A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
Chris Faraday once smuggled illegal items or contraband into the country on freighters. He left that life behind, got married, has a family and went legit. But when his brother-in-law got involved with Briggs, a drug dealer and when he blew a deal, Briggs demands restitution which he can't deliver. So Chris offers to find a way to pay Briggs but then he threatens Chris' family if he doesn't deliver. So he gets on a freighter destined for Panama and he sets out to bring back some counterfeit currency. Briggs "goes to see" Chris' family. When Chris learns of this he asks his friend Sebastian to take care of them which he does. He tells Chris that it would be better to bring drugs instead of the cash. Written by
The painting stolen appears to be "One: Number 31" by Jackson Pollock. The actual painting is in the Museum of Modern Art in New York City. It has an undisclosed insurance value, though it is estimated to be in excess of $200 million. See more »
During the freighter crash there is prop wash which indicates the boat is under power. The alleged problem would not preclude stopping the engine and propeller. See more »
Contraband is a paint by numbers action/thriller. It would be easy to pick on everything that this movie wasn't, but can you blame chicken nuggets for being chicken nuggets? With a rookie screenwriter at the helm, the script suffers from a mash-up of cliché's. They start with "One last heist" and end with "If you want to save your family you'll do as you're told". There were many déjà-vu moments of been there and done that.
The star power was strong, but given so very little to work with in the way of character back story. All the characters were two dimensional representations of stereotypes. The locations (New Orleans & Panama) were interesting choices but never really quite fit. While the movie wasn't action packed, it moved at a good pace and kept my interest the whole time. The film work was solid as a whole. There was one particular action sequence that takes place around the halfway mark that was done very well.
If you have a craving that only chicken nuggets will satisfy, then I think you will come away fairly happy. Not a necessity to see on the big screen, but that helps it a little. Leave your thinking cap outside, that's the contraband that will keep you from enjoying this as it was intended.
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