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Melancholia (2011)

R | | Drama | 26 May 2011 (Denmark)
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Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide with Earth.

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32 wins & 85 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Tim
...
Leo
...
...
Little Father
...
...
...
...
James Cagnard ...
Michael's Father
Deborah Fronko ...
Michael's Mother
Charlotta Miller ...
Betty 1
Claire Miller ...
Betty 2
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Storyline

On the night of her wedding, Justine is struggling to be happy even though it should be the happiest day of her life. It was an extravagant wedding paid for by her sister and brother-in-law who are trying to keep the bride and all the guests in line. Meanwhile, Melancholia, a blue planet, is hurtling towards the Earth. Claire, Justine's sister, is struggling to maintain composure with fear of the impending disaster. Written by napierslogs

Plot Summary | Plot Synopsis

Taglines:

Enjoy it while it lasts See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some graphic nudity,sexual content and language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Language:

Release Date:

26 May 2011 (Denmark)  »

Also Known As:

Melancolía  »

Box Office

Budget:

$7,400,000 (estimated)

Opening Weekend:

$257,174 (USA) (11 November 2011)

Gross:

$3,029,870 (USA) (24 February 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The image of Justine floating down the stream with her bouquet is inspired by John Everett Millais's 1852 painting "Ophelia." See more »

Goofs

The planet Melancholia disrupts all electricity in and around the house, including the electrical systems in the cars in the driveway. However, Claire is able to jump in an electric golf cart and drive away with no problem. See more »

Quotes

[first lines]
Michael: Sir. Eh...
[looking backward]
Michael: Yeah, you're good. You can back up a little more, if you want. I think you need the... I think you need that extra...
Justine: [laughing] I don't think he can hear you.
Michael: Sir. Sir, can you hear me up there?
[fiddling with controls]
Michael: Do you copy, sailor? He's in a different county, I think that's...
Justine: [laughing]
See more »

Connections

Referenced in 73 Questions: 73 Questions with Sarah Jessica Parker (2014) See more »

Soundtracks

Excerpts from Tristan und Isolde
Music: Richard Wagner
Orchestra: The City of Prague Philharmonic Orchestra (as The City of Prague Philharmonic Orchestra)
Conductor: Richard Hein
Recorder: Jan Holzner
Solo cello: Henrik Dam Thomsen
Arrangements by Kristian Eidnes Andersen
See more »

Frequently Asked Questions

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User Reviews

 
Regardless of strange flaws It totally worked for me!
31 May 2011 | by (Denmark) – See all my reviews

First off, let there be no doubt Melancholia is an amazing movie, a one of a kind experience. But it's also a strange movie. Strange because some parts are just so much better than others. From divine touch of genius to actually really rather bad. There are parts that are so strikingly beautiful that you can not help being mesmerized, there's superb directing resulting in amazing, almost screen transcending acting (and this is from the girl from "Bring it on" mind you), and there are parts were sound and imagery merge with such impact that you get blown away. But then there are parts that feels just the opposite, some characters are portrayed surprisingly flat and their dialog and behavior seems contrived at best, almost like they never got beyond a crude first draft in the writing. The mother and the boss especially could have been watered down and integrated with more finesse IMO. It sounds like no biggie but it's such a stark contrast to the brilliance you find in other parts of the movie e.g. the subtle and tender portrayal of the groom and his love and affection for his troubled wife. Regardless and in spite of these rather prominent shortcomings I was sucked in from the mind blowing opening and my emotions were once again stripped bare and exposed at the signature killing blow finale. As before with Trier's films, I stumbled out of the theater, all numb and profoundly touched.


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