Italia, 1994. Franco e Loris are two friends that decide to steal a stud bull. The bull is worth a lot. Their idea is to immediately leave Italy and try to sell the bull in Hungary. But ... See full summary »
Riding the Tiger is a haunting evocation of the hubris, despair and devastation of the American war in Vietnam. Archival film and footage of a B-52 graveyard are combined with the voices of GIs, Vietnamese villagers, and journalists.
A decadent building in Rome, filled with residents that can't find ways of connecting with each other, goes through a critical condition when some of the people opt to ignore the new rules ... See full summary »
Claudio, a construction worker, works on a site in the suburbs of Rome. He is madly in love with his wife who is pregnant with their third child. However, when he finds the remains of an ... See full summary »
The adventures of two cute stragglers, Willy and Antonio, who penetrated at night in the Basilica Del Santo in Padua almost accidentally steal a precious relic of St. Anthony . Realizing ... See full summary »
Vesna è una affascinante ragazza ceca arrivata a Trieste con un autobus turistico. Lascia amiche e connazionali per cercare una nuova, e migliore, vita altrove. Si dirige a Rimini, ma qui ... See full summary »
One of the most unusual films in recent times that you may happen to see. But then, in my opinion Mazzacurati has always been unusual among Italian directors, due to his sensitivity and his (very un-Italian) understatement. "The passion" tells the story of a group of assorted people, bound together by the most unlikely (and, in some cases, unfortunate) circumstances, who find themselves busy staging the tale of the passion of Christ on a Good Friday in a Tuscan village, an old tradition that is still alive all over Italy. Among the characters, sometimes bizarre but seldom really improbable, two in particular stand out: an obscure, alternative film director that finds himself in a phase of creative stalemate and an ex thief turned actor (and a very bad one at that; or rather not?).
As in other films by Mazzacurati, losers are bound to stay that way, not to turn into winners; you're not in for cheesy Hollywood crap. And yet, those characters are not desperate: without even realising it, they are heroes of sorts in that they manage not to fall into despair despite the hardships of life. That happens, rather than by a deliberate choice, by clinging to sort of a little voice inside that tells them not to betray what they feel they believe in. They sometimes seem not just to suffer, but even to pursue humiliation and defeat; but, in spite of that, they retain, almost by accident, a deep-rooted naiveté and sense of humanity that makes them, in their own way, heroic and easy to sympathise with.
That happens in the lives of most of us; that is why the film is deeply moving and, sometimes very funny. It helps that the cast features several comedians, more (Corrado Guzzanti, who plays the vain Manlio Abbruscati) or less (Marco Messeri, by now a familiar presence in Mazzacurati's films, or Fabrizio Battiston) known by the Italian general public, with a penchant either for the bittersweet or for the downright sardonic.
Never understate losers; there's more to them than meets the eye.
18 of 22 people found this review helpful.
Was this review helpful to you?