke | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Daniel Flores | .... | set costumer | |
| Jennifer Head | .... | additional set costumer | |
| Billy Ray McKenna | .... | costume supervisor | |
Editorial Department | |||
| Karlo Babakhanian | .... | iq assistant | |
| Lou Cafini | .... | negative inspector: Telecine Pacific | |
| Christine Carr | .... | digital intermediate producer | |
| Manny Dubon | .... | iq artist | |
| Gregg Garvin | .... | digital intermediate colorist | |
| Vahe Giragol | .... | iq assistant | |
| Gregg Lang | .... | telecine operator: Laser Pacific | |
| Thomas N. Martin | .... | assistant editor | |
Music Department | |||
| Steven Davis | .... | technical score producer | |
| T.J. Lindgren | .... | music producer | |
| Trevor Morris | .... | music producer | |
| T.J. Lindgren | .... | composer: additional music (uncredited) | |
| Nathaniel Smith | .... | assistant to composer (uncredited) | |
Transportation Department | |||
| Michael Burnette | .... | transportation coordinator (as Mike Burnette) | |
| Kip Fazzone | .... | driver | |
| Lee Jennings | .... | driver | |
| Freddie Sanchez | .... | transportation captain (as Fred Sanchez) | |
Thanks | |||
| Tim Albrecht | .... | in loving memory of | |
| Jethro Rothe-Kushel | .... | very special thanks | |
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| Mourning Becomes Electra | All Good Things | Ordinary People | Mystic River | Empire Falls |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Beautiful Boy is not a fun movie to watch. Although arrestingly realistic, it can be a pretty painful ordeal to endure. In fact, it feels like such an immaculate representation of what it must be like to live through a horrific tragedy that one feels uneasy, restless, and depressed for hours afterward. So know that going into the theater.
As the story begins, a college freshman named Sammy is calling his parents at home to check in. Mom Kate (Maria Bello) is a typical concerned parent, wanting her child to do well; Dad Bill (Michael Sheen) asks is Sam needs any money and is doing well, and he hangs up. The next morning, the terrible news: Sam has shot 18 students and teachers in his college before killing himself.
The movie wisely shows us nothing of the massacre; its focus is on the aftermath. Kate and Bill are staked out by the media. They escape to her brother's house to live with him, his wife, and their young son. They are vilified on television and online, particularly on Sam's Facebook. Their parenting is constantly questioned. In short time, they are questioning themselves: Did they make this happen? Kate and Bill had been drifting apart for some time, to the point where Bill was actively looking for a new place to live. The tragedy doesn't immediately bring them together, and it doesn't immediately drive them farther apart. Rather, they each drift some more, apart not just from each other but from reality. They blame themselves. They blame each other. They don't blame anyone. They continue on.
There's hardly a note in the movie that doesn't ring true. These characters are not caricatures, and they aren't archetypes, either. Both Bill and Kate seem completely believable, and with the tragedies in places such as Columbine and Virginia Tech, they are characters who very much feel like they could be living next door to us right now. That they are trashed and widely hated is understandable, and luckily neither character lacks the self-awareness to grasp why people are so mad. Bill reasons that the public wants to believe that the couple feels bad about what their son has done. They do, of course. They show their deepening anguish in different ways, but their devastation is complete. Their lives are seemingly ruined.
But this is not a movie without any hope. The subject matter is gruesome, but it's not tiresome. What we see are real reactions from realistic people. There are no real good guys, just a couple of people who've suddenly lost their way. Whether they regain it is almost immaterial, just as it's almost immaterial whether they regain it together. For us, it's the journey from their discovery through the passage of a week or so that's the true endgame. Neither does the film wallow in sentimentality for the sake of making us feel good. The true moments of joy are fleeting, just as they can be in real life. Even a dark movie can contain passionate performances.