Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
A woman and man seemingly so in love finds their marriage is shaken to the core when life throws them a devastating curve. Now this New York couple must try to understand each other as they cope with loss and attempt to reclaim the life and love they once had. Written by
Cannes Film Festival
Weirdly not as great as "Her" - maybe watch this first?
It's very odd how much The Disappearance of Eleanor Rigby: Her gets right that Him just can't measure up to. I'm not sure whether it's because I watched it second, but it's way more clumsily executed. While it does pay off a lot of things set up in Her (and I imagine it'll work vice versa) when it offers an alternate perspective on a scene, that's its only strength. Where Her approached sappiness with its insights on romance, Him too often breaches that mark. It's a more lightweight film, which comes with its own delights with Bill Hadar and that subplot, but moments which elicited tears in Her revisited here had little effect. I'm sure that's not a case of diminishing returns. McAvoy is reliably great, not quite as good as Chastain in Her, but again he bolsters the material. The problem with this portion of the pair is that it paints Eleanor Rigby in a very unappealing light, one I hadn't even considered with Her. Here, I don't see why he's chasing her so much. Nevertheless, Him is still a very good film for when it does hit the spot, just doesn't match its counterpart.
8 of 12 people found this review helpful.
Was this review helpful to you?