After Nick is fired from his sales job, mostly because of his penchant for alcohol, he comes home and finds that his wife has kicked him and all of his stuff out of the house and onto the front lawn. He is pretty intent on just sitting in his chair, drinking beer, on the lawn. His cop friend, Frank Garcia, thinks he should at least pretend to have a yard sale to make it legal. He slowly starts making friends with a neighborhood kid who needs something to do, and a pregnant wife who has just moved in across the street, and Nick finds himself moving on and selling all his stuff. Written by
Property Master Keith Mosca's name appears multiple times in the yearbook that Nick is looking through when he finds the note from Delilah. See more »
Camera and camera operator sitting motionless are reflected for an extended length of time in the glass shower door in Nick's master bathroom (lower left of frame). Scene occurs toward the end of the film, after Nick is provided keys to new locks and regains access to his home. See more »
Voice on tape:
Rule number 1, know your products. Okay, whether it's a PC or a piece of paper, know how it works. Number 2. Know your customers. Learn everything you can about them. Listen to what they want, and what they don't want. Rule number 3. Go the extra yard, okay? If you don't have the answer, find it. It's that simple. Okay, let's go get those numbers out there.
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Everything Must Go is a well-made movie, but heavier than I was seeking
I really enjoyed Stranger than Fiction and, since I had heard Will Ferrell's performance in that movie compared favorably to the one in Everything Must Go, was excited to see EMG. I walked away after seeing EMG a little unsure of whether I truly enjoyed the movie or just merely appreciated the quality of the director's vision and execution. Everything Must Go is the story of Nick Halsey (Ferrell), a struggling alcoholic who, in the first 10 minutes of the movie, has been laid of from his job and kicked out of his house by his wife, all within the same day. The rest of the movie looks at Halsey's attempt to manage the tension between wanting what he once had and trying to pursue a life that he desires, even though he isn't entirely sure of what that looks like. I will start by saying I thought the acting of everyone involved, especially Will Ferrell and Christopher Jordan Wallace, was superb and a highlight of the movie. I thought the music and visuals added significantly to the feel of the movie, especially how so much of the movie occurred in the front yard with the records of his father occasionally playing in the background. Now I knew to expect a story that was not a happy-go-lucky comedy (is there one about an alcoholic struggling with sobriety), but was hoping for some more lightheartedness. I did particularly enjoy watching the relationship between Nick Halsey and Wallace's "Kenny Loftus", and thought that the filmmakers did a good job pairing the two actors up. A couple of things with which I walked away: first, I found it interesting how the director decided to show Halsey's eventual growth in the way that he let go of certain things, and to whom he left them. Afterwards, a friend of mine and I discussed how difficult these acts would have been, but thought it appropriate for someone trying to move beyond such a serious issue as alcoholism. I also found it interesting that such a pivotal character, like Halsey's wife, has no screen time at all, save for her voice in one scene. It is as if the filmmakers want us to see how much damage one person has managed to do by simply stepping out of another's life. Overall, I do believe that the movie was well made, with an interesting story and fantastic acting, but the mood of the film was a little heavier than what I was looking for.
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