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Directed by | |||
| Dan Rush | |||
Writing credits | ||
| Dan Rush | (written by) | |
| Raymond Carver | (short story "Why Don't You Dance") | |
Produced by | |||
| Marty Bowen | .... | producer | |
| Marc Erlbaum | .... | executive producer | |
| Jerry Fruchtman | .... | co-executive producer | |
| Peter Fruchtman | .... | co-executive producer | |
| Wyck Godfrey | .... | producer | |
| J. Andrew Greenblatt | .... | executive producer | |
| D. Scott Lumpkin | .... | executive producer | |
| Ari Daniel Pinchot | .... | co-producer | |
| Celine Rattray | .... | executive producer | |
| Jody Simon | .... | executive producer | |
Original Music by | |||
| David Torn | |||
Cinematography by | |||
| Michael Barrett | (director of photography) | ||
Film Editing by | |||
| Sandra Adair | |||
Casting by | |||
| Joanna Colbert | |||
| Richard Mento | |||
Production Design by | |||
| Kara Lindstrom | |||
Art Direction by | |||
| Linda Sena | |||
Set Decoration by | |||
| Marcia Calosio | |||
Makeup Department | |||
| Bridget Cook | .... | dept. head hairstylist | |
| Bernadette Mazur | .... | makeup department head | |
| Tina Sims | .... | key hair stylist | |
| Collette Tolen | .... | makeup artist | |
Production Management | |||
| Beau J. Genot | .... | post-production supervisor | |
| Damien Lubiak | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Erik J. Carpenter | .... | second second assistant director | |
| Kyle LeMire | .... | second assistant director | |
| Joe McDougall | .... | first assistant director | |
Art Department | |||
| Martin Anthony | .... | art department intern | |
| Craig Cheply | .... | lead scenic | |
| Noreen Coyne | .... | art department coordinator | |
| Emily Hammerslag | .... | art department intern | |
| Nick Van Houghton | .... | property intern | |
| Terry Kempf | .... | construction coordinator | |
| Brandon Kihl | .... | additional on-set dresser | |
| Lauren Lanigan | .... | art department intern | |
| Monica Leed | .... | assistant art director | |
| Nic Lewis | .... | art department production assistant | |
| Scott Matthew MacDonald | .... | art intern/props | |
| Erica Mazzella | .... | art department intern | |
| Sandra McAuliffe | .... | art department intern | |
| Ian McClarren | .... | art department intern | |
| Keith Mosca | .... | property master | |
| Aaron Newton | .... | general foreman | |
| John M. Oswald | .... | on-set dresser | |
| Freddy Pinon | .... | art department intern | |
| Zack Shisslak | .... | leadman | |
| Gregg Singer | .... | location assistant | |
| Ted Sorensen | .... | swing gang set dresser | |
| John A. Stewart Jr. | .... | assistant property master | |
Sound Department | |||
| Steven Avila | .... | supervising sound effects editor | |
| Jakob Beetem | .... | sound department intern | |
| Tara Blume | .... | foley artist | |
| Trip Brock | .... | sound re-recording mixer | |
| Trip Brock | .... | supervising sound editor | |
| Kate Jesse | .... | boom operator | |
| Michael B. Koff | .... | sound mixer | |
| Peter D. Lago | .... | sound effects editor | |
| Ben Lazarus | .... | sound department intern | |
| Greg Mauer | .... | foley mixer | |
| Rick Owens | .... | foley artist | |
| Owen Peterson | .... | foley editor | |
| Owen Peterson | .... | sound engineer | |
| Alexander Pugh | .... | sound effects editor | |
| Mark A. Rozett | .... | sound re-recording mixer | |
| Dirk Stout | .... | sound utility | |
| Steven Utt | .... | sound recordist | |
| Ben Whitver | .... | adr mixer | |
| Brian S.M. Wroth | .... | adr programmer | |
| Brian S.M. Wroth | .... | dialogue editor | |
Stunts | |||
| Todd Bryant | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Joshua Anderson | .... | lighting technician | |
| John Beran | .... | dolly grip | |
| Kirk Bloom | .... | second assistant camera | |
| Allen D. Easton | .... | camera operator: "a" camera | |
| Corey Erwin | .... | lighting technician | |
| John Estes | .... | still photographer | |
| Bruce 'Sarge' Fleskes | .... | best boy electric | |
| Sean Patrick Hill | .... | electrician | |
| John Janusek | .... | key grip | |
| Jordan C. Kadovitz | .... | key video assist operator | |
| Nic Lewis | .... | assistant camera | |
| Chris Lumpkin | .... | grip | |
| Jon McGinty | .... | lighting technician | |
| Marty Miller | .... | grip | |
| Jeff Murrell | .... | chief lighting technician | |
| Robert S. Nielsen | .... | lighting technician | |
| Michael A. Perry | .... | camera intern | |
| Von Scott | .... | film loader | |
| John P. Shine | .... | best boy grip | |
| Cory R. Starr | .... | lighting technician | |
| Chris Steele | .... | electrician | |
| John Stewart | .... | electrician | |
| Richard Cameron White | .... | epk videographer | |
| Jarrod Wilson | .... | grip | |
Casting Department | |||
| Christine Colvin | .... | casting assistant | |
| Jill Dupont | .... | casting associate | |
| Luciano Silighini Garagnani | .... | extras casting assistant | |
