| Photos (See all 14 | slideshow) | Videos (see all 6) |
| Thomas Dekker | ... | Smith | |
| Haley Bennett | ... | Stella | |
| Chris Zylka | ... | Thor | |
| Roxane Mesquida | ... | Lorelei | |
| Juno Temple | ... | London | |
| Andy Fischer-Price | ... | Rex | |
| Nicole LaLiberte | ... | Red-Haired Girl | |
| Jason Olive | ... | Hunter | |
| James Duval | ... | The Messiah | |
| Brennan Mejia | ... | Oliver | |
| Kelly Lynch | ... | Smith's Mom Nicole | |
| Carlo Mendez | ... | Milo | |
| Christine Nguyen | ... | Freshman Bimbo | |
| Michael James Spall | ... | Smith's Dad | |
| rest of cast listed alphabetically: | |||
| Sean Bresnahan | ... | Surgeon (uncredited) | |
| Brandy Futch | ... | Drug Fairy Nymph (uncredited) | |
| Natalie Alyn Lind | ... | Cult Victim (uncredited) | |
| Jen Mears | ... | Student (uncredited) | |
Directed by | |||
| Gregg Araki | |||
Writing credits | ||
| Gregg Araki | (screenplay) | |
Produced by | |||
| Gregg Araki | .... | producer | |
| Pascal Caucheteux | .... | producer | |
| Beau J. Genot | .... | associate producer | |
| Pavlina Hatoupis | .... | co-producer | |
| Pavlina Hatoupis | .... | line producer | |
| Sebastien Lemercier | .... | executive producer (as Sebastien K. Lemercier) | |
| Jonathan Schwartz | .... | executive producer | |
| Andrea Sperling | .... | producer | |
Original Music by | |||
| Robin Guthrie | |||
| Vivek Maddala | |||
| Mark Peters | |||
| Ulrich Schnauss | |||
Cinematography by | |||
| Sandra Valde-Hansen | |||
Film Editing by | |||
| Gregg Araki | |||
Casting by | |||
| Jenny Jue | |||
| Johanna Ray | |||
Production Design by | |||
| Todd Fjelsted | |||
Art Direction by | |||
| J.B. Popplewell | |||
Set Decoration by | |||
| Kristen Rajterowski | |||
Costume Design by | |||
| Trayce Gigi Field | |||
Makeup Department | |||
| Mark Andrews | .... | makeup artist | |
| Molly Cranna | .... | assistant makeup artist | |
| Roxxi Dott | .... | key hair stylist | |
| Chelsea Hite | .... | assistant makeup artist | |
| Lorraine Martin | .... | makeup department head | |
| Miko Nishida | .... | assistant hair stylist | |
| Natalie Vermiglio | .... | assistant makeup artist | |
Production Management | |||
| Beau J. Genot | .... | post-production supervisor | |
| Daniela Roth | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ryan Reels | .... | second second assistant director | |
| Chad Rosen | .... | first assistant director | |
| Jake Worden | .... | second assistant director | |
Art Department | |||
| Pj Aguilera | .... | builder/swing | |
| Adam Bolt | .... | production illustrator | |
| Jeremy Carpel | .... | leadman | |
| Rocio Carrizales | .... | on-set dresser | |
| Katie Crawford | .... | set dresser | |
| Elizabeth Cummings | .... | assistant art director | |
| Carl Fieler | .... | builder/swing | |
| Austin Lovell | .... | construction coordinator | |
| Alicia Marquez | .... | props | |
| Ayaka Ohwaki | .... | on-set props | |
| John Roberson | .... | set dresser | |
| Rosie Sanders | .... | set dresser | |
| Heath Satow | .... | sculptor | |
Sound Department | |||
| Jakob Beetem | .... | sound department intern | |
| Tara Blume | .... | foley artist | |
| Trip Brock | .... | supervising sound editor | |
| Adam De Coster | .... | foley artist | |
| Peter D. Lago | .... | sound effects editor | |
| Greg Mauer | .... | foley mixer | |
| Irene Montero | .... | foley editor | |
| Andrejs Prokopenko | .... | boom operator (as Andrew Prokopenko) | |
| Alexander Pugh | .... | sound effects editor | |
| Denielle Rose | .... | sound mixer | |
| Mark A. Rozett | .... | sound re-recording mixer | |
| Steven Utt | .... | sound recordist | |
| Kelly Vandever | .... | sound re-recording mixer | |
Visual Effects by | |||
| Wesley Cronk | .... | visual effects | |
Stunts | |||
| Matt Berberi | .... | stunt double | |
| Jacqueline Case | .... | stunt double | |
| Chad Guerrero | .... | stunt double | |
| Irving E. Lewis | .... | stunt double | |
| Mario Perez | .... | stunt double: Jimmy Duval | |
| Audi Resendez | .... | stunt double | |
