Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration ... See full summary »
Two mysterious women seek refuge in a run-down coastal resort. Clara meets lonely Noel, who provides shelter in his deserted guesthouse, Byzantium. Schoolgirl Eleanor befriends Frank and tells him their lethal secret. They were born 200 years ago and survive on human blood. As knowledge of their secret spreads, their past catches up on them with deathly consequence. Written by
When Carla is about to perform oral sex on Noel at the carnival she only manages to unbuckle his belt before he interrupts her, in the following shots his pants are around his ankles. See more »
My story can never be told. I write it over and over, wherever we find shelter. I write of what I cannot speak: the truth. I write all I know of it, then I throw the pages to the wind. Maybe the birds can read it.
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This poster drew me to this film. Not the poster shown here on IMDb, but the colorful green, yellow and red which are used other places. I wasn't expecting too much, but was surprise ad when I saw the casting, and that it was a Neil Jordan-flick. I've admired Jordan since I saw The Crying Game.
This story reminds me quite a bit about the Swedish "Låt den retta komma in" ("Let the right one in"). It has the right realism which made the the Swedish film so special, and the same coloring tone. The scenery in the beautiful harbor tine of Hastings are perfect, and it really made me want to visit there, which I will, most certainly. Combined with the Dickens inspired older sessions in the movie.
If there were justice in this works, this would have had the success of "Twilight", or rather instead of. It's very British, stylish, bleak, beautiful, and the casting is simply perfect, like it seems in all British films.
The idea is simply brilliant, and I love the idea of vampires running a brothel, as well as the depth of the longing for a different life. It's desperate.
Saoirse Ronan is once again electric, and the third film I've seen in a short time with Caleb Landry Jones (both fabulous, "Antiviral" and "Contraband") convinces me he is a big star in the making. Gemma Atherton is perfect.
I found the storytelling excellent, and I was very entertained all way through, though this isn't really my type of story. I think the ancient part of the story is good, but I think the red bloody waterfall is a bit over the top, and also slows the story and the believability. But otherwise this is grand film making.
14 of 16 people found this review helpful.
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