A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
On the night of her wedding, Justine is struggling to be happy even though it should be the happiest day of her life. It was an extravagant wedding paid for by her sister and brother-in-law who are trying to keep the bride and all the guests in line. Meanwhile, Melancholia, a blue planet, is hurtling towards the Earth. Claire, Justine's sister, is struggling to maintain composure with fear of the impending disaster. Written by
Justine's text about the loneliness and evilness of the earth, about to be destroyed, refers to Genesis 6.13. If Justine is right, this may explain the scientific implausibilities of Melancholia's movement towards Earth. See more »
When Melancholia rises in the evening, it is seen almost as a circle. The lower part is missing, thus indicating that Melancholia is lit from above which would make it day at the part of the Earth from which we are watching. See more »
Yeah, you're good. You can back up a little more, if you want. I think you need the... I think you need that extra...
I don't think he can hear you.
Sir. Sir, can you hear me up there?
[fiddling with controls]
Do you copy, sailor? He's in a different county, I think that's...
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Trier takes us for a ride. It's a slow ride, taking in the beauty of the cinematography. It is at once a beautiful movie, while at the same time focusing on the absence of real love between the characters - and in the world. The movie hints at a correlation between the lack of love, and the threat of impending doom that's present throughout.
I speculate that every viewer will take something slightly different away from the picture, because the movie is designed to make you think about us humans and our behaviors toward each other, as well as enjoy the work of wonder that the movie is. What you end up with is dependent of what you take to the movie in the first place. Trier's movies are usually adept at making you feel. In this movie you are left to your own devices. There is no inherently good person to root or feel for. There is only the state of the world. And the future of the human kind. Can you be bothered to feel for us?
Truly Trier-esque (10/10).
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