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Magnetic Rose (1995) More at IMDbPro »Kanojo no omoide (original title)


2017 | 2012 | 2010

2 items from 2010


Satoshi Kon obituary

26 August 2010 10:19 AM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »

Japanese director of playful animation combining realistic drama with fantasy

Satoshi Kon, who has died of pancreatic cancer aged 46, was one of the boldest and most distinctive film-makers to specialise in animation. His main body of work – four completed feature films and an acclaimed television mini-series – was playful, sophisticated and adult. Tired of the cliches of mass-produced Japanese animation – "robots and beautiful little girls," as he once put it – Kon sought to make animation that used ambitious and often disorientating editing, intercutting and scene-shifting.

"In animation, only what is intended to be communicated is there," he once said. "If I had a chance to edit live-action, it would be too fast for audiences to follow." Kon made only sparing use of CGI in his mostly drawn films, relying on such superb animators as Shinji Otsuka and Toshiyuki Inoue.

Much of Kon's animation combines realistic drama (usually set in present-day Tokyo) with dreams and fantasy. »

- Andrew Osmond

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Groundbreaking Anime Director Satoshi Kon, 1963-2010

24 August 2010 2:00 PM, PDT | ifc.com | See recent IFC news »

British site UK Anime Network is reporting that director Satoshi Kon passed away yesterday at age 47, apparently due to cancer. This marks the untimely death of the filmmaker second only to Hayao Miyazaki in making inroads for anime films both internationally and as weighty works of cinema worthy of serious critical consideration.

From the 1998 Hitchcockian tale of a menaced pop idol "Perfect Blue" to 2001's look into the life of a aging performer "Millennium Actress" to 2006's saga of shared dreams (out-"Inception"ing "Inception") "Paprika," Kon was fond of exploring and blurring the lines between reality, memory and dreams. These are themes animation is particularly suited to, and ones that can be seen early in his career, in the "Magnetic Rose" segment of omnibus film "Memories," for which he wrote the screenplay, and later in "Paranoia Agent," the series he created.

2003's "Tokyo Godfathers" was his lone linear narrative, »

- Alison Willmore

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2017 | 2012 | 2010

2 items from 2010


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