In the throes of a quarter-life crisis, Megan panics when her boyfriend proposes, then, taking an opportunity to escape for a week, hides out in the home of her new friend, 16-year-old Annika, who lives with her world-weary single dad.
Chloë Grace Moretz,
Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another...or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
A woman and man seemingly so in love finds their marriage is shaken to the core when life throws them a devastating curve. Now this New York couple must try to understand each other as they cope with loss and attempt to reclaim the life and love they once had. Written by
Cannes Film Festival
Saw this last night (I consider it one film, saw both parts back to back in that order). Such a lovely, touching film, and not at all what I expected when I first heard about the project. First off, I just want to say that I find the title really gimmicky and misleading. Okay, sure, it's technically not "wrong", but it just sounds like a lead-on for something it's not, such an easy way to grab audience's attention.
The basic plot point that leads to the whole film has been done before (Rabbit Hole did it just a few years ago) and the whole film isn't trying to be anything other than an honest, captivating look at two characters' lives and the way they deal with this tragedy. For some reason I thought it was going to be this really daring film. I was wrong and I knew almost immediately, but I didn't mind. The script is fantastic, and the two leads superb. McAvoy actually impresses more in Her, and as a whole he's not really in Chastain's level, but he has some really strong scenes and as of now I'd have him in my Top 10 for Lead Actor (and he's in my top 3 for Filth, which is a better performance but an inferior film in every way). What can I say about Chastain? Her best performance alongside Zero Dark Thirty, and may very well be even better for the fact that she's able to play a much more rounded character in terms of emotions. What I've always found incredibly impressive about her as an actress is that, not only is she technically impeccable in all her work to a fault like so many other acclaimed actresses are, but she's also able to inhabit a character fully to the point that her technicality doesn't feel like we're watching her at a distance emotionally. That's a problem I have with some actresses working right now. They can be great, yeah, but can also hit notes technically well while feeling too much like it's all for show at times. I've never had that problem with Chastain. Her work here is among the best of the year and it's a shame that neither her or the fantastic film she's in are even getting mentions from critic bodies. If its because of the stupid "Them" decision, then what a shame... but it's most likely not, and that's an even bigger shame
3 of 7 people found this review helpful.
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