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Welcome to the South (2010)
"Benvenuti al sud" (original title)

 -  Comedy  -  1 October 2010 (Italy)
6.4
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Ratings: 6.4/10 from 4,052 users  
Reviews: 7 user | 18 critic

The film is an acknowledged remake of a French movie, Bienvenue chez les Ch'tis, which told the story of a southern postal employee unhappily transferred to the north... See full synopsis »

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(screenplay), (original screenplay), 2 more credits »
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Title: Welcome to the South (2010)

Welcome to the South (2010) on IMDb 6.4/10

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Cast

Credited cast:
Claudio Bisio ...
Alberto Colombo
...
Mattia Volpe
...
Silvia Colombo
...
Maria
...
Poliziotta
Giacomo Rizzo ...
Costabile grande
...
Costabile piccolo
Teco Celio ...
Gran Maestro
Riccardo Zinna ...
Vigile urbano
Nunzia Schiano ...
signora Volpe
Salvatore Misticone ...
Signor Scapece
Francesco Albanese ...
Centauro
Alessandro Vighi ...
Chicco Colombo
Fulvio Falzarano ...
Mario
Rest of cast listed alphabetically:
Clara Bindi
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Storyline

The film is an acknowledged remake of a French movie, Bienvenue chez les Ch'tis, which told the story of a southern postal employee unhappily transferred to the north... See full synopsis »

Add Full Plot | Plot Synopsis

Genres:

Comedy

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Details

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Release Date:

1 October 2010 (Italy)  »

Also Known As:

Bem-vindo ao Sul  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Connections

Followed by Welcome to the North (2012) See more »

Soundtracks

Sunrise
Written by Norah Jones and Lee Alexander
Performed by Norah Jones
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User Reviews

 
A sentimental, 'feelgood' farce with heaps of potential which is seldom realised.
24 October 2013 | by (NZ) – See all my reviews

This is a curiously lame re-versioning of a French film, which was much more successful on many levels, the most important being the direction. WTTS is an awkward experience for this audience member; it's full of good farcical ideas and nice, broad characters, but it never really comes to life, because the staging, the timing and the acting all miss the mark. You can see how good it could have been, how many of the scenes, played differently would have worked. Alas it's mostly flat, overly sentimental but cheerful. The only actor in the cast with whom I'm familiar is Angela Finocchiaro, whom I very much admired in "Don't Tell" - in which she gave a funny and moving performance. Here she's not given much to do beyond acting out the demands of of her caricatured character and the unlikely turns of the plot. I kept expecting her to be funny, but I was always disappointed. I attribute this to poor writing and even poorer direction. It's often extraordinary how certain scenes are staged - as though the director is anti-comedy.


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