| Marina Foïs | ... | Rachel | |
| Élodie Bouchez | ... | Teri | |
| Roschdy Zem | ... | Franck | |
| Nicolas Duvauchelle | ... | Vincent | |
| Jean-François Stévenin | ... | Le père de Rachel | |
| Alexia Stresi | ... | Diane | |
| Blanche Gardin | ... | La soeur de Rachel | |
| Geneviève Mnich | ... | La mère de Franck | |
| Philippe Paimblanc | ... | Le père de Franck | |
| Naomi Ferreira | ... | Margot | |
| Ilona Caly | ... | Thelma | |
| Ferdinand Ledoux | ... | Tim | |
| Ya Hui Chan | ... | La petite amie de Diane | |
| Nathalie Roche | |||
| Eric Kailey | |||
| Cédric Weber | |||
| Mariame N'Diaye | (as Mariama N'Diaye) | ||
| Elias Lemercier | |||
| Mathilde Cheval | |||
| Pauline Coutant | |||
| Baskar Selva |
Directed by | |||
| Antony Cordier | |||
Writing credits(in alphabetical order) | ||
| Antony Cordier | ||
| Julie Peyr | ||
Produced by | |||
| Pascal Caucheteux | .... | producer | |
| Sebastien Lemercier | .... | producer | |
Original Music by | |||
| Frédéric Verrières | |||
Cinematography by | |||
| Nicolas Gaurin | |||
Film Editing by | |||
| Christel Dewynter | |||
Casting by | |||
| Richard Rousseau | |||
Production Design by | |||
| Marie Cheminal | |||
Costume Design by | |||
| Isabelle Pannetier | |||
Makeup Department | |||
| Laurent Bozzi | .... | key hair stylist | |
| Catherine Bruchon | .... | key makeup artist | |
| Anouck Sullivan | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Denis Kralj | .... | assistant director: location | |
| Christelle Lahaye | .... | second assistant director | |
| Valérie Roucher | .... | assistant director | |
Art Department | |||
| Maxime Girault | .... | second assistant production designer | |
| Cécile Hurlé | .... | set dresser | |
| Chloé Leguay | .... | graphics | |
| Anne Passelergue | .... | assistant art director | |
| Cyril Péré | .... | property master | |
| Valérie Rozanes | .... | first assistant production designer | |
| Valérie Rozanes | .... | set decorating department assistant | |
Sound Department | |||
| Annabel Acquaviva | .... | boom operator | |
| Niels Barletta | .... | sound mastering engineer | |
| Damien Bouvier | .... | post sync dialogue | |
| Stéphane Brunclair | .... | sound editor | |
| Sophie Durand | .... | dialogue editor | |
| Cyril Holtz | .... | sound re-recording mixer | |
| Vincent Milner | .... | foley artist | |
| Cyril Moisson | .... | sound | |
| Laure Montagnol | .... | assistant sound editor | |
| Pierre Picq | .... | boom operator | |
| Maxime Saleix | .... | sound mix technician | |
Stunts | |||
| Delphine Boulay | .... | stunts | |
| Catherine Mourlon | .... | stunts | |
| Laurent Mulot | .... | stunts | |
| Olivier Schneider | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Aurélien Cachoir | .... | first assistant camera | |
| Jeannick Gravelines | .... | still photographer | |
| Julia Mingo | .... | second assistant camera | |
| Jean-Michel Pitois | .... | electrician | |
| Alexis Robin | .... | video assistant | |
| Jérémy Stone | .... | key grip | |
| Karim Younes | .... | electrician | |
Casting Department | |||
| Julie David | .... | casting associate | |
| Alexandre Nazarian | .... | casting associate | |
Costume and Wardrobe Department | |||
| Ariane Daurat | .... | wardrobe | |
| Paulette Ribot | .... | costumer | |
Editorial Department | |||
| Carole Borne | .... | assistant editor | |
| Fabien Turriziani | .... | first assistant editor | |
Other crew | |||
| Roselyne Bellec | .... | script supervisor | |
| Stéphane Boulay | .... | travelling car | |
| Claire Viroulaud | .... | press attache | |
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| Bitter Moon | My Sex Life... or How I Got Into an Argument | Secret Things | The Science of Sleep | Femme Fatale |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Romance section | IMDb France section |
"Physical infidelity is the signal, the notice given, that all fidelities are undermined." Katherine Anne Porter
Polyamory is tricky for the best of lovers, so put two couples into mate-swapping, with kids in the mix and professions pushing time limits, and you have a perfectly French sex drama not easy on anyone involved.
Oh, in Four Lovers it's initially easy enough, as attractive as the principals are and as conducive the circumstances: Vincent (Nicolas Duvaunchelle), a blonde boy/man with tattoos and Web designing occupation, connects with Rachel (Marina Fois), a boutique jeweler; her husband, Franck (Roschdy Zem), is a coffee-table erotic book writer/photographer, who through deft massaging connects with Vincent's Teri, a former Olympic gymnast of half American blood. Sensuality abounds through most of the film with no apparent jealousy as everyone knows what's up. Only when the kids need attention or a diary is read does the edginess of this hanky-panky surface. And then it's all still very much subdued. It's unusual not to witness crying and shouting as the inevitable challenges arise. But then it's discomforting not to have discourse among the principals about their infidelities. The film's so cool as to be almost passionless.
Unlike Mike Nichols' Closer, starring Julia Roberts and Clive Owen, which has a similar situation with four acquaintances unfaithful to each other, Closer has a decidedly US/Brit clandestine, guilt cast to it. But it is full of witty dialogue that helps us deconstruct their astonishing selfishness and disregard for feelings.
I had assumed the French Four Lovers approach would be the opposite: open, relaxed, sensitive, sensual, and surviving. I was right: It's a different world from the Catholic one I grew up in, but it seems the same demons show up in different disguises.
Even the French can't find this arrangement tenable over the long haul.
"I don't want to sell myself short. You hurt your spouse, not so much by the infidelity, but by the negative feelings about yourself that you bring home." Michael Zaslow