A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
On the night of her wedding, Justine is struggling to be happy even though it should be the happiest day of her life. It was an extravagant wedding paid for by her sister and brother-in-law who are trying to keep the bride and all the guests in line. Meanwhile, Melancholia, a blue planet, is hurtling towards the Earth. Claire, Justine's sister, is struggling to maintain composure with fear of the impending disaster. Written by
Lars von Trier cites Jean Genet's play "The Maids" as a source for elements of the story, adding that Penélope Cruz had originally suggested that he direct an adaptation of the play. See more »
Melancholia is said to have "hidden behind the sun", then turn "from black to blue". There are many reasons because of which a close-by celestial object can remain undetected for a long time, but this isn't one of them. An object coming out from behind the sun would have been in full solar light, bright and clearly visible to the naked eye at either dusk or dawn. See more »
Yeah, you're good. You can back up a little more, if you want. I think you need the... I think you need that extra...
I don't think he can hear you.
Sir. Sir, can you hear me up there?
[fiddling with controls]
Do you copy, sailor? He's in a different county, I think that's...
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Regardless of strange flaws It totally worked for me!
First off, let there be no doubt Melancholia is an amazing movie, a one of a kind experience. But it's also a strange movie. Strange because some parts are just so much better than others. From divine touch of genius to actually really rather bad. There are parts that are so strikingly beautiful that you can not help being mesmerized, there's superb directing resulting in amazing, almost screen transcending acting (and this is from the girl from "Bring it on" mind you), and there are parts were sound and imagery merge with such impact that you get blown away. But then there are parts that feels just the opposite, some characters are portrayed surprisingly flat and their dialog and behavior seems contrived at best, almost like they never got beyond a crude first draft in the writing. The mother and the boss especially could have been watered down and integrated with more finesse IMO. It sounds like no biggie but it's such a stark contrast to the brilliance you find in other parts of the movie e.g. the subtle and tender portrayal of the groom and his love and affection for his troubled wife. Regardless and in spite of these rather prominent shortcomings I was sucked in from the mind blowing opening and my emotions were once again stripped bare and exposed at the signature killing blow finale. As before with Trier's films, I stumbled out of the theater, all numb and profoundly touched.
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