| Lou Simon | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kevin Akers | .... | first assistant camera | |
| Leah Anova | .... | electrician | |
| Team Bashet | .... | key grip | |
| Chris Carroll | .... | gaffer | |
| Hillary Elder | .... | electrician | |
| Tony Foresta | .... | stunt camera operator | |
| Brock Goetz | .... | second assistant camera | |
| Roberto Gudino | .... | electrician | |
| Mariscela Beatriz Mendez | .... | electrician (as Mariscela Mendez) | |
| Kevin Morris | .... | second assistant camera | |
| Lee Ramsey | .... | electrician | |
| Kevin W. Skaggs | .... | electrician | |
| Igor Tochilnikov | .... | grip | |
| Marcos Valadez | .... | electrician | |
| John Veleta | .... | digital imaging technician | |
| Marianne Williams | .... | still photographer | |
Casting Department | |||
| Shaunessy James Quinn | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sarah Evelyn Bram | .... | wardrobe | |
| April Dunlap | .... | costumes | |
| Olivia Hateley | .... | wardrobe | |
Editorial Department | |||
| Alex Blatt | .... | associate editor | |
| Joseph K. Chen | .... | assistant editor | |
| Chuck Crews | .... | digital intermediate editor | |
| Adam Nazarenko | .... | digital intermediate colorist | |
Music Department | |||
| Tiffany Anders | .... | music supervisor | |
| Jen Pray | .... | music clearance | |
Transportation Department | |||
| Lauren Levine | .... | transportation coordinator | |
| Raymond Martin | .... | driver | |
Other crew | |||
| Chris Aguilar Garcia | .... | assistant: Andrea Sperling | |
| Alishe Beardeaux | .... | post production assistant | |
| Nic Berlin | .... | production assistant | |
| Annalis Clint | .... | production assistant | |
| John Emmons | .... | medic | |
| Jessica Feavel | .... | production assistant | |
| Michelle Frezieres | .... | script supervisor | |
| Jacob Halajian | .... | production assistant | |
| Michelle Holt | .... | production accountant | |
| Tierre Kennedy | .... | security | |
| Kat Lo | .... | location liaison (as Katherine Lo) | |
| Ayana McNair | .... | production assistant | |
| Tara Jean O'Brien | .... | production assistant | |
| Benjamin Rotast | .... | key production assistant | |
| Todd Svoboda | .... | production assistant | |
| Eva Valett | .... | post production coordinator | |
| Sally Van Gorder | .... | video artist | |
| Matt Warren | .... | production assistant | |
| Christy Wegener | .... | location manager | |
| Courtney L. Wilson | .... | production assistant | |
Thanks | |||
| Dorsay Alavi | .... | thanks | |
| Matthew Flint | .... | thanks | |
| John Waters | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| on film4 | psdhart |
| Juno Temple's accent | dolorous_hazy |
| Thomas Dekker | andrew-m-love |
| Oh wow this movie was bad | Brailles |
| Stella | kerownynn |
| The ending | Darkskynet |
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| Nowhere | Bully | The Rules of Attraction | The Kids Are All Right | The Journey of Jared Price |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I needed to leave a review since the only one up so far was a super negative gay-bashing.
Kaboom is the best Gregg Araki movie I have seen to date. Smiley Face was charming, and Mysterious Skins was just perverted (Mino from Romania should watch that one, he'd love it). It is super stylized in the coolest way, and the presentation is very clean. This movie just has a glossy feel to it that is very impressive. Aside from the color and glitter, the story is very engaging and holds on to you. It is a funny movie, there are scenes that will make you laugh, and some scenes that will give you goosebumps. It is also very eerie at times, the stylistic devices implemented to be chilling are indeed so, and at times it is chilling in a sort of deeper X-Filesy kind of way. Unfortunately, my criticism is that the conclusion of the film is all rushed exposition and not very rewarding at that after the fantastic build up beforehand.
The film deals with sexuality in a very lighthearted way. I find Araki's treatment of sexual taboo's to be refreshing and comical. Not for the ultra-conservative or homophobic crowd.