College students and best friends Ginger Matheson, Jim Duncan, and Kyle "Dixie" Canning, pool their cash to buy a "ghost" in an online auction. The three think it's all a goof, but once ...
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Cosette is cursed. Demons Ghouls and Ghosts from the darkest corners of Hell are summoned to bring her to the other side. Now Cosette and Klaus her protector must face an unspeakable evil in an attempt to free her from this demonic curse.
The girl next door, having coffee, lunch with a friend, shopping, unaware she is becoming an obsession. She has been chosen. A young woman awakes to find herself imprisoned in a serial ... See full summary »
Twenty years after a deadly outbreak of parasites at an island research facility, where most of the people were killed, survivor Jamie returns with her friends to sell her stake. But a new strain of parasite could blow the transaction.
In early 11th century China, the Song Dynasty is being invaded by armies of the rival state Western Xia. Yang, the last of a long line of Song generals, is killed and his widowed wife Mu ... See full summary »
College students and best friends Ginger Matheson, Jim Duncan, and Kyle "Dixie" Canning, pool their cash to buy a "ghost" in an online auction. The three think it's all a goof, but once they open up the antique box to examine their "treasure," they unleash the vengeful spirit of an Irish servant girl who has been wreaking havoc on her owners throughout the generations. Written by
A trio of college pals merge their funds for an unusual online auction purchase...an 18th century box which houses the malevolent spirit of a murdered Irish servant girl. When the box is opened, the ghost is set free, and predictable carnage ensues.
KILL KATIE MALONE really offers nothing new to the horror genre, but it's a satisfactory little product, nonetheless. Performances from the key players are a notch or two above the yardstick, and their characters are surprisingly well developed. This is pretty subtle stuff for contemporary horror, though not entirely ineffective...I actually rather liked the way it skirted explicit visual shocks for a more veiled, spectral puissance.
All in all, a higher quality production than the flat material really deserved.
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