| Angelique Midthunder | .... | casting director: New Mexico (uncredited) | |
Costume and Wardrobe Department | |||
| Marylou Lim | .... | set costumer | |
| Eric Yake | .... | key costumer | |
Editorial Department | |||
| Matthew Coleshill | .... | post-production assistant | |
| Maxine Gervais | .... | digital intermediate colorist | |
| Adam Ohl | .... | digital intermediate producer | |
| Mathieu Reid | .... | color timer | |
| JoAnne Yarrow | .... | first assistant editor | |
Music Department | |||
| Peter Afterman | .... | music consultant | |
| Alison Litton | .... | associate music supervisor | |
| Ronald J. Webb | .... | music editor: temp score | |
| Margaret Yen | .... | music supervisor | |
| Sam Zeines | .... | music editor | |
| Sam Zeines | .... | score co-producer | |
Transportation Department | |||
| Ben Barsky | .... | driver | |
| Oscar Beguiristain | .... | driver | |
| Donna Brower | .... | transportation dispatcher | |
| Ricky Damazio | .... | transportation coordinator | |
| Manny Demello | .... | transportation captain | |
| Billy Kane | .... | driver | |
| Bart McCarthy | .... | driver | |
| Bob McCarthy | .... | driver | |
Other crew | |||
| Robert Abramoff | .... | production legal | |
| Emma Barber | .... | production assistant | |
| Mychael Dylan Brenk | .... | location assistant/scout | |
| Barri Chase | .... | production intern | |
| Angie Conners | .... | international marketing | |
| Chris Cook | .... | production assistant | |
| Katelyn M. Edmonds | .... | office production assistant | |
| Stephanie M. Flores | .... | intern coordinator | |
| Stephanie M. Flores | .... | office production assistant | |
| David Giere | .... | production medic | |
| Katie L. Greisiger | .... | assistant production coordinator | |
| Denton Hanna | .... | location manager | |
| Timothy P. Haskins | .... | production coordinator | |
| C.J. Izzo | .... | production assistant | |
| Chrissy Kernes | .... | accounting clerk | |
| Matt Kyhn | .... | production assistant | |
| Nakoma Litahní | .... | set production assistant | |
| Adam C. Londy | .... | assistant: Mr. Bowen | |
| Karen Mattingly | .... | script supervisor | |
| Erica Mazzella | .... | on-set intern | |
| Travis Alan McAfee | .... | staff set production assistant | |
| Maggie Means | .... | production accountant | |
| Christopher James Meyers | .... | production intern (as Christopher Meyers) | |
| Thomas P. O'Neill | .... | production assistant intern | |
| Mrs. Parker | .... | production therapist | |
| Jason Sallee | .... | key assistant location manager | |
| Amanda Shamis | .... | clearance coordinator | |
| Joshua D. Stevens | .... | assistant to director | |
| Adam M. Stone | .... | product placement coordinator | |
| Cat Stone | .... | product placement coordinator | |
| Ian M. Stratford | .... | financial counsel | |
| Michael J. Urann | .... | post production consultant | |
| Aubrey Wehofer | .... | production office intern | |
| Morgan Winn | .... | production intern | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I caught this at the London Film Festival and thought it was the best film I'd seen all year, or in quite a few years, for that matter, though I've yet to see Social Network. I'm partial to small, low-key movies where you have to kind of fill in the blanks for yourself. This is one of those movies, and I like its honest approach, refusing to ingratiate itself with potential audiences that like their dramas "gut-wrenching" and "captivating" (translation: over-acted and on the nose).
The cast is great, Will Ferrell is just spot-on, as good as I've ever seen him, including Stranger Than Fiction (well, maybe he'll never top Ron Burgundy, which is pure genius, but this is a whole different thing, obviously): funny, moving, serious... And yet he does very little, and the rest of the cast follow his lead: they just inhabit these characters and let the writing do its job. There are no big, Oscar-bait turns in this film, despite its boasting an "award-friendly" theme, so to speak. There are just these small, honest gestures that speak volumes for themselves. There's no need to amp them up over the top with a sappy score, huge fights, people falling apart, crying and screaming... The film successfully takes it down a notch, and I for one appreciate that.
To sum up, it was fresh, honest, funny, moving. I think its humanity will connect with people who are willing to seek this out, and I think they'll be pleasantly surprised if they do.
Trivia side note: In the print that was screened at the London Film Festival, Will Ferrell's character was called Nick Porter in the end credits. That was the character's original name, but apparently they couldn't clear it because there was a Nick Porter living in the area, where they were literally about to start shooting that day, or the next. So they had to consider a long list of names before Halsey was finally approved, but they didn't have time to change it in the credits in time for the festival release. This according to writer/director Dan Rush, who was there for a Q&A.