An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".
Jean François Heckel,
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
It's 2003. Thirty-eight-year-old graphic artist Oliver Fields has just lost his father Hal Fields to cancer, after Oliver's mother Georgia Fields passed away five years earlier. Oliver is naturally a sullen man due to his growing up relationships with his parents (his mother who had a unique view on life) and watching his parents' cordial but somewhat distant relationship with each other, but is more so now because of his personal family losses. Oliver embarks on a relationship with Anna, a French actress, hoping that his re-energized relationship with Hal following Georgia's death, and Hal's new outlook on life during that time, will show Oliver how to act in a loving relationship. After Georgia's death, Hal came out of the closet and began to live with a joie de vivre that did not exist before, which included an open relationship with a much younger man named Andy. Oliver's relationship with Anna has other obstacles, including Anna's own vagabond lifestyle and Oliver needing to take... Written by
On Hal Fields' death certificate, it says "Date of death: 09/17/04". We know from the movie that he's already passed away in 2003. See more »
[returning from Andy]
I couldn't tell him.
No, it's not. You can't hide this from him. He loves you.
For someone with so much relationship advice, you seem awfully alone.
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BEGINNERS is not an easy film. It's very 'talky' and jumps almost randomly between Oliver's boyhood, Hal's coming out and getting sick, and Oliver's on-off affair with zany Anna. Although set in sunny California, there are many under-lit scenes reminiscent of French New Wave cinema or early Woody Allens. Key episodes are, almost perversely, missing. Hal is largely absent from Oliver's mother-dominated boyhood; he later admits to having sex in mens-rooms but we don't see any of that. We see his decline and death but not his wife's. We are not shown any of Oliver's life between boyhood and his father's 'liberation'.
The performances are nothing less than brilliant. Christopher Plummer, plunging into gay life in his seventies and dying with curmudgeonly dignity, will very likely be nominated for an Oscar and miss out (like Colin Firth going down the gay road in A SINGLE MAN). Ewan McGregor gets perfectly under the skin of Oliver, who finds it easier to love his gay dad than commit to a new girlfriend. And Melanie Laurent's Anna is beguiling and disturbing; the viewer to feel what Oliver feels: you want to love her but something holds you back.
There is also a scene-stealing Jack Russell, Arthur, the love of Hal's life who becomes the love of Oliver's. A talking dog! that is to say, writer/director Mike Mills gives Arthur subtitled thoughts every now and again. Kind of weird and kind of wonderful kind of like the movie.
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