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When his clan, including his wife and baby girl Néa, are massacred, Ao, a desperate Neandertal man, decides to leave the North country where he has been living for the South where he was born. His aim is to join his twin brother, from whom he was separated when he was nine. On his long and adventurous way home, he meets Aki, a Homo Sapiens woman... Written by
The movie is about last of the Neanderthals, named Ao, who after loosing all his clan ventures back from Siberia to Southern Europe where he came from, to find his brother, Oa.
The film is set in pretty much realistic environment and the main guy is believable Neanderthal, though maybe little bit softer at heart, than we imagine Neanderthals would be.
We see realistic scene of his ugly Neanderthal wife giving birth to child. Realistic scene of Ao and his mate fighting bear and so on... So we prepare ourself to dig deeper into movie with documentaristic approach, we are going to see prehistoric life of humans and Neanderthals but after Ao's departure from Siberia and his first meeting with humans, the problems start.
Giving that the action scenes of the movie aren't all that impressive, the love theme is not so original, there is little drama or tension that can capture your attention, it would be smartest thing to continue the movie in only available way to make it stand-out and original - I mean, making it as realistic, as possible and while it started good in that direction, it failed miserably very soon.
Ao meets human girl who has the appearance of top-model, apparently shaves her legs and armpits and is just too damn sexy and unbelievable for all her surrounding people and nature.
From that moment we get cliché-driven, stupid love-escape story with predictable end. Good bye realism... good bye exploring of prehistoric life... good bye the most interesting part of the movie.
I understand that it's NOT documentary and director has all the right to soften the harsh prehistoric world, but it's just too much.
This could be worse if girl couldn't act. Fortunately she can, and does it pretty good actually, but alas, she can't save the movie.
This kind of cinematography could have success in only one case, but somewhere along the production director went the very wrong way.
Overall, mediocre film
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